This day. crown Svo. nearly 400 pages, price ;§. 6cl.
The Speeches
CHARLES DICKENS.
NOW FIRS 7^ COLLECTED,
WITH
Fine Autotype Portrait of the Gre^t Novelist, by
Count D'Orsay, taken, in 1841.
."■''^^. ^Ji^^'ciaefer of \vhat,the French would call • a speecJi of occasion ' no
i>nt IS moreTia^pf.:' -Percy Fitzgerald.
" His capital Speeches, every one.,of then^reads like a pagt^f' Pickwick
- HE Critic. i o .
\.- A-CIwap EUiition, jvithoui Count D'Orsay' s Purtrait, and Iwutid itipapi>
price 25.
London: JOHN CAMDEN HOTTEN. 74 and -5. PiccvDiLLv.
CHARLES DICKENS
THE STORY OF HIS LIFE.
LONDON :
PRINTED BY WOODFALL AND KINDER,
MILFORD tANE, STRAND, W.C.
Digitized by the Internet Archive
in 2008 with funding from
IVIicrosoft Corporation
http://www.archive.org/details/charlesdickensstOOhottrich
Charles Dickens
(The Storir of bis Cifc
AUTHOR OF THE "LIFE OF THACKERAY"
BLEAK HUUbE, AT BROAUSTAIKS
J17T// ILLUSTRATIONS AND FACSIMILES
(second edition)
LONDON
JOHN CAMDEN HOTTEN, PICCADILLY
" Oh, potent wizard ! painter of great skill
Blending with life's realities the hues
Of a rich fancy : sweetest of all singers !
Charming the public ear, and, at thy will.
Searching the soul of him thou dost amuse,
And the warm heart's recess, where mem'ry linrjcrs»
And child-like love, and sympathy, and truth,
And every blessed feeling which the world
Had frozen or repressed with its stem apathy
For human suffering ! * Crabbed age and youth,'
And beauty, smiling tearful, turn to thee.
Whose ' Carol ' is an allegory fine.
The burden of whose ' Chimes ' is holy and benign ! "
Douglas Jerrold's Magazine.
ROCHESTER CASTLE
{Ay seen from the Railway Bridge.)
HE following brief Memoir of the late Mr.
Charles Dickens may, perhaps, be accept-
able as filling an intermediate place between
the newspaper or review article and the more elabo-
rate biography which may be expected in due
course. The writer had some peculiar means of
acquiring information for the purpose of his sketch ;
and to this he has added such particulars as have
been already made public in English and foreign
publications and other scattered sources.
The common complaints against memoirs of this
necessarily hasty and incomplete character will not
be repeated by those who are accustomed to test
questions in morals by the principles which underlie
them. That there is nothing necessarily indelicate
or improper in the desire of the public to obtain
some personal knowledge of the great and good who
have just passed away, is assumed by every daily,
weekly, and quarterly journal, which, on occasions
X PRELIMINARY.
of this kind, furnish their readers with such details
as they are able to obtain, and who in no case
confine themselves strictly to the public career of the
deceased.
Although some facts in the private life of Mr.
Dickens will be found to be touched upon in these
pages, the writer is not conscious of having written a
line which could give pain to others.
In view of a second edition — should one be called
for — the writer will be obliged by the receipt of any
additional particulars which may assist in completing
the outline memoir which now leaves his hand.
He cannot, however, conclude without acknowledg-
ing the kind assistance he has received in furnishing
anecdotes and other particulars from Mr. Arthur
T.ocker, Mr. E. S. Dallas, Mr. Blanchard Jerrold, Mr.
James Grant, Dr. Charles Mackay, Mr. Mitchell, of
Bond St. (for permission to make reductions of Leslie's
beautiful picture, and Count D'Orsay's characteristic
portrait), Mr. Edmund Oilier, Mr. E. P. Kingston,
Mr. Allen, Mr. J. Colam (Secretary to the Society
for the Prevention of Cruelty to Animals), the writers
of interesting articles in the Daily News and the
Observer, and to Mr. Hablot K. Browne, for his
admirable study of the chief characters drawn by
him for the late Mr. Dickens's works.
PRELIMINAR Y. xi
It would have been impossible to have given the
data contained in this little book, in the rather short
time occupied in its preparation, but for the hearty
assistance of ]\Ir. H. T. Taverner, an industrious
litterateur ^ who had already gathered some particulars
of the great novelist's public career.
London,
29//? June, iS'/o.
A TRIBUTE
TO
CHARLES DICKENS.
By the Hon. Mrs. Norton.
{From Albert Schloss's ''English Bijou Almanack" fo^ 1842.)
" Not merely thine the tribute praise,
Which greets an author's progress here ;
Not merely thine the fabled bays,
Whose verdure brightens his career ;
Thine the pure triumph to have taught
Thy brother man a gentle part ;
In every line a fervent thought,
Which gushes from thy generous heart :
For thine are words vi'hich rouse up all
The dormant good among us found —
Like drops which from a fountain fall,
To bless and fertilize the ground ! "
CONTENTS.
CHAPTER I.
FAGP
Early Career . 17
CHAPTER n.
Publication of the "Pickwick Papers" 38
CHAPTER HI.
Popularity of the "Pickwick Papers" 55
CHAPTER IV.
Dickens as a Dramatist 65
" Oliver Twist " 69
CHAPTER V.
The Copyright of "Oliver Twist" 'j^
CHAPTER VI.
"Nicholas Nickleby" 83
CHAPTER VII.
Publication of "The Old Curiosity Shop" and " Barnaby
Rudge" 92
Dickens's Ravens 97
"Barnaby Rudge" Dramatized loi
"The Pic-nic Papers" 103
CHAPTER VIII.
Dickens's Visit to America 105
xiv CONTENTS.
CHAPTER IX.
PAGE
Further American Experiences ^^9
CHAPTER X.
"Martin Chuzzlewit" ^^9
CHAPTER XI.
The "Christmas Carol" ^3^
CHAPTER XII.
Visit to Italy ^5°
"The Chimes" ^52
CHAPTER XIII.
Dickens as an Actor ^5^
CHAPTER XIV.
Dickens as a Journalist ^^4
CHAPTER XV.
Appearance of "Dombey and Son" 170
CHAPTER XVI.
Victor Hugo ^7°
"The Haunted Man" ^^^
CHAPTER XVII.
Dickens and Thackeray ^^S
"David Coppekfield" ^^°
On Capital Punishment ^9^
CHAPTER XVIII.
"Household Words" , ^95
The Guild of Literature 20X
CHAPTER XIX.
"Bleak House" 2°^
Leigh Hunt 209
CHAPTER XX.
American Publishers ^^5
The First Reading ^^^
CONTENTS, XV
CHAPTER XXI.
PAGE
'Hard Times" 221
"Seven Poor Travellers" 223
The Thackeray Dinner 225
Johnson's God-daughter 227
"Holly Tree Inn" 228
CHAPTER XXII.
"Little Dorrit" 230
" Travelling Abroad " 233
Tavistock House Theatricals 234
CHAPTER XXIII.
Works Translated into French 240
Dickens and Thackeray 242
CHAPTER XXIV.
Royal Dramatic College 252
Discontinuance OF " Household Words " .... 254
"All the Year Round" 256
CHAPTER XXV.
" The Uncommercial Traveller " 262
CHAPTER XXVI.
Mr. Dickens and the Electors of Finsbury .... 266
"Tom Tiddler's Ground" 267
"Somebody's Luggage" 270
"Mrs. Lirriper's Lodgings" . . . . . . . 273
" Pincher" 275
CHAPTER XXVII.
"Our Mutual Friend" 279
The Staplehurst Accident 283
"Miss Berwick" 285
"Dr. Marigold's Prescriptions" 287
Dickens at the Mansion House 289
Clarkson Stanfield 291
The Printers' Readers 292
CHAPTER XXVIII.
Second Visit to America 294
Pedestrian Tastes 305
r
xvi CONTENTS.
CHAPTER XXIX.
PAGR
The Farewell Readings 310
Failing Health 313
CHAPTER XXX.
Interview with the Queen 323
Last Illness 327
Death 328
Burial in Westminster Abbey 332
Funeral Sermon 337
His Last Resting-place 339
APPENDIX.
asecdotes and reminiscences.
The First Hint of "Pickwick" 341
Dickens and the "Morning Chronicle" .... 344
Portraits of Dickens 345
The Names of Dickens's Characters 346
Description of "Boz" in 1844 347
Description of D/ckens in 1852 348
Boz's Table Habits 349
The MS. of "Oliver Twist" 349
Dickens's Benevolence 350
Hook and Dickens 350
Methodical Habits and Perseverance 351
Manner of Literary Composition 353
"The Chief" 354
Blue Ink 355
Dickens in Private Life . . 355
Sympathy with Working Men 357
A Beggar's Estimate of his Generosity 357
Paragraph Disease 357
Dickens and Thackeray 538
Anecdote of Abraham Lincoln 360
The Contributors to "Household Words" .... 361
"The Mystery of Edwin Drood" 362
Gad's Hill House 365
"All the Year Round" 366
A STUDY OF DICKENS'S PORTRAITS,
1 839 -1 870.
DANIEL MACLISE, R.A.
Taken in 1839, and given as a frontispiece to
" Nicholas Nickleby."
COUNT D'ORSAY.
From a pencil sketch made in 1841.
CHARLES LESLIE, R.A. PHOTOGRAPH.
From his painting of Dickens as "The Copper From the portrait considered by Mr. Dickens
Captain" in "Every Man in his Humour." 1846. as his best likeness. 1870.
CHARLES DICKENS:
THE STORY OF HIS LIFE.
CHAPTER L
EARLY CAREER.
HE " Story of the Life " of England's greatest
novelist requires but little introduction.
Of his ancestors but few particulars are
recorded, and these are entirely without interest
as having any connection with the late illustrious
bearer of the name.
Charles Dickens * was born at Landport, Ports-
mouth, on the 7th February, 1812^ his father, Mr.
John Dickens, being a clerk in the Navy Pay Office
at that seaport. His duties required that he should
reside from time to time in different naval stations —
* He was christened Charles John Hougham Dickens, but
the full name (taken partly from the father' and partly from his
mother's side) was too high-sounding for his simple tastes, and
so he never used it, preferring the plainer form. He once re-
marked, that had he been a fashionable doctor, he might have
thought differently about the matter,
B
tPlo
i8 LIFE OF CHARLES DICKENS. [1819-22
now at Plymouth, now at Portsmouth, and then at
Sheerness and Chatham. ^' In the glorious days "
of war with France those towns were full of life,
bustle, and character, and the father of the author
of " Pickwick " was at times fond of dilating
upon the strange scenes he had witnessed. One of
the stories described a sitting-room he once enjoyed
at Blue Town, Sheerness, abutting on the Theatre.
Of an evening he used to sit in his room and could
hear what was passing on the stage, and join in the
chorus of " God save the King" and ''Britannia
Rules the Waves " — then the favourite song of Eng-
lishmen.
On the termination of the war in 18 15, a large
reduction was made in the number of clerks in this
office, and Mr. Dickens receiving his pension, re-
moved to London with his wife and seven children.
Possessing considerable abilities, and unwilling to
remain idle, he became parliamentary reporter on
the Monimg Chronicle.^
Charles remained at home until he was seven years
of age, and was then sent to a private school at
Chatham, the late Rev. Wm. Giles, F.R.A.S., being
his instructor. As an evidence of young Dickens's
kindly disposition, it may be mentioned that, some
years ago, when such fame as he had acquired would
cause most men to have forgotten their former old
associations, Dickens joined some other old scholars
* The old gentleman died in Keppel Street, Russell Square,
on 31st March, 1851, aged 6^.
1819-28.] EARLY CAREER. 19
in the presentation of a service of plate to Mr. Giles,
accompanied by a most gratifying testimonial of
regard, to which he attached his well-known bold
autograph. A fellow-scholar, who was at school at
the same time with Dickens (there being only two
years difference in their ages), used often to speak of
the marked geniality of Dickens's character as a boy,
and of his proficiency in all boyish sports, such as
cricket, &c. Ultimately he completed his education
at a good school, in or near London.
At an early age he commenced to read the
standard works of the best authors. In the preface
to "Nicholas Nickleby," speaking of how he first
heard of the cruelties of the Yorkshire schools,
he describes himself as being " a not very robust
child, sitting in bye-places, near Rochester Castle,
with a head full of Partridge, Strap, Tom Pipes, and
Sancho Panza." In " David Copperfield " (a book
one can hardly help fancying is in some respects
autobiographical), he says (omitting a few words), —
"From that blessed little room Roderick Random,
Peregrine Pickle, Humphrey Clinker, Tom Jones,
the Vicar of Wakefield, Don Quixote, Gil Bias, and
Robinson Crusoe, came out, a glorious host, to keep
me company. They kept alive my fancy — they, and
the * Arabian Nights,' and the ' Tales of the Genii,'
• — and did me no harm ; for whatever harm there was
in some of them, was not there for me ; / knew
nothing of it. * * * I have seen Tom Jones (a
child's Tom Jones, a harmless creature) for a week
20 LIFE OF CHARLES DICKENS. [1828-30.
together. I have sustained my own idea of Roderick
Random for a month at a stretch, I verily beHeve.
I had a greedy relish for a few volumes of voyages
and travels, and for days and days I can remember
to have gone about my region of our house, armed
with a centre-piece out of an old set of boot-trees —
the perfect realization of Captain Somebody, of the
Royal British Navy, in danger of being beset by
savages, and resolved to sell his life at a great price.
The Captain never lost dignity from having his
ears boxed with the Latin Grammar. I did ; but the
Captain was a captain and a hero, in despite of all
the grammars of all the languages in the world, dead
or alive."
His career at school having concluded, his father
was desirous that he should be articled to the law,
and he entered a solicitor's office for that purpose.
Dunning (afterwards Lord Ashburton) once said :
" The study of the law is generally ridiculed as dry
and uninteresting ; but a mind anxious for the dis-
covery of truth and information will be amply
gratified for the toil of investigating the origin and
progress of jurisprudence which has the good of the
people for its basis, and the accumulated wisdom of
ages for its improvement." But, to young Dickens,
it was ill calculated to accord with the literary tastes
he had formed, and thus imbued with the kindred
feelings of some of his distinguished contemporaries
— Disraeli, Layard, Harrison Ainsworth, and West-
land Marston, all of whom passed a portion of their
1830-32.] EARLY CAREER. 21
early days at an attorney's desk — he became dis-
gusted with the tedious routine of the profession, and
resigning all ideas of propitiating Thetis (the god-
dess of lawyers), determined to become a reporter like
his father, who, finding how strong his son's ideas were
on the subject, wisely placed no obstacle in his path,
but removed him from his uncongenial employment,
and placed him with the Messrs. Gurney, the parlia-
mentary shorthand writers of Abingdon Street, West-
minster. It is said, that during his probation, and
whilst practising shorthand writing, Dickens passed
the leisure hours of some two years in the Library of
the British Museum. ■—
The manner in which the difficulties of stenography
were overcome had best be told in his own words : —
" I did not allow my resolution with respect to the
parliamentary debates to cool. It was one of the
irons I began to heat immediately, and one of the
irons I kept hot and hammered at v/ith a perseverance
I may honestly admire. I bought an approved scheme
of the noble art and mystery of stenography (v/hich
cost me ten-and-sixpence),* and plunged into a sea
of perplexity, that brought me in a few weeks to
the confines of distraction. The changes that Avere
rung upon dots, which in one position meant such a
thing, and in another position something else entirely
different ; the wonderful vagaries that were played
by circles ; the unaccountable consequences that
* This was " Gurney 's System of Shorthand," the i6th
edition of which is now selling at the old price, loj. 6^.
^
22 LIFE OF CHARLES DICKENS. [1830-32.
resulted from marks like fly's legs ; the tremendous
effects from a curve In the wrong place ; not only
troubled my waking hours, but reappeared before me
in my sleep. When I had groped my way blindly
through these difficulties, and had mastered the
alphabet, which was an Egyptian temple in itself,
there then appeared a procession of new horrors,
called arbitrary characters — the most despotic charac-
ters I had ever known ; who insisted, for instance,
that the thing like the beginning of a cobweb meant
expectation, that a pen-and-ink sky-rocket stood for
disadvantageous. When I had fixed these wretches
in my mind, I found that they had driven everything
else out of it ; then, beginning again, I forgot them ;
while I was picking them up, I dropped the other
fragments of the system ; in short, it was almost
heart-breaking."
Occupying the chair at the second anniversary of
the Newspaper Press Fund, on 20th May, 1865, and
referring to his early reporting days, he said : —
" I went into the gallery of the House of Commons
as a parliamentary reporter when I was a boy not
eighteen, and I left it — I can hardly believe the in-
exorable truth — nigh thirty years ago ; and I have
pursued the calling of a reporter under circumstances
of which many of my brethren at home in England
here — many of my brethren's successors — can form
no adequate conception. I have often transcribed for
the printer from my shorthand notes important public
speeches in which the strictest accuracy was required,
1S30-32.] EARLY CAREER. 23
and a mistake in which would have been to a young
man severely compromising ; writing on the palm of
my hand by the light of a dark lantern in a post-
chaise and four, galloping through a wild country,
through the dead of the night, at the then surprising
rate of fifteen miles an hour. The very last time I
was at Exeter I strolled into the castle-yard there to
identify, for the amusement of a friend, the spot on
which I once * took,' as we used to call it, an election
speech of my noble friend Lord Russell, in the midst
of a lively fight maintained by all the vagabonds in
that division of the county, and under such pelting
rain, that I remember two good-natured colleagues,
who chanced to be at leisure, held a pocket-hand-
kerchief over my note-book after the manner of a
state canopy in an ecclesiastical procession. I have
worn my knees by writing on them on the old back
row of the old gallery of the old House of Commons;
and I have worn my feet by standing to write in a
preposterous pen in the old House of Lords, where
we used to be huddled like so many sheep kept in
waiting till the woolsack might want re-stuffing. Re-
turning home from excited political meetings in the
country to the waiting press in London, I do verily
believe I have been upset in almost every description
of vehicle known in this country. I have been, in
my time, belated on miry by-roads towards the small
hours, forty or fifty miles from London, in a rickety
carriage, with exhausted horses and drunken post-
boys, and have got back in time before publication,
/
24 LIFE OF CHARLES DICKENS, [1S30-32.
to be received with never-forgotten compliments by-
Mr. Black, in the broadest of Scotch, coming from
the broadest of hearts I ever knew. I mention these
trivial things as an assurance to you that I never
have forgotten the fascination of that old pursuit.
The pleasure that I used to feel in the rapidity and
dexterity of its exercise has never faded out of my
breast. Whatever little cunning of hand or head I
took to it, or acquired in it, I have so retained as that
I fully believe I could resume it to-morrow. To this
present year of my life, when I sit in this hall, or
Vv^here not, hearing a dull speech — the phenomenon
does occur — I sometimes beguile the tedium of the
moment by mentally following the speaker in the old,,
old way ; and sometimes, if you can believe me, I
even find my hand going on the table-cloth. Accept
these little truths as a confirmation of what I know,,
as a confirmation of my interest in this old calling..
I verily believe, I am sure, that if I had never quitted
my old calling, I should have been foremost and.
zealous in the interest of this institution, believing it.
to be a sound, a wholesome, and a good one."
" That there was no exaggeration in this state-
ment," writes a personal friend,* "he proved in the
course of that very year by giving a series of lessons
in shorthand to a young man, a connection of his,,
when his fluency and perspicuity were found to be as.
great as ever." To the same writer he once told a
* In the Observer t 12th June, 1870.
1832-34.] EARLY CAREER. 25
curious anecdote of his reporting days : — " The late
Earl of Derby, then Lord Stanley, had on some
important occasion made a grand speech in the
House of Commons. This speech, of immense
length, it was found necessary to compress, bat so
admirably had its pith and marrow been given in the
Morning Chronicle, that Lord Stanley sent to the
office, requesting that the gentleman who had reported
it would wait upon him at his residence in Carlton-
House Terrace, that he might then and there take
down the speech in its entirety from his lordship's
lips, Lord Stanley being desirous of having a perfect
transcript of it. The reporter was Charles Dickens.
He attended, took down the speech, and received
Lord Stanley's compliments on his work. Many
years after, Mr. Dickens, dining for the first time with
a friend in Carlton-House Terrace, found the aspect
of the dining-room strangely familiar to him, and on
making inquiries, discovered that the house had
previously belonged to Lord Derby, and that that
was the very room in which he had taken down Lord
Stanley's speech." It is understood that our author
practised reporting in the Law Courts before going
to the Houses of Parliament.
The first paper he obtained an engagement on was
The True Sim, with the managers of which he soon
became noted for the succinctness of his reports, and
the judicious, though somewhat ruthless, style with
which he cut down unnecessary verbiage, displaying
the substance to the best advantage, and exemplifying
a5 LIFE OF CHARLES DICKENS. [1833-35.
the well-known maxim of Perry, the famous chief of
the Morning Chronicle, that " Speeches cannot be
made long enough for the speakers, nor short enough
for the readers^
Remaining for a brief period on the staff of The
Trne Sun, he seceded to the Mirror of Parliamenty
which had started with the express object of reporting
the debates verbatim. Mr. Barrow, Dickens's uncle,
was the conductor ; its downfall, however, was rapid,
as it only existed two sessions.
Through his father's influence he was next securea
an appointment on the Morning Chronicle, a news-
'^ paper originally established on Whig principles, by
Woodfall, in 1769. By a remarkable coincidence,
three of its chief parliamentary reporters afterwards
attained to eminent positions. The late Lord Chan-
^^,.,.>^ cellor Campbell commenced his career on its staff;
on his resignation William Hazlitt (the celebrated
-^ essayist) supplied his place, who was in turn suc-
^^ceeded by Mr. Charles Dickens.
Whilst Dickens was reporting for the Morning
Chronicle, it fell in the way of his duty to go down
into Devonshire, where Lord John Russell — who had
accepted the post of Secretary of State in the new
Melbourne cabinet — was seeking re-election (May,
1835) from his old constituency. As his Lordship
had been instrumental in getting Peel and the tories
out of office, his constituents resented the act by
returning another member in his place. It is to this
noisy election that Dickens alludes in the extract
I833-3S-] EARLY CAREER. 27
from his speech on " reporting " given above. In
those days of coaching and slow letter-post, Dickens
had to keep his editor fully informed of the best and
quickest transit for his " reports ;" and, by the kind-
ness of the then sub-editor, who received Dickens's
letters, and, believing in the man as heartily as the
great John Black did, has carefully preserved them
to the present time, I am enabled to give an extract
from the identical letter received from him when on
this journey. He writes from the Bush Inn at Bris-
tol, a famous hostelry for commercial travellers, and
a noted " coaching " house for persons bound to the
West of England. The letter was dated Tuesday
morning : —
"The conclusion of Russell's dinner will be for-
warded by Cooper's Company's coach, which leaves
here at half-past six to-morrow morning. The report
of the Bath dinner shall be forwarded by the first
Bath coach on Thursday morning — what time it starts
we have no means of ascertaining till we reach Bath ;
but you will receive it as early as possible, as we will
indorse the parcel * Pay the porter 2/6 extra for
immediate delivery.' Beard will go over to Bath
from here to-morrow morning, and I shall come back
by the mail from Marlborough. I need not say that
it will be sharp work, and will require two of us ; for
we shall both be up the whole of the previous night,
and shall have to sit up all night again to get it off
in time.
" As soon as we have had a little sleep, we shall
28 LIFE OF CHARLES DICKENS. [1S33-3S.
return to town as quickly as we can, for we have (if
the express succeeds) to stop at two or three places
along the road, to pay money and express satisfaction.
You may imagine that we are extremely anxious to
know the result of the arrangement. Pray direct to
one of us at the ' White Hart,' Bath, and inform us
in a parcel scut by the FIRST COACH after yon receive
this, exactly at wJiat hour it arrived. Do not fail on
any account.
" We joined with the Herald (I say this In reference
to the first part of your letter) precisely on the prin-
ciple you at first laid down — economy ; not pushed
so far, however, as to interfere with the efficiency of
the express. As the conclusion of the dinner was to
be done, we all thought the best plan we could pursue
would be to leave two men behind, and trust Russell
to the others. I have no doubt if he makes a speech
of any ordinary dimensions, it can be done by the
time we reach Marlborough ; and taking into con-
sideration the immense importance of having the
addition of saddle-horses from thence, it is, beyond
all doubt, worth an effort.
" Believe me
" (For self and Beard),
" Very sincerely yours,
"Charles Dickens.
"*^* I thought of putting the accompanying letter
to my brother in the post. Will you have the kind-
ness to send a boy with it ?"
I833-35-] EARLY CAREER. 29
This is, in all likelihood, the only letter of Dickens's
reporting days now in existence. As a record of his
industry and business foresight it is most interesting,
and the glimpses that it gives of the wild life lead
by a reporter in those days, show us the source of
that wonderful knowledge of those old coaching
days and that old tavern life that have passed out
of actual existence, to live for ever in Dickens's pages.
We may just say that it is Mr. Thomas Beard, one y\
of the first reporters in England, and Dickens's dear ^
friend, who is alluded to in the letter ; the Mr. Frank
Beard, who attended the great novelist in his last
moments, is, we believe, a brother of this gentleman.
Concerning Dickens's earliest printed writings, Mr.
James Grant, the well-known journalist and author,
has supplied us with an account which differs much
from what has been elsewhere said upon this part of
our author's career. " It is everywhere stated," says
Mr. Grant, "that the earliest productions from his pen
made their appearance in the columns of the Morn-
ing Chronicle, and that Mr. John Black, then editor
of that journal, was the first to discover and duly to
appreciate the genius of Mr. Dickens. The fact was
not so. It is true that he wrote * Sketches ' after-
wards in the Morning Chronicle, but he did not begin
them in that journal. Mr. Dickens first became con-
nected with the Morning Chronicle as a reporter in
the gallery of the House of Commons. This was in
1S35-36 ; but Mr. Dickens had been previously en-
gaged, while in his nineteenth year, as a reporter for
\
so LIFE OF CHARLES DICKENS. [1833-35.
a publication entitled the Mirror of Parliament, in
which capacity he occupied the very highest rank
among the eighty or ninety reporters for the press
then in Parliament. While in the gallery of the
House of Commons, he was exceedingly reserved in
his manners. Though interchanging the usual cour-
tesies of life with all with whom he came into contact
in the discharge of his professional duties, the only
gentleman at that time in the gallery of the House
of Commons with whom he formed a close personal
intimacy, was Mr. Thomas Beard, then a reporter for
the Morning Herald, and now connected with the
newspaper press generally, as furnishing the Court
intelligence in the morning journals. The friendship
thus formed between Mr. Dickens and Mr. Beard so
far back as the year 1832 was, I believe, continued
till the death of Mr. Dickens.
"It was about the year 1833-34, before Mr.
Dickens's connection with th.^ Morning Chronicle, and
before Mr. Black, then editor of that journal, had
ever met with him, that he commenced his literary
career as an amateur writer. He made his de'b2it in
the latter end of 1834 or beginning of 1835, in the
Old Monthly Magazine, then conducted by Captain
Holland, an intimate friend of mine. The Old Monthly
Magazine had been started more than a quarter of
a century before by Sir Richard Philips, and was
for many years a periodical of large circulation and
high literary reputation — a fact which might be
inferred from another fact, namely, that the New
r\
1833-35.] EARLY CAREER. 31
Mojithly Magazine^ started by Mr. Colburn, under the
editorial auspices of Mr. Thomas Campbell, author
of * The Pleasures of Hope/ appropriated the larger
portion of its title. The Old Monthly Magazine
was published at half-a-crown, being the same price
as Blackwood, Fraser, and Bentley's magazines are at
the present day.
" It was, as I have said, in this monthly periodical
— not in the columns of the Morning Chronicle — that
Mr. Dickens first appeared in the realms of litera- /•
ture. He sent, in the first instance, his contributions
to that periodical anonymously. These consisted of /
sketches, chiefly of a humorous character, and were 0 *
simply signed ' Boz.* For a long time they did not
attract any special attention, but were generally
spoken of in newspaper notices of the magazine, as
* clever,' * graphic,' and so forth.
"Early in 1836 the editorship of the ]\Ionthly
Magazine — the adjective ' Old' having been by this
time dropped — came into my hands ; and in making
the necessary arrangements for its transfer from
Captain Holland — then, I should have mentioned,
proprietor as well as editor — I expressed my great
admiration of the series of * Sketches by Boz,'
which had appeared in the Monthly, and said I
should like to make an arrangement with the writer
for a continuance of them under my editorship.
With that view I asked him the name of the author.
It will sound strange in most ears when I state, that
a name which has for so many years filled the whole
32 LIFE OF CHARLES DICKENS. [1833-35.
civilized world with its fame, was not remem-
bered by Captain Holland. But he added, after
expressing his regret that he could not at the
moment recollect the real name of * Boz/ that he
had received a letter from him a few days previously,
and that if I would meet him, at the same time and
place, next day, he would bring me that letter, be-
cause it related to the ' Sketches ' of the writer in
the Monthly Magazine. As Captain Holland knew
I was at the time a parliamentary reporter on the
Morning Chrojiicle, then a journal of high literary
reputation, and of great political influence, he supple-
mented his remark by saying that ' Boz ' was a parlia-
mentary reporter ; on which I observed, that I must,
in that case, know him, at least by sight, as I was
acquainted, in that respect, more or less, with all the
reporters in the gallery of the House of Commons.
" Captain Holland and I met, according to ap-
pointment, on the following day, when he brought
me the letter to which he had referred. I then found
that the name of the author of ' Sketches by Boz '
was Charles Dickens. The letter was written in the
most moderate terms. It was simply to the effect that
as he (Mr. Dickens) had hitherto given all his contri-
butions— those signed * Boz ' — gratuitously, he would
be glad, if Captain Holland thought his * Sketches '
to be worthy of any small remuneration, as otherwise
he would be obliged to discontinue them, because he
was going very soon to get married, and therefore
would be subjected to more expenses than he was
T H K HOME OF CHARLES D I C K E X S.
1 833- 1 836.
THE HOUSE IN FURNIVAUS INK.
Our Author's earliest London home after leaving his father's house.
Here he had
chambers when a reporter, and some time before he received any appointment as a
writer for the press. Here the " Sketches by Boz" were written, and the larger por-
tion of his best-known work, the inimitable " Pickwick Papers."
1333-35-] EARLY CAREER. 33
while living alone, which he was during the time, in
Furnival's Inn.
" It was not quite clear from Mr. Dickens's letter to
Captain Holland, whether he meant he would be glad
to receive any small consideration for the series of
* Sketches,' about a dozen in number, which he had
furnished to the Montlily Magazine without making
any charge, or whether he only expected to be paid
for those he might afterwards send. Neither do I
know whether Captain Holland furnished him with
any pecuniary expression of his admiration of the
* Sketches by Boz ' which had appeared in the
Monthly. But immediately on receiving Mr. Dickens's
letter, I wrote to him, saying that the editorship of
the Montlily Magazine had come into my hands, and
that, greatly admiring his * Sketches ' under the
signature of * Boz,' I should be glad if we could
come to any arrangement for a continuance of them.
I concluded my note by expressing a hope that he
would, at his earliest convenience, let me know on
what terms per sheet he would be willing to furnish
me with similar sketches every month for an indefinite
period.
" By return of post I received a letter from Mr.
Dickens, to the effect that he had just entered into
an arrangement with Messrs. Chapman and Hall to
write a monthly serial. He did not name the work,
but I found in a few weeks it was none other than
the * Pickwick Papers.' He added, that as this
serial would occupy much of his spare time from his
C
34 LIFE OF CHARLES DICKENS. [1833-35.
duties as a reporter, he could not undertake to furnish
me with the proposed sketches for less than eight
guineas per sheet, which was at the rate of half-a-
guinea per page.
" I wrote to him in reply, that the price was not
too much, but that I could not get the proprietor
to give the amount, because when the Monthly
Magai^me came into his hands, it was not in the same
flourishing state as it once had been. I was myself,
at this time, getting ten guineas a sheet from
Captain Marryat for writing for his Metropolitan
Magazine, which was started by Thomas Campbell
and Tom Moore, in opposition to the New
Monthly Magazine, and at the rate of twenty
guineas per sheet for my contributions to the Penny
Cyclopcedia.
" Only imagine," concludes Mr. Grant, with pardon-
able fervour, ^' Mr. Dickens offering to furnish me with
a continuation, for any length of time which I might
have named, of his ^ Sketches by Boz ' for eight
guineas a sheet, whereas in little more than six
months from that date he could — so great in the
interval had his popularity become — have got 100
guineas per sheet of sixteen pages from any of the
leading periodicals of the day!"*
Dr. Charles Mackay writes to us: — "John Black,
of the Mornifig Chronicle, was always keen to dis-
cover young genius, and to help it onwards in the
* Morning Advertiser, I3tlijune, 1870.
I833-35-] EARLY CAREER. 35
struggle of life. He very early discovered the talents
of Dickens — not only as a reporter, but as a writer."
Dr. Mackay was sub-editor of the Morning Chronicle
when Dickens was a reporter. He continues : — " I
have often heard Black speak of him, and predict his
future fame. When Dickens had become famous,
Black exerted all his influence with Sir John East-
hope, principal proprietor of the Chronicle, to have
Dickens engaged as a writer of leading articles. He
(Black) had his wish, and Dickens wrote several
articles ; but he did not seem to take kindly to such
work, and did not long continue at it."
And Mr. Gruneisen writes : " I believe I must add
my name to the remaining list of editorial workers
who became acquainted with Charles Dickens when
he was in the Gallery. I hope my memory is not
deceiving me when I claim for Vincent Dowling,
once a reporter, and for years the respected editor of
Bell's Life in London, the credit of having been the
first to discover the genius for sketching characters
of Dickens. 'J. G.' may remember that the pro-
prietary of the Morning Chronicle, the Observer, and
BelVs Life was in the hands, if I remember rightly,
exclusively of Mr. Perry, and the publication of the
several papers was at the Strand office. I have a
distinct recollection that Dr. Black's notice of Dickens
was based on writings which had been in print prior
to his joining the reporting staff of the Morning
CJironicle. Dr. Black was always very emphatic in
his prognostications of the brilliant future of Charles
C 2
36 LIFE OF CHARLES DICKENS. [1833-35.
Dickens. In 1835 the famed novelist was spoken of
amongst his colleagues as a man of mark. The * Boz *
sketches, if not the rage of the general public, had
attracted the attention of the literary circles of the
day.
" Respecting the marvellous facility of Dickens as
a reporter, many versions of his note-taking of a
speech of the late Lord Derby (when Lord Stanley)
have been current, and I had a correspondence with
Dickens on the subject only some months since, he
promising to give me the accurate record of his
stenographic feat when he met me. This promise he
fulfilled the last time, alas ! I ever saw him alive, at
the anniversary dinner of the Newsvendors' Benevo-
lent Institution, when he took the chair in Free-
masons' Hall — the last banquet at which he presided.
It was in consequence of a reporter having broken
down for the Mirror of Parliame7it that the late
Lord Derby, after complimenting Dickens for his
report in the Chronicle^ dictated to him his speech, —
the Mhror, as you are aware, giving in those days
verbatim reports."
When Charles Dickens first became acquainted
with Mr. Vincent Dowling, editor of Bell's Life — or
" Sleepless Life," as he facetiously termed it, from its
Latin heading, " Ntmqiiain Dormio " (" wide awake ")
—he would generally stop at old Tom Goodwin's
oyster and refreshment rooms, opposite the office, in
the Strand. On one occasion, Mr. Dowling, not
knowing who had called, desired that the gentleman
1833-35] EARLY CAREER. 37
would leave his name, to be sent over to the office,
whereupon young Dickens wrote,
"CHARLES DICKENS,
" Resurrectionist^
" In search of a subject'*
Some recent cases of body-snatching had then
made the matter a general topic for public discus-
sion, and Goodwin pasted up the strange address-
card for the amusement of the medical students who
patronized his oysters. It was still upon his wall
when " Pickwick " had made Dickens famous, and
the old man was never tired of pointing it out to
those whom he was pleased to call his "bivalve
demolishers !"
We may just mention that It was Dowling who
rushed down from the reporters* gallery and seized
Bellingham, after his assassination of Spencer Per-
ceval.
The late Mr. Jerdan used to describe how he
caught the Prime Minister in his arms.
CHAPTER II.
PUBLICATION OF THE ''PICKWICK PAPERS."
E have thought it right to give Mr. Grant's
personal account of Dickens's early career
entire^ but it is only fair to other friends of
the deceased novelist, who have favoured us with par-
ticulars, that their recollections should find a place in
these pages. From them we learn that in the year
1835 our author made his debut as a writer, "with the
exception of certain tragedies achieved at the mature
age of eight or ten, and represented with great ap-
plause to overflowing nurseries." His first sketch,
entitled "Mrs. Joseph Porter," was inserted in the
Old Monthly Magazine, In the preface to the " Pick-
wick Papers," mention is made of the effect its pub-
lication had on him : —
" My first effusion — dropped stealthily one
evening at twilight, with fear and trembling, into a
dark letter-box, in a dark office, up a dark court in
Fleet Street — appeared in all the glory of print ; on
which occasion, by the bye — how well I recollect it ! —
I walked down to Westminster Hall, and turned into
it for half an hour, because my eyes were so dimmed
^2:^^-S.'\ PUBLICATION OF THE "PICKWICK PAPERS." 39
with joy and pride, that they could not bear the
street, and were not fit to be seen there." A number
of other papers were sent to the same magazine, and
subsequently he contributed a similar series to the
evening edition of the Morning Chro7iicle.
The pseudonym adopted was " BOZ," which quaint
signature subsequently gave rise to the epigram, —
** Who the dickens ' Boz ' could be
Puzzled many a curious elf;
Till time unveil'd the mystery.
And *Boz ' appear'd as Dickens' self."
And Tom Hood, in the character of an "unedu-
cated poet," says, —
*' Arn't that 'ere ' Boz ' a tip-top feller !
Lots writes well, but he writes Weller !"
The reason for such a singular noni dc plume is
thus told by the author himself: — ^^ Boz was the
nickname of a pet child, a younger brother, whom I
had dubbed Moses, in honour of 'The Vicar of
Wakefield ; ' which being facetiously pronounced
through the nose became Boses, and being shortened
became Boz. Boz was a very familiar household
word to me long before I was an author, and so I
came to adopt it."
The reception the "Sketches" met with was, we are
assured, immense ; and it has been truly said — " They
were the first of their class. Dickens was the first to
unite the delicately playful thread of Charles Lamb's
street musings — half experiences, half bookish phan-
tasies— with the vigorous wit, and humour, and ob-
40 LIFE OF CHARLES DICKENS. [1836.
servatlon of Goldsmith's * Citizen of the World,' his
* IndigePxt Philosopher,' and * Man in Black,' and twine
them together in that golden cord of Essay, which
combines literature with philosophy, humour with
morality, amusement with instruction." The wonder-
ful fund of humour and picturesque word-painting
contained in them surprises, even in these days, most
persons who read them for the first time. They are,
as Pope wrote —
" From grave to gay, from lively to severe.**
The most thrilling and impressive are, undoubtedly,
" A Visit to Newgate " and " The Drunkard's Death,"
while, perhaps, the best comic ones are the celebrated
" Election for Beadle," " Greenwich Fair," and " Miss
Evans at the Eagle."
In February, 1836, the first series, in two volumes,
illustrated by George Cruikshank, was published in
a collected form by Macrone, of St. James's Square,
and in the December following the second series was
issued. Macrone, shortly afterwards, being in dis-
tressed circumstances, sold the copyright to Messrs.
Chapman and Hall for ;;^ 1,100. At the present day,
their popularity still remains unabated, and it is
seldom, at a Penny Reading or entertainment by an
Elocution Class, that one or more of them is not
selected as a staple attraction in the programme.
To show how persons, at times, may take a mis-
taken and bigoted view of things in general, and how
apt they are to look with jaundiced eyes on humor-
1836.J PUBLICATION OF THE " PICKWICK PAPERS." 41
ous writing, we may be pardoned for mentioning
that, at one of the Penny Readings at Stowmarket,
Suffolk, some nine years since, on the announcement
of a Mr. Gudgeon's intention to read " The Blooms-
bury Christening," he received this epistle from the
horrified Rector : —
" Stowmarket Vicarage, Feb. 25, 1861.
"Sir,
" My attention has been directed to a piece called * The
Bloomsbury Christening,' which you propose to read this
evening. Without presuming to claim any interference in the
arrangement of the Readings, I would suggest to you, whether
you have, on this occasion, sufficiently considered the character
of the composition you have selected. I quite appreciate the
laudable motive of the promoters of the Readings, to raise the
moral tone and direct this taste in a familiar and pleasant
manner. * The Bloomsbury Christening ' cannot possibly do
this. It trifles with a sacred ordinance, and the language and
style, instead of improving the taste, has a direct tendency to
lower it.
** I appeal to your right feeling whether it be desirable to
give publicity to that which must shock several of your audience,
and create a smile amongst others, to be indulged in only by
violating the conscientious scruples of their neighbours.
" The ordinance which is here exposed to ridicule is one
which is much misunderstood and neglected, amongst many
families belonging to the Church of England, and the mode in
which it is treated in this chapter cannot fail to appear as
giving a sanction to, or at least excusing, such neglect.
" Although you are pledged to the public to give this subject,
yet I cannot but believe that they would fully justify your sub-
stitution of it by another, did they know the circumstances.
42 LIFE OF CHARLES DICKENS. [1S36.
An abridgment would only lessen the evil, as it is not only the
style of the writing, but the subject itself, which is objection-
able.
" Excuse me for troubling you, but I felt that, in common,
with yourself, I have a grave responsibility in the matter, and I
am, most truly yours,
"T. S. Coles.
*' To Mr. J. Gudgeon."
It is not generally known that some time before
" Pickwick " had been thought of by either publisher
or author, Dickens was engaged upon a novel, the
fate of which we may now never know. The success,
of the " Sketches " was such — a second edition being
called for immediately after they were issued —
that Macrone entered into an arrangement with
"Boz" to publish this work in the regular three
volume form. The title was to be " Gabriel
Vardon," — and a new novel by the author of
" Sketches by Boz " was at once advertised by the
publisher, and continued to be so announced until
the commencement of 1837, when Macrone failed in
business, and the advertisement was withdrawn.
Could the novel have been laid aside to appear, four
years later, in the altered form of " Barnaby Rudge,"
in which — as the reader may remember — " Gabriel
Varden " (not Vardo7i), the father of Dolly, is one of
the principal characters }
It has been recently stated, in more than one
journal, that " The Sketches by Boz " v/ere not
republished in a collective form until after the suc-
cess of " Pickwick." This is a mistake. It was
1836.] PUBLICATION OF THE ''PICKWICK PAPERS." 43
in the month following the publication of the
''Sketches" — in March, 1836 — that the first number
of the " Pickwick Papers " was issued, and in the
following year the work was published in a complete
form, and dedicated to Mr. Serjeant Talfourd, an old
and attached friend, and one of the first to recognize
Dickens's extraordinary genius. He it was that pre-
sided at the monthly dinner, at the conclusion of
which the proof of the forthcoming number of
" Pickwick " was read by him (Talfourd). The
guests — some half a dozen literary and personal
friends — expressed their opinions, suggesting changes,
&c., which the author took kindly, and often availed
himself of.
His friend, the late Mr. Maclise, often told how that
he, John Forster, and Charles Dickens used to meet
at "Jack Straw's Castle," Hampstead Heath, and
there Dickens would read to them that which he had
written during the week ; and this done, the rest of
the time would be passed in a pleasant commingling
of good cheer and genial criticism. " But this," the
great artist would add, " was in the good old days
gone by, when we were all young, and had the world
before us."
Subsequently, in sending a complete copy of the
work to his friend Talfourd, he took occasion to speak
of his learned friend's exertions to secure to authors
an extended term of copyright in their works : —
" If I had not enjoyed the happiness of your
private friendship, I should still have dedicated this
44 LIFE OF CHARLES DICKENS. [1S36.
work to you, as a slight and most inadequate ac-
knowledgment of the inestimable services you are
rendering to the literature of your country
Many a fevered head and palsied hand will gather
new vigour in the hour of sickness and distress from
your excellent exertions ; many a widowed mother
and orphan child, who would otherwise reap nothing
from the fame of departed genius but its too frequent
legacy of poverty and suffering, will bear, in their
altered condition, higher testimony to the value of
your labours than the most lavish encomium from
lip or pen could ever afford.
" Besides such tributes, any avowal of feeling from
me, on the question to which you have devoted the
combined advantages of your eloquence, character,
and genius, would be powerless indeed. Nevertheless,
in thus publicly expressing my deep and grateful
sense of your efforts in behalf of English literature,
and of those who devote themselves to the most
precarious of all pursuits, I do but imperfect justice
to my own strong feelings on the subject, if I do no
service to you."
The entire letter was printed as an introduction to
the old, original, and large-size edition of " Pickwick,"
but it has been omitted in the "Charles Dickens
Edition " recently issued.
An amusing anecdote is remembered of our author
and the learned Serjeant. At a public dinner, some
years afterwards, Mr. Talfourd, regretting the absence
of his friend Dickens, paid an appropriate and well-
1836.] PUBLICATION OF THE ''PICKWICK PAPERS." 45
merited compliment to the breadth of surface over
which the Hfe, character, and general knowledge,
contained in his works, extended. The reporter, not
rightly hearing this, or not attending to it, but pro-
bably saying to himself, " Oh, it 's about Dickens —
one can't go wrong," gave a version of the learned
Serjeant's speech in the next morning's paper, to the
effect that Mr. Dickens's genius comprised that of all
the greatest minds of the time put together, and that
his works represented all their works. The high
ideal and imaginative — the improvements in the
steam-engine and machinery — all the new discove-
ries in anatomy, geology, and electricity, with the
prize cartoons, and history and philosophy thrown
into the bargain — one had only to search from the
" Sketches by Boz " down to " Martin Chuzzlewit " to
lind,insome shape or other — ''properly understood" —
all these, and much more ; in fact, everything valu-
able which the world of letters elsewhere contains !
We need hardly say that no reader of this astound-
ing report was more amused than was Mr. Dickens
himself, when he glanced over his newspaper on the
following- morning;. ' '~' ""^
A great deal has been said of the origin of Pick-
wick and his Club, but notwithstanding the accounts
given by both author and artist are perplexingly cir-
cumstantial, the reader will have but little difficulty
in coming to a conclusion upon the matter.
The artist's account, given in the introduction to
the last edition of " Seymour's Sketches," is this : —
46 LIFE OF CHARLES DICKENS. [1836.
*' Seymour was very fond of horticultural pursuits,
and took great pains in cultivating a very nice garden
which was attached to his house. Being rather disap-
pointed with the effect of his gardening operations, it
was suggested to him that the misfortunes of an
amateur gardener might be made the subject of some
humorous drawings. After revolving the idea in his
mind for a short time, he resolved upon converting it
into something of a sporting character, and said it
should be * Pickwick and his Club.' His first notion
was to bring it out on a similar plan to that of the
* Heiress,' which appeared in 1830, and he proposed
the subject to Mr. McLean. This was in the autumn
of 1835, during which Mr. Spooner frequently called
at Seymour's house to ascertain the progress of the
plates for the * Book of Christmas,' and on one of
these occasions Seymour brought forward the project
of * Pickwick,' which Spooner highly approved ; and in
talking the matter over between them, it v/as decided
that it would be an improvement to add letterpress.
The undertaking was so far put in motion that Sey-
mour etched four plates from the drawings which he
had made, and Mr. Spooner suggested that Theodore
Hook should, if possible, be engaged for the letter-
press. In consequence of Spooner being very much
occupied in the production of the ' Book of Christmas,'
which, through the author's (T. K. Hervey's) dilatori-
ness, came out a month later than it should have
done, * Pickwick ' lay in abeyance, and the four plates
that were etched remained in the artist's drawer for
1836.] PUBLICATION OF THE ''PICKWICK PAPERS." An
about three months, so that Seymour began to think
that if he did not soon hear from Spooner he would
bring out the work on his own account, and get H.
Mayhew or Moncrieff to write for it. In February,
1836, Mr. Chapman, the pubHsher, called on Seymour
and asked him to make a drawing for a woodcut,
which Seymour undertook on the express condition
that it should be engraved by a certain engraver
whom he named. At this interview he mentioned
the ^ Pickwick' design to Mr. Chapman, and showed
him the plates. Chapman very soon closed with his
offer, proposing at first that it should be brought out
in half-guinea volumes ; but Seymour, who desired
the widest circulation, insisted on his original plan,
for it was his own idea that it should be in shil-
ling monthly numbers. The publisher then asked
Seymour if he had engaged an author to do the
writing, and upon receiving an answer in the negative,^ -,
mentioned Mr. Clarke, the author of * Three Courses <— ^
and a Dessert.' This writer, however, the artist ob- " ,
jectcd to, for a private reason. Chapman then spoke
of ' Boz ' (Mr. Dickens's pseudonym), and having in
his hand one of the ' Pickwick ' drawings, which was
a representation of a poor author's troubles (after-
wards converted into the * Stroller's Tale '), he ended
the matter by some pleasantry about the proverbial
poverty of literary men, and expressed a hope that
he would see Mr. Dickens, and lay his views of the
matter before him. Soon after an interview took
place between the parties, and the sum of ;^I5 per
>
48 LIFE OF CHARLES DICKEXS. [1836.
month was agreed on as Dickens's recompense. The
artist, however, soon found, Hke Winkle on the tall
horse, that it v/as a difficult thing to direct the
motions of an author who had his o^\ti views to
consult. Seymour's scheme was certainly a form of
narrative in which the principal incidents should be
of a sporting character, something, as Mr. Dickens
describes it, * a Ximrod Club, the members of which
were to go out shooting, fishing, and so forth.*
Whether this design involves such a pastoral sim-
plicity, and restricts the range of description so much
as ]\Ir. Dickens seems to imply, is perhaps capable of
being disproved. Certain it is that sketches to illus-
trate the ' Pickvvick Papers ' were designed a con-
siderable time before the letterpress was arranged
for ; and the well-known portrait of the founder of
the club existed on paper at least five years prior to
I\Ir. Chapman's visit to Seymour when the artist un-
folded his views. In the second plate of the 'Heiress*
series, published !March I, 1830, I\Ir. Pickwick in-
troduces the modest girl, just arrived from the
countr}-, to Lady Dashfort, who exclaims, ' And
blushing too — hovr ver\* amusing ! ' The figure of
Pickwick was a favourite character, a sort of stock-
piece with Seymour — ^just as Mr. Briggs and Pater-
familias were favourites of John Leech, or as that
stout elderly gentleman, with well-brushed whiskers,
and invariably attired in a buttoned-up frock-coat, is
of Mr. Charles Keene. In Sketch 114 of ' Seymour's
Sketches,' a figure very closely resembling the well-
C.-^rM,
POSTHUMOUS PAPERS
%\M^
^
i^T^m,p
% '♦i
PERAMBULATIONS, PERILS. TRAVELS, ADVENTURES
Sporting Cransattions
OF THE COBBESPONDIiiG MEMBERS.
EDITED BY "BOZ."
WITH I I-LIjSTP AT)f)>?.s.
wtiuiuay .>i> EVANi,] i.'':si>0> '. HAi'MAX Jc HAU'., Is6, ^liCAND. rtti>TFR3, wmTrrniARS.
Mar<C«)LX\
1836.] PUBLICATION OF THE '' PICKWICK PAPERS." 49
known form of Pickwick may be seen. It should
here be stated that the original designs were in some
degree modified, as it is certain, from an entry in the
artist's books, that the first four plates were re-etched.
By whatever combination of counsels it happened,
the first number of 'Pickwick' came out April 1st,
and was very successful. Mr. Dickens wrote to Sey-
mour the following letter : —
" * My dear Sir, — I had intended to write you to
say how much gratified I feel by the pains you have
bestowed on our mutual friend Mr. Pickwick, and
how much the result of your labours has surpassed
my expectations. I am happy to be able to con-
gratulate you, the publishers, and myself on the
success of the undertaking, Vvdiich appears to have
been most complete.
" * I have now another reason for troubling you.
It is this. I am extremely anxious about the
" Stroller's Tale," the more especially as many
literary friends, on whose judgment I place great
reliance, think it will create considerable sensation.
I have seen your design for an etching to accompany
it. I think it extremely good, but still it is not quite
my idea ; and as I feel so very solicitous to have
it as complete as possible, I shall feel personally
obliged if you will make another drawing. It will
give me great pleasure to see you, as well as the
drawing, when it is completed. With this view I
have asked Chapman and Hall to take a glass of
grog with me on Sunday evening (the only night I
so LIFE OF CHARLES DICKENS. [1836.
am disengaged), when I hope you will be able to
look in.
" * The alteration I want I will endeavour to
explain. I think the woman should be younger —
the dismal man decidedly should, and he should be
less miserable in appearance. To communicate an
interest to the plate his whole appearance should
express more sympathy and solicitude ; and while I
represented the sick man as emaciated and dying, I
would not make him too repulsive. The furniture of
the room you have depicted admirably. I have
ventured to make these suggestions, feeling assured
that you will consider them in the spirit in which I
submit them to your judgment. I shall be happy to
hear from you that I may expect to see you on
Sunday evening. — Dear Sir, very truly yours,
" * Charles Dickens.'
" In compliance with this wish, Seymour made a
new drawing for the ' Stroller's Tale,' which he etched
on steel, and gave it Into the hands of Mr. Dickens
on the Sunday evening appointed. This ws^ the
last illustration the artist did for * Pickwick.' His
sad death, which took place April 20th, 1836, is
perhaps known to the reader.
" The second number of the * Pickwick Papers *
contained the following just eulogium : — ' Some time
must elapse before the void the deceased gentleman
has left in his profession can be filled up. The blank
his death has occasioned in the society which his
1836.] PUBLICATION OF THE '' PICKWICK PAPERS." 51
amiable nature won, and his talents adorned, we
hardly hope to see supplied. We do not allude to
this distressing event in the vain hope of adding-, hy
any eulogium of ours, to the respect in which the
late Mr. Seymour's memory is held by all who ever
knew him.'
" Mr. Dickens adds : — ' Some apology is due to
our readers with only three plates. When we say
they comprise Mr. Seymour's last efforts, and that
upon one of them in particular (the embellishments
of the " Stroller's Tale") he was engaged to a late
hour of the night preceding his death, we feel con-
fident the excuse will be deemed a sufficient one.'
This, however, is incorrect. We have already said
that this plate, which was certainly the last Seymour
did for ' Pickwick,' was given to Mr. Dickens on the
Sunday evening on which Seymour met him at Fur-
nival's Inn, about a fortnight before."
Such is the artist's account.
As recently as March, 1 866, a letter concerning this
subject appeared in the AtheiicBimi, signed " R. Sey-
mour." This was from the son of the artist who
drew those inimitable caricatures of George IV. and
his Ministry, and who, as we have seen, was associated
with Dickens in the production of Pickwick.
The following was Mr. Dickens's reply, sent to the
editor of the Atheiiceum : —
" Gad's Hill Place, March 28, 1866.
" As the author of the ' Pickwick Papers ' (and of
one or two other books), I send you a few facts, and
D 2
52 LIFE OF CHARLES DICKENS. [1836.
no comments, having reference to a letter signed ' R.
Seymour,' which in your editorial discretion you pub-
lished last week.
" Mr. Seymour, the artist, never originated, sug-
gested, or in any way had to do with, save as illus-
trator of what I devised, an incident, a character
(except the sporting tastes of Mr. Winkle), a name,
a phrase, or a word, to be found in the ' Pickwick
Papers.'
'' I never saw Mr. Seymour's handwriting, I believe,
in my life.
. " I never even saw Mr. Seymour but once in my
life, and that was within eight-and-forty hours of his
untimely death. Two persons, both still living, were
present on that short occasion.
" Mr. Seymour died when only the first twenty-four
printed pages of the ' Pickwick Papers ' were pub-
lished ; I think before the next three or four pages
were completely written ; I am sure before one sub-
sequent line of the book was invented.
" In the Preface to the cheap edition of the ^ Pick-
wick Papers,' published in October, 1847, I thus
described the origin of that work : — ' I was a young
man of three-and-twenty, when the present pub-
lishers, attracted by some pieces I was at that time
writing in the Morning Chronicle newspaper (of which
one series had lately been collected and published in
two volumes, illustrated by my esteemed friend Mr.
George Cruikshank), waited upon me to propose
a something that should be published in shilling
4
1836.] PUBLICATION OF THE " PICKWICK PAPERS." 53
numbers — then only known to me, or, I believe, to
anybody else, by a dim recollection of certain inter-
minable novels in that form, which used, some five-
and-twenty years ago, to be carried about the country
by pedlars, and over some of which I remember to
have shed innumerable tears before I served my
apprenticeship to Life. * * * Xhe idea pro-
pounded to me was that the monthly something
should be a vehicle for certain plates, to be executed
by Mr. Seymour ; and there was a notion, either on
the part of that admirable humorous artist, or of my
visitor (I forget which), that a *' Nimrod Club," the
members of which were to go out shooting, fishing,
and so forth, and getting themselves into difficulties
through their want of dexterity, would be the best
means of introducing these. I objected, on consi-
deration, that although born and partly bred in the
country, I was no great sportsman, except in regard
of all kinds of locomotion ; that the idea was not
novel, and had been already much used ; that it
would be infinitely better for the plates to arise
naturally out of the text ; and that I should like to
take my own way, with a freer range of English
scenes and people, and was afraid I should ultimately
do so in any case, Vv-hatever course I might prescribe
to myself at starting. J\Iy views being deferred to,
I thought of Mr. Pickwick, and wrote the first num-
ber ; from the proof sheets of which Mr. Seymour
made his drawing of the Club, and that happy por-
trait of its founder, by which he is ahvays recognized,
54 LIFE OF CHARLES DICKENS. [1836.
and which may be said to have made him a reaHty.
I connected Mr. Pickwick with a club because of
the original suggestion, and I put in Mr. Winkle
expressly for the use of Mr. Seymour. We started
with a number of twenty-four pages instead of
thirty-two, and four illustrations in lieu of a couple.
Mr. Seymour's sudden and lamented death before
the second number was published, brought about a
quick decision upon a point already in agitation ; the
number became one of thirty-two pages with two
illustrations, and remained so to the end.
"In July, 1849, some incoherent assertions made by
the widow of Mr. Seymour, in the course of certain
endeavours of hers to raise money, induced me to
address a letter to Mr. Edward Chapman, then the
only surviving business partner in the original firm
of Chapman and Hall, who first published the
' Pickwick Papers,' requesting him to inform me in
writing whether the foregoing statement was correct.
" In Mr. Chapman's confirmatory answer, imme-
diately written, he reminded me that I had given
Mr. Seymour more credit than was his due. * As
this letter is to be historical,' he wrote, 'I may as
well claim what little belongs to me in the matter,
and that is, the figure of Pickwick. Seymour's
first sketch' (made from the proof of my first
chapter) ^was for a long, thin man. The present
immortal one he made from my description of a
.friend of mine at Richmond.' "
CHAPTER III.
POPULARITY OF TPIE "PICKWICK PAPERS."
\R. JAMES GRANT'S account of Dickens's
earliest writings we have already given.
SI The same gentleman has favoured us with
some personal recollections of the fortune which
attended the first publication of " Pickwick": —
" In connection with the rapidity of Mr. Dickens's
rise, and the heights to which he soared in the
regions of literature, I may mention a few facts
which have not before found their way into print.
The terms on which he concluded an arrangement
with Messrs. Chapman and Hall for the publication
of the * Pickwick Papers,' were fifteen guineas for
each number, the number consisting of two sheets,
or thirty-two pages. That was a rather smaller sum
than that at which he ofTered, just at the same time,
to contribute to the MontJily Magazine, then under
my Editorship.
" For the first five months of its existence Mr.
Dickens's first serial, the ' Pickwick Papers,* was a
signal failure, and notwithstanding the fact that Mr.
Charles Tilt, at that time a publisher of consider-
able eminence, made extraordinary exertions, out
S^ LIFE OF CHARLES DICICEXS. [1S36-7.
of friendship for Messrs. Chapman and Hall, to en-
sure its success. He sent out, on what is called sale
or return, to all parts of the provinces, no fewer than
fifteen hundred copies of each of the first five numbers.
This gave the ' Pickwick Papers ' a very extensive
publicity, yet Mr. Tilt's only result was an average
sale of about fifty copies of each of the five parts. A
certain number of copies sold, of course, through
other channels, but commercially the publication was
a decided failure. Two months before this Mr.
Seymour, the artist, died suddenly, but left sketches
for two parts more, and the question was then
debated by the publishers whether they ought not to
discontinue the publication of the serial. But just
while the matter was under their consideration, Sam
Weller, who had been introduced in the previous
number, began to attract great attention, and to call
forth much admiration. The press was all but
unanimous in praising ' Samivel ' as an entirely
original character, whom none but a great genius
could have created ; and all of a sudden, in con-
sequence of ' Samivel's ' popularity, the ' Pickwick
Papers' rose to an unheard-of popularity. The back
numbers of the work were ordered to a large extent,
and of course all idea of discontinuing it was
abandoned.
" No one can read these interesting incidents with-
out being struck with the fact that the future literary
career of Mr. Dickens should have been for a brief
season placed in circumstances of so much risk
1836.] POPULARITY OF THE "PICKWICK PAPERS. 57
of proving a failure ; for there can be no doubt that
had the pubhcation of his serial been discontinued
at this particular period, there was little or no pro-
bability that other publishers would have undertaken
the risk of any other literary venture of his. And
he might consequently have lived and died, great as
his gifts and genius were, without being known in the
world of literature. How true it is that there is a
tide in the affairs of men !
*' By the time the ' Pickwick Papers ' had reached
their twelfth number, that being half of the numbers
of which it was originally intended the work should
consist, Messrs. Chapman and Hall were so gratified
with the signal success to which it had now attained,
that they sent Mr. Dickens a cheque for ^^500, as a
practical expression of their satisfaction with the
sale. The work continued steadily to increase in
circulation until its completion, when the sale had
all but reached 40,000 copies. In the interval
between the twelfth and concluding number, Messrs.
Chapman and Hall sent Mr. Dickens several cheques,
amounting in all to ;^3,ooo, in addition to the fifteen
guineas per number which they had engaged at the
beginning to give him. It was understood at the time
that Messrs. Chapman and Hall made a clear profit
of nearly ;^20,ooo by the sale of the ' Pickwick
Papers,' after paying Mr. Dickens in round numbers
" Probably," concludes Mr. Grant, " there are few
instances on record in the annals of literature in
S8 LIFE OF CHARLES DICKENS. [1836.
which an author rose so rapidly to popularity and
attained so great a height in it as Mr. Dickens. His
popularity was all the more remarkable because it
was reached while yet a mere youth. He was in-
comparably the most popular author of his day be-
fore he had attained his twenty-sixth year ; and
what is even more extraordinary still, he retained the
distinction of being the most brilliant author of the
age until the very hour of his death, — a period of no
less than thirty-five years."
Since the illustrious author's decease even the
bookbinders who had the charge of " Pickwick "
have been claiming the honour of stitching the sheets
■together, and giving their recollections to the news-
papers. It having been stated in the Daily Telegraph
that " it was a question between Messrs. Chapman
and Hall and their binder, Mr. Bone " (the gentle-
man who bound the book now in the reader's hand)
^'whether a greater or less number than seven hun-
dred copies should be stitched in wrappers, instead
of hundreds, it soon became necessary to provide
for the sale of thousands ; and the green covers of
'Pickwick' were seen all over the country." But a
Mr. Joseph Aked, of Green Street, Leicester Square,
on the following day sent this correction to the same
journal : —
"Sir, — In your sketch of the life and death of
Mr. Charles Dickens, in yesterday's Telegraph, you
state that the first order given to the binder for
Part I. of the * Pickwick' was 700 copies, and it was a
1835.] POPULARITY OF THE " PICk'lVICK PAPERS." 59
question between Messrs. Chapman and Hall, and
Mr. Bone, the binder, whether a greater or less
number than 700 should be stitched in wrapper.
"The first order for Part I. of the ' Pickwick ' was
for 400 copies only, and the order was given to my-
self to execute (not to Mr. Bone) by Messrs. Chap-
man and Hall, the publishers, who in those days did
not consult the binder about the number of copies
they would require. Also the first number, stitched
and put in the green cover, was done by myself, my
workpeople having left off work for the day.
" Before the completion of the work the sale
amounted to nearly 40,000, the orders being given
to myself and to Mr. Bone."
Readers of " Pickwick " found the style so fresh
and novel, so totally unlike the forced fun and unreal
laughter of the other light reading of their time,
that the smallest scrap from any portion of the work
was deemed worthy of frequent quotation — a gem in
itself. We have seen a little book — now very rare,
and not to be found in the British Museum — of which
thousands and thousands of copies must have been
sold by Mr. Park, of Long Lane, and Mr. Catnach,
of Seven Dials, bearing the title of "Beauties of
Pickwick."
The famed Pickwick cigar — the " Penny Pick-
wick " of our childhood — is too well known to need
any comment. It was a " brand " originally made
by a manufacturer in Leman Street, Minories,
and sold in boxes and papers decorated with Mr.
6o LIFE OF CHARLES DICKENS. [1836.
Pickwick, hat off, bowing to you in the pohtest
manner, and offering for your notice a long scroll,
setting forth the excellence of the cigar — a small
cheroot, and containing about one half of the tobacco
used in a cigar of this kind sold at 2d. At the
present day " Pickwicks " are patronized almost en-
tirely by cab-drivers.
Then there were " Pickwick " hats, with narrow
brims curved up at the sides as in the figure of the
immortal possessor of that name ; *' Pickwick " canes,
Vv'ith tassels ; and *' Pickwick " coats, with brass and
horn buttons, and the cloth invariably dark green
or dark plum. The name " Pickwick " is said to
have been taken from the hamlet or cluster of houses
which formed the last restlnc-stafire for coaches froing:
to Bath,* which town, it will be remembered, was the
scene of Sam Wellcr's chaffing of " Blazes," the red-
breeched footman.
But to return to the work as a literary composition.
" The Pickwick Papers " stands alone from all
Dickens's works. Like *' Robinson Crusoe," " Tom
Jones," " Gulliver," "' Rabelais," '' Tristram Shandy,"
* "Pickwick (97 m.). — A degree of importance is attached
to this small place, from its contiguity to Corsham House (i m.),
the celebrated seat of Paul Cobb Methuen, Esq., whose superb
collection of paintings are the theme and admiration of every
visitor. On the ri?ht of Pickwick stands Hartham Park, the
seat of — Jay, Esq., and Pickwick Lodge, belonging to Caleb
Dickenson, Esq."—'* Walks Through Bath." By Pierce Egan^
1819.
1836.] POPULARITY OF THE '' PICKWICK PAPERS." 61
*'■ The Vicar of Wakefield," and half a score more, it
Avill never die out or be forgotten. It is crammed
with rollicking fun and drollery. You may read it
fifty times and never tire of it. Open it at whatever
page you will, the charm is such that one cannot put
it down without feeling thoroughly amused and de-
lighted. We may remark that the well-known song,
*'The Ivy Green," which William Henry Russell used
to sing with such eclat, five-and-twenty years since,
first appeared in *' Pickwick." It is the only poetry
contained in any of Dickens's novels. Judging from
its merits, the author would doubtlessly have taken
a very fair stand as a poet. In "Shy Neighbourhoods ''
("Uncommercial Traveller"), speaking of walking
one night half-asleep, dozing heavily, and slumbering
continually, he observes, " I made immense quan-
tities of verses on that pedestrian occasion (of course
I never make any when I am in my right senses)."
Concerning the inimitable " Pickwick," Blackwood^
many years since, in an article entitled " A Remon-
strance wdth Dickens," thus bears testimony : " As
to what the best bits are, only he who brings a virgin
palate is, perhaps, qualified to discriminate, of so
rich materials is the whole compounded ; and to this
day we are lost in admiration of the wealth of humour
which could go on, page after page, chapter after
chapter, month after month, to the close of a long
work, pouring forth, from a source seemingly inex-
haustible, fun, and incident, and description, and
character, ever fresh, vivid, and new, which, if distri-
62 LIFE OF CHARLES DICKENS. [1836.
buted with a thrifty hand, would have sei-ved to
relieve and enliven, perhaps immortalize, twenty-
sober romances. The very plan of the work (if plan
it can be called where plan seems none) evinces the
writer's extraordinary confidence in his resources,
where a knot of individuals, connected with the
loosest tie, and interesting only from their unconscious
drollery, are cast loose upon the world to wander
through scenes of every-day life, in which, though
constantly getting more absurd and weak, they yet
gain a firm hold on the reader's affection ; so that at
length we take leave of Mr. Pickwick, in his rural
retirement at Dulwich, with a lingering fondness,
such as we have never felt for any of those young
and handsome miracles of sense and spirit upon
whose heroic career the vicissitudes of three thrilling
volumes are suspended. * * But so much geniality
of all kinds is displayed in the book, that probably
no appreciative reader ever rose from its perusal
without a strong feeling of personal regard for the
author — an element generally omitted in the estimate
of a writer's genius, to which we always attach great
importance."
A writer, whose name we have forgotten, remarked
that " Pickwick " was made up of *' two pounds of
Smollett, three ounces of Sterne, a handful of Hook,
a dash of the grammatical Pierce Egan — incidents
at pleasure, served with an original sauce piquanter
And Lady Chatterton, in one of her works, re-
marked ; — "■ Mr. Davy, who accompanied Colonel
1836.] POPULARITY OF THE " PICKWICK PAPERS." 63
Chesney up the Euphrates, has recently been in the
service of Mahomet Ali Pacha. ' Pickwick ' hap|)en-
ing to reach Davy while he was at Damascus, he
read a part of it to the Pacha, who was so delighted
with it, that Davy was on one occasion summoned
to him in the middle of the night, to finish the
reading of some part in which they had been in-
terrupted. Mr. Davy read in Egypt, upon another
occasion, some passages from these unrivalled papers
to a blind Englishman, who was in such ecstasy with
what he had heard, that he exclaimed he was almost
thankful he could not see he was in a foreign country,
for that, while he listened, he felt completely as though
he were again in England."
"Pickwick " was attacked In the Qitartcrly Review,
which declared that " indications are not wanting
that the peculiar vein of humour which has hitherto
yielded such attractive metal is worn out ;" but the.
rancorous article did not change public opinion, and
the work continued just as popular as ever.
James Smith (one of the authors of "The Rejected
Addresses"), according to the Law Magazine, one
day made the bold assertion, that Jie clearly preceded
Mr. Dickens in the line which first acquired " The
Pickwick Papers " their popularity.
Sydney Smith had two tests for the goodness of a
novel : " Does It make you deaf to the dinner-bell V
" While reading it, do you forget to answer, even if
a bishop should speak to you .''"
Moncrlefif, the famous author of " Tom and Jerry,"
64 LIFE OF CHARLES DICKENS. [1836.
and a hundred farces and light comedies, dramatized
" Pickwick " long before it was finished, for the Strand
Theatre, where it was performed under the title of —
^^ Sam Weller ; or, The Pickzvickians ;"
Mr, W. J. Hammond sustaining the character of Sam
Weller. The termination of the drama was very
different to that given in the book itself, as will be
readily seen. The adapter caused Mrs. Bardell to be
tried and found guilty of attempted bigamy, her
husband being Alfred Jingle. Messrs. Dodson and
Fogg, the PVeeman Court sharks, were sent to
Newgate for conspiracy, and only released upon
payment of the sum of ;^300 or thereabouts, which
Mr. Pickwick, on receiving, very generously handed
to Jingle to start afresh in the world ; the curtain
falling with a herald entering and announcing the
accession of Queen Victoria, which occurred about
this time !
Another version was acted, with indifferent success,
at the Adelphi, Yates representing Mr. Pickwick, and
John Reeve, Sam Weller. In February, 1838, Mr.
G. W. M. Reynolds started a monthly " Pickwick
Abroad ; or, A Tour in France," illustrated by Alfred
Crowquill. As a curiosity, it deserves to be read, if
only to see the immense difference existing between
/- the two books.
CHAPTER IV.
DICKENS AS A DRAMATIST. — ''OLIVER TWIST."
^T was in the year 1836 that Mr. Thackeray,
according to an anecdote related by himself,
offered Mr. Dickens to undertake the task of
illustrating one of his works. The story was told by the
former at an anniversary dinner of the Royal Academy
a few years since, ]\Ir. Dickens being present on the oc-
casion. " I can remember (said Mr. Thackeray) when
Mr. Dickens was a very young man, and had com-
menced delighting the world with some charming
humorous works in covers, which were coloured light
green, and came out once a month, that this young
man wanted an artist to illustrate his writings ; and I
recollect walking up to his chambers in Furnival's Inn,
with two or three drawings in my hand, which, strange
to say, he did not find suitable. But for the unfortunate
blight which came over my artistical existence, it
would have been my pride and my pleasure to have
endeavoured one day to find a place on these walls
for one of my performances." The work referred to
was the " Pickwick Papers." Seymour, the illustrator,
having destroyed himself in a fit of derangement, a
new artist was wanted, and the result was the singular
E
6$ LIFE OF CHARLES DICKENS. [1838.
intei-view between the two men whose names, though
representing schools of fiction so widely different,
were destined to become constantly associated in the
public mind.
A leading article in a morning newspaper on the
occasion of Mr. Thackeray's death, in telling the
anecdote of his attempt to illustrate " Pickwick,"
adds, that disappointed at the rejection of his offer,
he exclaimed, " Well, if you will not let me draw, I
will write;" and from that hour determined to com-
pete with his illustrious brother novelist for public
favour. Nothing could be more opposed to the facts
than this coloured version of the anecdote. It was
not for a year or two after the event referred to that
he began seriously to devote himself to literary
labour ; and his articles, published anonymously, and
only now for the first time brought into notice,
because recognized from their noins de plume to have
been written by him, contain the best evidences that
he felt no shadow of ill-will for a rejection which he
always good-humouredly alluded to as " Mr. Pick-
wick's lucky escape !"*
The artists eventually engaged to take Seymour's
place were, first Mr. Buss, and then Mr. Hablot
Knight Browne, who had, in woodcut, illustrated a
small pamphlet by Mr. Charles Dickens, now out of
print and extremely scarce, on the subject of the
Sabbath in London, and bearing the title of " Sunday
under three Heads." As is well known, the same
* Theodore Taylor's "Life of Thackeray," p. 6^,,
SUNDAY
UNDER THREE Hi: ADS.
AS IT IS
AS SABBATH BILLS WOULD MAKE IT
AS IT MIGHT BE MADE.
BY TIMOTHY SPARKS.
LONDON :
CHAPMAN AND HALL, 186, STRAND.
1838.] DICKENS AS A DRAMATIST Sj
artist, under the quaint signature of " Phiz,"
apparently intended to match the author's own
noin dc phnne, "Boz," continued to etch the plates for
Mr. Dickens's monthly numbers for many years
afterwards. Poor Tom Hood used to stumble at the
name : " Fizz, Whizz, or something of that sort," he
would say.
During the publication of " The Pickwick Papers "
St. James's Theatre was opened, Sept. 29th, 1836, with
a burletta entitled '' The Strange Gentleman," written
by " Boz ;" Pritt Harley acted the Strange Gentle-
man, and *' Boz," himself, on one occasion took a part.
The piece ran until December, when it was withdrawn
for an operatic burletta, " The Village Coquettes," by
the same author, the music by John Hullah. The
parts were sustained by Messrs. Harley (as Martin
Stokes), Braham (as Squire Norton), Bennett (as
George Edmunds), and John Parry; Mesdames Smith,
Rainsforth (as Lucy Benson), and others. It met
with a marked reception, and Braham, for a long
time after, at different concerts, sang " The Child and
the Old Man sat alone;" invariably getting encored
most enthusiastically. Three other songs in the
burletta were great favourites, viz., '' Love is not
a Feeling to pass away," "Autumn Leaves," and
" There 's a Charm in Spring." The book of the
words was published by Mr. Bentley, and dedicated
to J. Pritt Harley in the following terms : —
'^ My dramatic bantlings are no sooner born than
you father them. You have made my Strange
E 2
68 LIFE OF CHARLES DICKENS. [1838.
Gentleman exclusively your own ; you have adopted
Martin Stokes with equal readiness."
The author, " Boz," excuses himself for appearing
before the public as the composer of an operatic
burletta in the following words : —
" * Either the Honourable Gentleman is in the
right, or he is not,' is a phrase in very common use
within the walls of Parliament. This drama may
have a plot, or it may not ; and the songs may be
poetry, or they may not ; and the whole affair, from
beginning to end, may be great nonsense, or it may
not ; just as the honourable gentleman or lady who
reads it may happen to think. So, retaining his own
private and particular opinion upon the subject (an
opinion which he formed upwards of a year ago,
when he wrote the piece), the author leaves every
gentleman or lady to form his or hers, as he or she
may think proper, without saying one word to influ-
ence or conciliate them.
" All he wishes to say is this, — that he hopes Mr.
Braham, and all the performers who assisted in the
representation of this opera, will accept his warmest
thanks for the interest they evinced in it from its
very first rehearsal, and for their zealous efforts in his
behalf — efforts which have crowned it with a degree
of success far exceeding his most sanguine anticipa-
tions ; and of which no form of words could speak
his acknowledgment.
" It is needless to add, that the libretto of an opera
must be, to a certain extent, a mere vehicle for the
THE HOME OF CHARLES DICKENS,
1837— 1840.
No. 48 DOUGHTY ST., MECKLENBURGH SQUARE.
When Mr. Dickens married, he removed from Furnival's Inn to this house.
Here were written the concluding numbers of "Pickwick," " OUver Twist," and
" Nicholas Nickleby."
1838.1 ''OLIVER TWIST." 69
music ; and that it is scarcely fair or reasonable to
judge it by those strict rules of criticism which would
be justly applicable to a five-act tragedy, or a finished
comedy."
About this time (in 1837, we believe), Mr. Dickens
married Miss Catherine Hogarth, a daughter of Mr.
George Hogarth, musical and dramatic critic of the
Morning Chronicle, author of " Memoirs of the Musi-
cal Drama," and formerly a Writer to the Signet in
Scotland. Dickens now left his old chambers in
Furnival's Inn, and took the house. No. 48, Doughty
Street, Mecklenburgh Square. Soon after he was
installed editor of Bcnthys Miscellany, and he
began therein " Oliver Twist," subsequently pub-
lished in a complete form by Mr. Bentley in
November, 1838, illustrated by some of the finest
etchings that ever sprang from the magic needle of
George Cruikshank. Any criticism upon the work
at this time is at least needless, if not impertinent ;
but we may be forgiven in saying that the work
abounds in touches of surpassing pathos, picturesque
description, and dramatic effect, while the sombre
parts are relieved by a rich vein of irresistible
humour. The death of Bill Sykes, after the bar-
barous murder of poor Nancy, is one of the most
thrilling and effective chapters in the book. Bum-
ble the Beadle has attained a world-wide reputation.
The scene of his courtship with Mrs. Corney — first
prudently ascertaining the value of the spoons, &c. —
is, perhaps, the best " bit " of all.
70 LIFE OF CHARLES DICKENS. [1838.
In proof of Dickens's accuracy in all matters of
detail, an eminent medical authority assures us that
his description of hectic, given in " Oliver Twist," has
found its way into more than one standard English
work, in both medicine and surgery,* also into several
American and French books of medicine.
The preface to "The Charles Dickens Edition"
(1867) speaks of Alderman Laurie having called in
question the existence of such a place as Jacob's
Island, and declares that, even then, in 1867, it may
be seen in almost the same squalid and filthy state
as it was when first described. " Oliver Twist " was
directed with great effect against the Poor-law and
workhouse system. It will be remembered, by many,
that a great outcry was raised at the time of its
original publication, and statements respecting its
*' gross untruth " and " distorted facts " were freely
made. Can any one, reading the shocking and dis-
graceful disclosures made during the last three or
four years, still maintain that erroneous opinion }
A meeting was held at Willis's Rooms, on 3rd
March, 1866, to promote the establishment of an
Association for the Improvement of the Infirmaries
of the London Workhouses. Mr. Ernest Hart, the
Secretary, had invited Dickens to attend the meet-
ing, and take part in the proceedings. In his reply,
the author of " Oliver Twist " said : —
* Miller's " Principles of Surgery," second edition, p. 46 ;
also Dr. Aitkin's " Practice of Medicine," third edition, vol. i.
p. III.
1838.] ''OLIVER TWIST." jt
" An annual engagement which I cannot possibly
forego will prevent my attending next Saturday's
meeting and (consequently) my seconding the resolu-
tion proposed to be entrusted to me for that purpose.
My knowledge of the general condition of sick poor
in workhouses is not of yesterday, nor are my efforts
in my vocation to call merciful attention to it. Few
anomalies in England are so horrible to me as the
unchecked existence of many shameful sick wards
for paupers side by side with the constantly increas-
ing expansion of conventional wonder that the poor
should creep into corners ^and die rather than fester
and rot in those infamous places.
" You know what they are, and have manfully told
what they are, to the awakening at last, it would
seem, of rather more than the seven distinguished
sleepers. If any subscriptions should be opened to
advance the objects of our association, do me the
kindness to set me down for ;^ 20."
Mr. Sheldon McKenzie, in the American Round
Table, relates this anecdote of " Oliver Twist " : —
^'In London I was intimate with the brothers
Cruikshank, Robert and George, but more particu-
larly with the latter. Having called upon him one
day at his house (it then was in Mydleton Terrace,
Pentonville), I had to wait while he was finishing an
etching, for which a printer's boy was waiting. To \
while away the time, I gladly complied with his !
suggestion that I should look over a portfolio
crowded with etchings, proofs, and drawings, which.
72 LIFE OF CHARLES DICKENS. [1838.
lay upon the sofa. Among these, carelessly tied
together in a wrap of brown paper, was a series of
some twenty-five or thirty drawings, very carefully
finished, through most of which were carried the
well-known portraits of Fagin, Bill Sykes and his
dog, Nancy, the Artful Dodger, and Master Charles
Bates— all well known to the readers of ' Oliver
Twist.' There was no mistake about it ; and when
Cruikshank turned round, his work finished, I said as
much. He told me that it had long been in his
mind to show the life of a London thief by a series
of drawings engraved by himself, in which, without
a single line of letter-press, the story would be
strikingly and clearly told. * Dickens,' he continued,
* dropped in here one day, just as you have done,
and, while waiting until I could speak with him, took
up that identical portfolio, and ferreted out that
bundle of drawings. When he came to that one
which represents Fagin in the condemned cell, he
studied it for half an hour, and told me that he was
tempted to change the whole plot of his story ; not
to carry Oliver Twist through adventures in the
country, but to take him up into the thieves' den in
London, show what their life was, and bring Oliver
through it without sin or shame. I consented to let
him write up to as many of the designs as he thought
would suit his purpose ; and that was the way in
which Fagin, Sykes, and Nancy were created. My
drawings suggested them, rather than individuality
suggesting my drawings."
/^ IJ K ^-w,r>^ C.
iSa^.] *' OLIVER TWIST." 75
How the remarkable figure of Fagin was first con-
ceived Mr. H odder tells us. The reader will remem-
ber the picture of the Jew malefactor in the con-
demned cell, biting his nails in the torture of remorse.
Cruikshank had been labouring at the subject for
several days, and thought the task hopeless, when
sitting up in his bed one morning, with his hand on
his chin, and his fingers in his mouth, the whole
attitude expressive of despair, he saw his face in the
cheval glass.
*' That 's it ! " he exclaimed, " that 's the expression
I want ! " and he soon finished the picture. :
Thackeray, in " The Newcomes," remarked that
" a profane work, called * Oliver Twist,' having
appeared, which George read out to his family
with admirable emphasis, it is a fact that Lady
Walham became so interested in the parish-boy's
progress, that she took his history into her bed-room
(where it was discovered, under Blatherwick's ' Voice
from Mesopotamia,' by her ladyship's maid) ; and
that Kew laughed so immensely at Mr. Bumble, the
Beadle, as to endanger the re-opening of his wound."
And again, in Frasers Magazhie for Feb., 1840,
at the end of a clever satire upon the Newgate
Calendar school of romance, purporting to be written
by Ikey Solomons, jun., Thackeray thus remarks
upon '' Oliver Twist : " — " No man has read that
remarkable tale without being interested in poor
Nancy and her murderer, and especially amused and
tickled by the gambols of the skilful Dodger and his
p-a'^^/ti^ kl^'V.^HyM^ •
11
74 LIFE OF CHARLES DICKENS. [1838.
companions. The power of the writer is so amazing,
that the reader at once becomes his captive, and must
follow him whithersoever he leads : and to what are we
led? Breathless to watch all the crimes of Fagin,
tenderly to deplore the errors of Nancy, to have for
Bill Sykes a kind of pity and admiration, and an
absolute love for the society of the Dodger. All
these heroes stepped from the novel on to the stage ;
and the whole London public, from peers to chimney-
sweeps, were interested about a set of ruffians whose
occupations are thievery, murder, and prostitution.
A most agreeable set of rascals, indeed, who have
their virtues, too, but not good company for any man.
We had better pass them by in decent silence ; for,
as no writer can or dare tell the whole truth concern-
ing them, and faithfully explain their vices, there is
no need to give ex parte statements of their virtues.
. The pathos of the work-
house scenes in * Oliver Twist,' of the Fleet Prison
descriptions in ' Pickwick,' is genuine and pure — as
much of this as you please ; as tender a hand to the
poor, as kindly a word to the unhappy as you will,,
but in the name of common sense let us not expend
our sympathies on cut-throats and other such pro-
digies of evil !"
Albert Smith, in his " Adventures of Mr. Ledbury,"
observed that, " in the year 1840, he found an Italian
translator of the book had placarded the name of the
poor parish orphan of England against the walls of
the Ducal Palace of Venice ! "
1838.] " OLIVER TWIST." 75
In May, 1838, an adaptation of the story was pro-
duced at the PavIHon Theatre, and at the Surrey on
November 19th following, and met with great success.
The representations of " Oliver Twist " and ** Jack
Sheppard," being considered as entailing great mis-
chief, were accordingly prohibited ; but Mr. John
Oxenford's version (specially licensed), in three acts,
was produced at the New Queen's Theatre, in April,
1868, and attracted large audiences, Mr. J. L. Toole
playing the Artful Dodger, and Miss Nelly Moore,
Nancy. It was this version that became the subject
of a Parliamentary discussion : —
Dr. B7'ady asked the Secretary of State whether
the Lord Chamberlain had refused to license a play
dramatized by Mr. Oxenford from Mr. Dickens's
celebrated work of " Oliver Twist ; " and whether all
plays from the same work were interdicted in London
as being offensive to parish beadles ; and whether he
approved of the Lord Chamberlain's consideration
for the feelings of the parish authorities.
Mr. Hardy : The parish beadles have not the
influence with the Lord Chamberlain which the Hon.
Member supposes. Formerly, " Oliver Tv/ist " and
"Jack Sheppard" were prohibited, but Mr. Oxenford's
play has been licensed by the Lord Chamberlain.
Representations also took place at the Surrey,
Victoria, Pavilion, and other theatres.
CHAPTER V.
THE COPYRIGHT OF "OLIVER TWIST."
ERE we come to a matter connected with
U the transfer of the copyright of '' OHver
'4 Twist " back into Mr. Dickens's own posses-
sion, Avhich, many years later, occasioned a contro-
versy in the public papers. Mr. Jerdan, the once
famous editor of the Literary Gazette^ in his ram-
bling autobiography, published in 1853, mentions
(vol. iv.) that — " Bulwer, I believe, paid Mr. Bentley
^^750 to recover a small portion of copyright which
he wished, in order to possess an entire property in
his works ; and, nearly at the same time, Mr. Dickens
took a like step to repurchase a share of the copy-
right of ' Oliver Twist,' after it had launched Bentley' s
Miscellany prosperously on the popular tide, and
gone through two or three profitable editions. The
compensation was referred to Mr. John Eorster and
myself, and upon my table the sum of ;^ 2,250 was
handed over to Mr. Bentley, and both parties per-
fectly satisfied. But was not 'the trade' fortunate in
so easily adding to handsome preceding emoluments
the total of no less than ;^ 3,000 ?"
Mr. Bentley, in a letter to TJie Critic (now defunct,
1838.] COPYRIGHT OF ''OLIVER TWIST." 77
which had reviewed the book, and quoted the above
paragraph), repHed : —
"Mr. Jerdan's Autobiography.
" Sir, — In your last number, while reviewing the
concluding volume of Mr. Jerdan's Autobiography,
you quote a statement made by him relative to two
transactions — one with Sir Edward Bulwer Lytton,
and the other with Mr. Charles Dickens and myself —
which, if left uncontradicted, is calculated to be in-
jurious to me. This statement, I distinctly assert,
is grossly incorrect ; and I have thought it necessary
to call upon Mr. Jerdan to cancel it altogether.
" I greatly regret, for Mr. Jerdan's sake, as well as
the parties referred to, that he should have ventured
to commit such an indiscretion.
'^ Yours faithfully,
" Richard Bentley.
" Nezv Burlington Strcety
" Jan. 12, 1854."
To which Jerdan in turn wrote : —
" Mr. Bentley and Mr. Jerdan.
"To the Editor of TJie Critic, London Literary
Journal.
" Sir, — Having admitted a letter from Mr. Bentley
to your columns, impugning a statement you did me
the honour to quote in your notice of the fourth
volume of my Autobiography, I beg your permission
78 LIFE OF CHARLES DICKENS, [1838.
to insert the following observations on the com-
plaint: —
'' If I could have supposed, for an instant, that the
facts related were calculated to do Mr. Bentley the
slightest injury, I never would have published them ;
but, on the most earnest consideration of the matter,
I must say that such an idea is perfectly incompre-
hensible.
" In the one instance, I mention a report that Sir
Edward Lytton Bulwer had paid a certain sum to
Mr. Bentley, for the restoration of a particular copy-
right ; and, in the other, I state from my own know-
ledge the circumstance of Mr. Dickens having paid a
larger sum for a sim^ilar reassignment.
" Now, I would ask, to what does this amount }
It may go to prove the truism, that publishers are
more likely than authors to keep their coaches ; but
all the rest simply amounts to the commonest com-
mercial arrangement, viz., that Sir Edward Bulwer
Lytton and Mr. Dickens paid Mr. Bentley a fair price
for what they desired to purchase, and which he had
no higher or more profitable object in wishing to retain.
In the more important case I was his own arbiter,
and surely I would not accuse myself of having been
a party to a transaction injurious to my principal or
to Mr. Dickens, by sanctioning a disreputable arbi-
tration, of which I may add, that it had the rare
good fortune at the time to be perfectly satisfactory
to all concerned.
" As for any breach of confidence, you, sir, are far
1838.] COPYRIGHT OF " OLIVER TWIST." 79
too conversant with the literary world to suppose
that these matters were not the common talk of
every circle in London, and that the attempt to
represent them as secrets is very preposterous.
*' I am indeed sorry that Mr. Bentley's feelings or
amour propi'e have been disturbed ; but I am sure
that few persons, except himself, will think that I
have cast a blot on his publishing 'scutcheon.
" I am, Sir,
" Yours obediently,
"W. JERDAN.
^^ January 2^thr
Another letter from Mr. Bentley closed the con-
troversy : —
" To the Editor of TJie Critic.
*' New Burlington Street,
''Feb. 13, 1854.
" Sir, — You will oblige me by giving insertion in
your journal to the accompanying letter from Mr.
Forster, which has been handsomely sent to me
without any solicitation on my part.
" Yours faithfully,
" Richard Bentley."
[Copy enclosed.]
''58, Lincoln's Inn Fields,
"Jan. 31, 1854.
" Dear Sir, — I perceive that the Morning Herald
£o LIFE OF CHARLES B/CA'ENS. [1S38.
which I have just received comes from you, and
I cannot doubt that it is sent to me because it contains
a correspondence between yourself and Mr. Jerdan,
in reference to a statement on the part of the latter,
in which my name is introduced.
" I feel it right, in confirmation of your opinion,
expressed in that correspondence, to state to you my
own opinion, that the negotiation was undoubtedly
of a private nature, and one with which the public
have no concern.
"Further, there were matters in dispute between
yourself and Mr. Dickens, the fair adjustment of
\vhich was taken into account when the sum of
;^2,250 was fixed upon as the price at which he
should purchase back from you the copyright of
* Oliver Twist'
"This matter having been brought before the
public without any fault of yours, it is just towards
you that I should write these few words ; and I do
so with the knowledge and consent of Mr. Dickens
himself.
" Yours very truly,
"John Forster.
« R. Bentley, Esq."
" Oliver Twist " completed, Dickens resigned the
editorship to Mr. W. Harrison Ainsworth, who, we
believe, still occupies that position. Just before the
last instalment was published, there appeared in
Befitleys Miscellany this : —
1833.] COPYRIGHT OF ''OLIVER TWIST." Zt
"POETICAL EPISTLE FROM FATHER PROUT
TO BOZ.
I.
"A RHYME ! a rliyme ! from a distant clime, — from thegulph of
the Genoese:
O'er the rugged scalps of the Julian Alps, dear Boz ! I send you
these.
To light the Wick your candlestick holds up, or, should you
list.
To usher in the yarn you spin concerning Oliver Twist.
n.
" Immense applause you Ve gained, oh, Boz ! through continental
Europe ;
You'll make Pickwick cecumenick;* of fame you have a sure
hope:
For here your books are found, gadzooks ! in greater luxe than
any
That have issued yet, hotpress'd or wet, from the types of
Galignani.
III.
** Cut neither when you sport your pen, oh, potent mirth-com-
peller !
Winning our hearts * in monthly parts,' can Pickwick or Sam
Wcller
Cause us to weep with pathos deep, or shake with laugh spas-
modical.
As when you drain your copious vein for Bentley's periodical,
IV.
"Folks all enjoy your Parish Boy, — so truly you depict him;
But I, alack! while thus you track your stinted Poor-law's
victim,
* ctScoXoi/ TTj? yrys oikov}1€VT]S,
F
B2 LIFE OF CHARLES DICKENS. [1838.
Must think of some poor nearer home, — poor who, unheeded,
perish,
By squires despoiled, by 'patriots' gulled,— I mean the starving
Irish.
,v.
" Yet there *s no dearth of Irish mirth, which, to a mind of
feeling,
Seemeth to be the Helot's glee before the Spartan reeling :
Such gloomy thought o'ercometh not the glow of England's
humour.
Thrice happy isle ! long may the smile of genuine joy illume
her!
VI.
" Write on, young sage ! still o'er the page pour forth the flood
of fancy;
Wax still more droll, wave o'er the soul Wit's wand of necro-
mancy.
Behold ! e'en now around your brow th' immortal laurel
thickens ;
Yea, Swift or Sterne might gladly learn a thing or two from
Dickens.
VII.
" A rhyme ! a rhyme ! from a distant clime, — a song from the
sunny south !
A goodly theme, so Boz but deem the measure not uncouth.
"Would, for thy sake, that ' Prout ' could make his bow in
fashion finer,
' Part ant ' (from thee) * pour la Syrie,' for Greece and Asia
Minor.
" Genoay \\th December y 1837."
CHAPTER VI.
"NICHOLAS NICKLEBY."
N January, 1838, "The Memoirs of Joseph )
Grimaldi, the Clown," edited by Dickens, '^
illustrated by Cruikshank, was published by ^
Mr. Bentley, in two volumes. It is amusingly written, /
full of merriment and quaint anecdotes of the great
pantomimist, and has gone through several editions.
It was not, however, the composition of Mr. Dickens,
being only " edited " by him, as the title-page de-
clares.
The next work^and the second in the "green-
leaf" series — was "Nicholas Nickleby," the first
number of which appeared 31st March, 1838. It
extended to twenty numbers, and was published in a
complete form, in the following year, by Messrs.
Chapman and Hall, dedicated to Mr. Macready.
This novel showed that Dickens was still working for
the emancipation of boyhood. In the preface, after
'mentioning how he first came to hear of the gross
mismanagement carried on in the Yorkshire schools;
he resolved to go and see what they were like.
" With that intent I went down into Yorkshire
before I began this book, in very severe winter-time,
F 2
84 ' LIFE OF CHARLES DICKENS. [1338.
which is pretty faithfully described herein. As I
wanted to see a schoolmaster or two, and was fore-
warned that those gentlemen might, in their modesty,
be shy of receiving a visit from the author of the
* Pickwick Papers,' I consulted with a professional
friend here, who had a Yorkshire connection, and with
whom I concerted a pious fraud. He gave me some
letters of introduction, in the name, I think, of my
travelling companion ; they bore reference to a sup-
posititious little boy who had been left with a widowed
mother who didn't know what to do with him ; the
poor lady had thought, as a means of thawing the
tardy compassion of her relations in his behalf, of
sending him to a Yorkshire school ; I was the poor
lady's friend, travelling that way ; and if the recipient
of the letter could inform me of a school in his neigh-
bourhood, the writer would be very much obliged.
"I went to several places in .that part of the
country where I understood these schools to be most
plentifully sprinkled, and had no occasion to deliver
a letter until I came to a certain town which shall be
nameless. The person to whom it was addressed was
not at home ; but he came down at night, through
the snow, to the inn where I was staying. It was
after dinner ; and he needed little persuasion to sit
down by the fire in a warm corner, and take his share
of the wine that was on the table.
" I am afraid he is dead now. I recollect he was
a jovial, ruddy, broad-faced man ; that we got ac-
quainted directly ; and that we talked on all kinds of
1838.] "NICHOLAS NICKLEDVr 85
subjects, except the school, which he showed a great
anxiety to avoid. Was there any large school near ?
I asked him, in reference to the letter. * Oh yes,' he
said ; * there was a pratty big 'un.' ' Was it a good
one } ' I asked. * Ey ! ' he said, * it was as good as
anoother ; that was a' a matther of opinion ;' and fell
to looking at the fire, staring round the room, and
whistling a little. On my reverting to some other
topic that we had been discussing, he recovered
immediately ; but, though I tried him again and
again, I never approached the question of the school,
even if he were in the middle of a laugh, without
observing that his countenance fell, and that he be-
came uncomfortable. At last, when we had passed a
couple of hours or so, very agreeably, he suddenly
took up his hat, and leaning over the table and look-
ing me full in the face, said, in a low voice, ' Weel,
Misther, we've been vary pleasant toogather, and ar'll
spak' my moind tiv'ee. Dinnot let the weedur send
her lattle boy to yan o' our schoolmeasthers, while
there's a harse to hoold in a' Lunnun, or a gootther
to lie asleep in. Ar wouldn't mak' ill words amang
my neeburs, and ar speak tiv'ee quiet loike. But
I 'm dom'd if ar can gang to bed and not tellee, for
weedur's sak', to keep the lattle boy from a' sike
scoondrels while there's a harse to hoold in a' Lunnun,
or a gootther to lie asleep in ! ' Repeating these
words with great heartiness, and with a solemnity on
his jolly face that made it look twice as large as
before, he shook hands and went away. I never saw
86 LIFE OF CHARLES DICKENS. [1S38.
him afterwards, but I sometimes imagine that I
descry a faint reflection of him in John Browdie."
In reference to these gentry, we may here quote a
few words from the original preface to this book : —
" It has afforded the Author great amusement
and satisfaction, during the progress of this work, to
learn, from country friends and from a variety of
ludicrous statements concerning himself in provincial
newspapers, that more than one Yorkshire school-
master lays claim to being the original of Mr.
Squeers. One worthy, he has reason to believe, has
actually consulted authorities learned in the law, as to
his having good grounds on which to rest an action
for libel ; another, has meditated a journey to London,
for the express purpose of committing an assault and
battery on his traducer ; a third, perfectly remembers
being waited on, last January twelve month, by two
gentlemen, one of whom held him in conversation
while the other took his likeness ; and, although Mr.
Squeers has but one eye, and he has two, and the
published sketch does not resemble him (whoever he
may be) in any other respect, still he and all his
friends and neighbours know at once for whom it is
meant, because — the character is so like him."
" Nicholas Nickleby " is not quite so popular as
some of Dickens's other fictions, although it is cer-
tainly not inferior to any of the other works of this
illustrious author. The passages describing the deaths
of Ralph Nickleby, and Gride the Miser, are dramatic
in the highest degree, and inimitable as pieces of
,1838.] :" NICHOLAS NICA'LEBY." Zj
•powerful writing. John Browdie, with his hearty-
laugh, and thoroughly English heart, will ever be an
immense favourite. Dotheboys Hall and its tenants
is a very sad history, and well might Dickens use his
utmost endeavours to crush such an infamous hotbed
of misery and torment. Who has not roared at the
eccentricities of Mrs. Nickleby, especially in that
memorable interview with the gentleman in the small
clothes }
It is said that the Brothers Grant, the wealthy
cotton-mill owners of Manchester, were the proto-
types of the Brothers Cheeryble ; both are now dead,
the elder one dying in March, 1855. In the original
preface, Dickens having stated that they were por-
traits from life, and were still living, in the preface
to a later edition he said : — " If I were to attempt
to sum up the hundreds of letters from all sorts of
people, in all sorts of latitudes and climates, to which
this unlucky paragraph has since given rise, I should
get into an arithmetical difficulty from which I could
not easily extricate myself. Suffice it to say, that I
believe the applications for loans, gifts, and offices of
profit, that I have been requested to forward to the
originals of the. Brothers Cheeryble (with whom I
never interchanged any communication in my life)
would have exhausted the combined patronage of
all the lord chancellors since the accession of the
House of Brunswick, and would have broken the rest
of the Bank of England."
, In Mr. Samuel Smiles's admirable " Self Help "
88 LIFE OF CHARLES DICKENS, [1838.
(the later editions) is recorded a very touching in-
stance of the kindness and generosity of these gentle-
men. However, it is too long to transfer to these pages.
Long before the completion of "Nicholas Nic-
kleby," Mr. Edward Stirling produced a dramatic
version of it, and received, in consequence, a sharp
reproof in the ensuing number. It was performed at
the Adelphi, on November 19th, 1838, as a farce, in
two acts ; Mr. O. Smith representing Newman
Noggs ; Mr. Yates, Mantalini ; and Mrs. Keeley,
Smike. Another adaption was brought out at the
Strand Theatre, under the title of " The Fortunes
of Smike." As recently as the end of 1866, Mr.
J. L. Toole made a great hit by doubling the parts of
Squeers and Newman Noggs, when playing in the
provinces with Mrs. Billington, who made a capital
Mrs. Squeers, the termagant partner of the school-
master.
Sydney Smith, in a letter to Sir George Phillips,
about September, 1838, wrote : — "^ Nickleby ' is very
good. I stood out against Mr. Dickens as long as I
could, but he has conquered me."
And Thomas Moore, in his Diary, under date April
5, 1835, mentions dining at Messrs. Longmans, in
Paternoster Row, the company consisting of Sydney
Smith, Canon Tate, Merivale, Dionysius the Tyrant,
McCuUoch, and Hayward (the translator of " Faust").
" Conversation turned on Boz, the new comic writer.
Was sorry to hear Sydney cry him down, and evi-
dently without having given him a fair trial. Whereas,
1839-] "NICHOLAS NICKLEBY." 89
to me, it appears one of the few proofs of good taste
that the * masses/ as they are called, have yet given,
there being some as nice humour and fun in the
* Pickwick Papers ' as in any work I have seen in
our day. Hayward, the only one of the party that
stood by me in this opinion, engaged me for a dinner
(at his chambers) on Thursday next."
In the following year Sydney Smith had formed
an acquaintance with Dickens, and we find him writ-
ing to the author of " Nicholas Nickleby " : —
''Nobody more — and more justly — talked of than
yourself. The Miss Berrys, now at Richmond, live
only to become acquainted with you, and have com-
missioned me to request you to dine with them Friday,
the 29th, or Monday, July ist, to meet a Canon of
St. Paul's, the Rector of Combe Florey, and the
Vicar of Halberton, all equally well known to you ;
to say nothing of other and better people. The Miss
Berrys and Lady Charlotte Lindsay have not the
smallest objection to be put into a number, but, on
the contrary, would be proud of the distinction ; and
Lady Charlotte, in particular, you may marry to
Nev/man Noggs. Pray come ; it is as much as my
place is worth to send a refusal."
We have already given evidence of Thackeray's
hearty appreciation of the author who has chronicled
for us the adventures of " Oliver Twist." Later on,
in Frascr's Magazine, when commenting on the Royal
Academy Exhibition, we find another interesting
reference by Thackeray to Mr. Dickens, with a
$o LIF^ OF CHARLES DICKENS. [1839.
prophecy of his future greatness : — " Look (he says,
in the assumed character of Michael Angelo
Titmarsh) at the portrait of Mr. Dickens, — well
arranged as a picture, good in colour and light and
shadow, and as a likeness perfectly amazing ; a look-
ins:-dass could not render a better facsimile. Here
we have the real identical man Dickens : the
artist must have understood the inward * Boz ' as
well as the outward before he made this admirable
representation of him. What cheerful intellectuality
is about the man's eyes, and a large forehead ! The
mouth is too large and full, too eager and active,
perhaps ; the smile is very sweet and generous. If
Monsieur de Balzac, that voluminous physiognomist,
could examine this head, he would no doubt interpret
every line and wrinkle in it — the nose firm and well
placed, the nostrils wide and full, as are the nostrils
of all men of genius (this is Monsieur Balzac's
maxim). The past and the future, says Jean Paul,
are written in every countenance. I think we may
promise ourselves a brilliant future from this one.
There seems no flagging as yet in it, no sense of
fatigue, or consciousness of decaying power. Long
may est thou, O Boz !' .reign over thy comic kingdom ;
long may we pay tribute — whether of threepence
weekly, or of a shilling monthly, it matters not.
Mighty prince ! at thy imperial feet, Titmarsh,
humblest of thy servants, offers his vows of loyalty
and his humble tribute of praise."
And lecturing on " Week-day Preachers," at St.
1S39-40.] ''NICHOLAS NICKLEBY:' 91
Martin's Hall,*' in aid of the Jerrold Fund, Thackeray
spoke of the delight which children derived from
reading the works of Mr. Dickens, and mentioned
that one of his own children said to him that she
wished he " would write stories like those which Mr.
Dickens wrote. The same young lady," he con-
tinued, " when she was ten years old, read ' Nicholas
Nickleby ' morning, noon, and night, beginning it
again as soon as she had finished it, and never-
wearying of its fun."
Concerning the financial success of "Nicholas
Nickleby," it may be mentioned that the late Mr.
Tegg, the publisher, writing to the Times, in February,
1840, on copyrights, declared that the work produced
the author ^3,000.
At the Royal Academy Exhibition of 1840, a
fine portrait of Dickens, painted by his friend
Daniel Maclise, was exhibited. This is the portrait
to which Thackeray alludes in the preceding page.
An engraving from it appeared in subsequent editions
of " Nicholas Nickleby."
'* July, 1857.
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.-,'- ..
CHAPTER VII.
PUBLICATION OF " THE OLD CURIOSITY SHOP '*
AND "BARNABY RUDGE."
HE first number of " Master Humphrey's
Clock" appeared on the 4th of April, 1840.
Not content with the unexampled success
which had attended the issue of " Nicholas Nickleby "
in shilling numbers, the publisher conceived the mis-
taken idea of altering the form of Mr. Dickens's new
work. It was not to be in what is technically known
as " demy octavo," at one shilling, but in ungainly
" imperial octavo," and in weekly numbers, at three-
pence each. Messrs. Cattermole and " Phiz " (Hablot
K. Browne) had undertaken the illustrations, and the
v/ork proceeded, but it soon became a matter of
policy, or rather of necessity, to revive the public in-
terest ; and this was done by the resuscitation of Mr.
Pickwick and of the two Wellers — father and son.
Thus helped forward, the new work began to make
its way steadily ; and the two principal tales, " The
Old Curiosity Shop " and " Barnaby Rudge," are
among the best and most popular of Mr. Dickens's
stories. The work was published in a complete form
in the following year by Messrs. Chapman and Hall.
Eventually the author thought fit to separate the
1S40.] " THE OLD CURIOSITY SHOP." 93
stories, " and * Master Humphrey's Clock,' as origi-
nally constructed," he mentions, " became one of the
lost books of the earth — which, we all know, are far
more precious than any that can be read for love or
money."
The " Old Curiosity Shop " is a splendid and
touching story. Little Nelly is a beautiful and deli-
cate creation ; so likewise is the poor schoolmaster, and
his favourite scholar, who wrote so good a hand with
such a very little one. We may here mention a
curious fact, to which Mr. R. H. Home, in his " New
Spirit of the Age," first directed attention. He says
that the description of Nelly's death, if divided into
lines, will form that species of gracefully irregular
blank verse which Shelley and Southey often used.
Here is a specimen: —
" When Death strikes down the innocent and young.
For every fragile form, from which he lets
The panting spirit free,
A hundred virtues rise.
In shape of mercy, charity, and love.
To walk the world and bless it.
Of every tear
That sorrowing nature sheds on such green graves.
Some good is born, some gentler nature comes."
Of that exquisitely beautiful creation, "little Nell,"
Mr. Dickens has himself remarked : — " I have a
mournful pride in one recollection associated with
' little Nell.' While she was yet upon her wander-
ings, not then concluded, there appeared in a literary
94 LIFE OF CHARLES DICKENS. [1840.
journal an Essay, of which she was the principal
theme, so earnestly, so eloquently, and tenderly
appreciative of her, and of all her shadowy kith and
kin, that it would have been insensibility in me if
I could have read it without an unusual glow of
pleasure and encouragement. Long afterwards, and
when I had come to know him well, and see him,
stout of heart, going slowly down into his grave, I
knew the writer of that Essay to be THOMAS HoOD."
In the course of this review. Hood took occasion
to say of the author : — " The poor are his especial
clients. He delights to show worth in low places —
living up a court, for example, with Kit and the
industrious washerwoman, his mother. To exhibit
Honesty holding a gentleman's horse, or Poverty
bestowing alms."
Eraser y in 1850, said, "We have been told that
when the ' Old Curiosity Shop ' was drawing to a
close, he received heaps of anonymous letters in
female hands, imploring him ' not to kill little Nell*
The wretch ungallantly persisted in his murderous
design ; and those gentle readers only wept, and
forgave him."
Dick Swiveller is a type and representative of a
numerous class of young men, not absolutely vicious,
but too lazy to work, and who lounge away their
lives resorting to all manner of shifts and contrivances
to exist, yet great at the clubs and meetings, as he
v/as, as
*' Perpetual Grand of the Glorious Apollos."
1840.] "BARNABY RUDGE." 95,
Ouilp is, perhaps, the most carefully elaborated
and highly finished character of all — a Caliban and
v/retch, never more delighted than when inflicting
pain on his meek wife, Mrs. Jiniwin, his mother-in-
law, or that fawning, white-livered hound, Sampson
Brass, the attorney of Bevis Marks. To comment
further would be to pass a glowing eulogium on every
other character in the book. It was dedicated to his
friend Samuel Rogers, the Banker Poet.
'' Barnaby Rudge " is a history of the notorious
"No Popery" riots of 1 780, which had hitherto not
formed the subject of, or been introduced into, any
work of fiction. The tale abounds in vigorous de-
scriptions of the chief misguided actor. Lord George
Gordon, and the dreadful scenes that ensued. The
sketches of Old Willett, at the Maypole, at Chigwell,
and the courtship of Joe Willett and Dolly Varden,
are unsurpassed ; Sir Edward Chester evidently
being intended for the celebrated Lord Chesterfield,
the decorously polite but heartless author of a worth-
less book entitled " Lord Chesterfield's Letters to his
Son."
" Will" (writes a friend of the late novelist) " a great
living painter of English manners, Mr. W. P. Frith,
forgive an allusion to the early days when the success
of his admirable picture of 'Dolly Varden' led Charles
Dickens to call on him, and, after expressing the
warmest thanks for the feeling and appreciation
v/hich the artist's handiwork displayed, to give him a
commission for other subjects, to be selected from
96 LIFE OF CHARLES DICKENS. [1840
the works of ' Boz ? ' Dickens," continues the writer,
" wanted on canvas, and in hues which should Hve,
the young artist's conception of the imaginary people
with whose characteristics England was ringing. His
hearty approval of the pictures, when painted, his
personal introduction of himself to thank the artist,
and his cheque, with the well-known signature, the
'■ C ' rather like a * G,* and the elaborate flourish be-
neath it, exactly as it is given outside the last edition
of his works, are, we venture to say, like things of
yesterday to Mr. Frith."
It is doubtful if the illustrious author of " Barnaby
Rudge " ever knew that the genial Tom Hood — for
whom Dickens always had the greatest admiration,
we may almost say affection — once wrote an ex-
quisitely beautiful account of that work, as well as
of " The Old Curiosity Shop." We know it as a
fact, and the reader can judge for himself whether
Hood was not the man, above all others, to appreciate
Dickens. The reviewer says : — " The first chapter
pleasantly plants us, not in Cato Street, but on the
borders of Epping Forest, at an ancient ruddy
Elizabethan inn, with a maypole for its sign, an
antique porch, quaint chimneys, and *more gable-ends
than a crazy man would care to count on a sunny
day.' The ornamented eaves are haunted by twitter-
ing swallows, and the distorted roof is mobbed by
clusters of cooing pigeons. Then for its landlord :
there is old John Willett, as square and as slow as a
tortoise ; and for its parlour customers, Long Parks,
THE HOME OF CHARLES DICKENS,
1840— 1850.
No. I DEVONSHIRE TERRACE, NEW ROAD.
After removing from Doughty Street, Mr. Dickens resided in this house, and here
were written a large portion of "The Old Curiosity Shop," " Barnaby Rudge," "A
Christmas Carol," "The American Notes," " Martin Chuzzlewit," "The Cricket on the
Hearth," "The Battle of Life," " Dombey and Son," "The Haunted Man," and
" David Copperfield. "
1840.] DICKENS'S RAVENS. 97
Tom Cobb, both taciturn and profound smokers ;
and Solomon Daisy, that parochial Argus, studded
all down his rusty black coat, and his long flapped
waistcoat, with little queer buttons, like nothing ex-
cept his eyes, but so like them, that as they twinkled
and glistened in the light of the fire, which shone too
in his bright shoe-buckles, he seemed all eyes from
head to foot."
As illustrative of Mr. Dickens's love of animals —
of ravens in particular — ^we may here be permitted to
give his own remarks in a preface to the cheap edition
of this work : — " As it is Mr. Waterton's opinion that
ravens are gradually becoming extinct in England,
I offer a few words here about mine.
" The raven in this story is a compound of two
great originals, of whom I have been, at different
times, the proud possessor. The first was in the
bloom of his youth, when he was discovered in ai.
modest retirement, in London, by a friend of mine,,
and given to me. He had from the first, as Sir Hugh
Evans says of Anne Page, 'good gifts,' which he
improved by study and attention in a most exemplary^
manner. He slept in a stable — generally on horse-
back — and so terrified a Newfoundland dog by his
preternatural sagacity, that he has been known, by
the mere superiority of his genius, to walk oft* un-
molested with the dog's dinner from before his face.
He was rapidly rising in acquirements and virtues,
when, in an evil hour, his stable was newly painted.
He observed the workmen closely, saw that they were
G
98 LIFE OF CHARLES DICKENS. [1840.
careful of the paint, and immediately burned to
possess it. On their going to dinner, he ate up all
they had left behind, consisting of a pound or two of
white lead ; and this youthful indiscretion terminated
in death.
" While I was yet inconsolable for his loss, another
friend of mine in Yorkshire discovered an older and
more gifted raven at a village public-house, which he
prevailed upon the landlord to part with for a con-
sideration, and sent up to me. The first act of this
Sage was, to administer to the effects of his prede-
cessor, by disinterring all the cheese and halfpence he
had buried in the garden — a work of immense labour
and research, to which he devoted all the energies of
his mind. When he had achieved' this task, he applied
himself to the acquisition of stable language, in which
he soon became such an adept, that he would perch
outside my window and drive imaginary horses with
great skill, all day. Perhaps even I never saw him at
his best, for his former master sent his duty with him,
'■ and if I wished the bird to come out very strong,
would I be so good as to show him a drunken man ' —
which I never did, having (fortunately) none but
sober people at hand. But I could hardly have
respected him more, whatever the stimulating in-
fluences of this sight might have been. He had not
the slightest respect, I am sorry to say, for me in
return, or for anybody but the cook ; to whom he was
attached — but only, I fear, as a policeman might
have been. Once, I met him unexpectedly, about
1840.] DICKENS'S RAVENS. .-99
half a mile off, walking down the middle of the public
street, attended by a pretty large crowd, and spon-
taneously exhibiting the whole of his accomplishments.
His gravity under those trying circumstances I never
can forget, nor the extraordinary gallantry with
which, refusing to be brought home, he defended
himself behind a pump, until overpowered by numbers.
It may have been that he was too bright a genius to
live long, or it may have been that he took some
pernicious siibstance into his bill, and thence into his
maw — which is not improbable, seeing that he new-
pointed the greater part of the garden wall by digging
out the mortar, broke countless squares of glass by
scraping away the putty all round the frames, and
tore up and swallowed, in splinters, the greater part
of a wooden staircase of six steps and a landing — but
after some three years he too was taken ill, and died
before the kitchen fire. He kept his eye to the last
upon the meat as it roasted, and suddenly turned
over on his back with a sepulchral cry of ^ Cuckoo ! *
Since then I have been ravenless."
it is just worth while to remark, in connection with
this fondness for ravens, that a personal friend, a
bad punster, being at a party, and remarking on the
mania Dickens seemed to have for these birds, said,
" Dickens is raven mad!' This, being repeated, gave
rise to a report, which was industriously spread by
his detractors, that " Dickens was raving mad," and
** was confined in a madhouse/' and other silly
rumours.
G 2
lOO LIFE OF CHARLES DICKENS. [1840.
" Barnaby Rudge " expressed the author's abhor-
rence to capital punishment, on the principle enunci-
ated by Pistol, in Shakspeare's " King Henry V." : —
" Let gallows gape for dog, let man go free.
And let not hemp his wind-pipe suffocate."
The pathetic scene of the grey-headed old father
following the dead body of his only son, merely to
touch the lifeless hand of the boy so unjustly hung,
also reminds one of Shakspeare's lines: —
*' If I put out thy light, thou flaming minister,
I can restore it, should I repent me ;
But once put out thy light, thou cunning's t pattern of excelling
nature,
I know not that Promethean heat that can thy light relume.**
Some London publisher, about this time, having
issued imitations or piracies of some of Dickens's
former works and titles, Thomas Hood, writing to
the AthencBum (June, 1842) on ''Copyright and Copy-
wrong," speaks of a conversation he had had with
a bookseller on a spurious " Master Humphrey's
Clock."
" Sir," said the bookseller, ** if you had observed
the name, it was Bos, not Boz — s, sir, not z ; and, be-
sides, it would have been no piracy, sir, even with
the z, because ' Master Humphrey's Clock,' you see,
sir, was not published as by Boz, but by Charles
Dickens 1 "
In the summer of 1841, a dramatized version of
the story, by Charles Selby, was produced at the
1840-41-] '•BARNABY RUDGE" DRAMATIZED. lot
Lyceum, and other versions appeared about the same
time at various theatres. More recently, on Novem-
ber 13th, 1866, it was put on the stage at the
Princess's, by Messrs. Vining and Watts Phillips, as
a four-act drama, Miss Rodgers playing Barnaby
Rudge, Mrs. John Wood Miss MIggs, Mr. Shore Sir
John Chester. A newspaper critic, speaking of Mrs.
Wood's performance, observed : — '* If any one ex-
pected the subdued cough, the small groan, the sigh,
the sniff, the spasmodic start, and the constant rub-
bing and tweaking of the nose to which Miss Miggs
had recourse in the frequent moments of her vexa-
tion, would have been reproduced by Mrs. John
Wood in illustration of the novelist's description,
they must have overlooked the peculiarities of that
liberty-loving country from which the debiita7ite has
just come, after a sojourn of some twelve years. It is
quite apparent that Mrs. John Wood has been in the
habit of representing Miss Miggs repeatedly on the
other side the Atlantic, in a version which has
been doubtless made by some patriotic American,
who believed that the Declaration of Independence
secured the right of departing as far as possible from
the intentions of the British author. The Miss Miggs
who appeared last evening on the stage of the Prin-
cess's is a ' Yankee gal ' of the familiar down-east
pattern, who sings one of the high-toned ditties
characteristic of her class, mixes up grotesque panto-
mime extravagances with nasal inflections and an-
gular attitudes, and thinks nothing of sprawling on
loa LIFE OF CHARLES DICKENS. [1841;
tables and tumbling into tubs. Nor, in personal
appearance, will the good-looking, though coarse-
mannered, companion of Mrs. Varden at all corre-
spond to the portraiture which was also so long
identified with one of the principal figures in ' Master
Humphrey's Clock/ The double disappointment
thus experienced found audible expression in the
course of the performance, and drew the customary-
expostulation of a first night from Mr. Vining, who
took the opportunity of a call at the end of the third
act to address the audience. * On the present occa-
sion,' observed Mr, Vining, * I do not appear before
you as an actor ; but from a private box I have seen
that a determination to hiss this piece from its com-
mencement has been apparent on the part of a few
persons among the audience. I have watched for an
expression. of public opinion. If you have seen any-
thing which deserved hissing, hiss away — (cheers) —
but some, to the degradation of their manhood, have
hissed a lady who was a stranger in the land.' " Mr.
George Honey was afterwards substituted to play the
part, and the piece ran until January following.
That our author, about this time, was busy in
" society " as well as in literature, we have good
evidence from the examples of his correspondence
which exist in contemporary biography. With the
Countess of Blessington he had been acquainted for
some time. On one occasion Dickens fell in with a
remarkable clairvoyant — ^a " magnetic boy," as he is
styled, and our author thus writes to the Countess : — -_
1841.] " THE PIC-NIC PAPERS." 103
" Have you seen Townsend's magnetic boy ? You
heard of him, no doubt, from Count d'Orsay. If you
get him to Gore House, don't, I entreat you, have
more than eight people — four is a better number — to
sec him. He fails in a crowd, and is mai'vclloiis
before a few. I am told, that down in Devonshire
there are young ladies innumerable who read crabbed
manuscripts with the palms of their hands, and who,
so to speak, are literary all over. I begin to under-
stand what a blue-stocking means ; and have not the
slightest doubt that Lady , for instance, could
write quite as entertaining a book with the sole of her
foot as ever she did with her head. I am a believer
in earnest, and I am sure you would be if you saw
this boy, under moderately favourable circumstances,
as I hope you will before he leaves England." *
It was about this time that " The Pic-nic Papers,"
"by various hands," and edited by Dickens, was
issued by Mr. Henry Colburn, in three volumes,
with illustrations by George Cruikshank. The
work was the result of a series of literary con-
tributions in aid of the family of Mr. Macrone,
who had just died. He was described in the
preface as "A publisher who died prematurely
young, and in the prime and vigour of his years,
before he had time or opportunity to make any pro-
vision for his wife and infant children, and at the
moment when his prospects were the brightest, and
* Madden's "Life of Lady Blessington," June, 1841.
104 LIFE OF CHARLES DICKENS. [1841.
the difficulties of his enterprise were nearly over-
come." The editor led off with " The Lamplighter's
Story." The contributors comprised Messrs. Talfourd,
Thomas Moore, W. H. Maxwell, Leitch Ritchie,
Michael Honan, John Forster, Allan Cunningham,
and W. Harrison Ainsworth. The book served the
purpose it was intended for, and realized a large
sum. It is now seldom read, and then more for the
editor's tale than for anything else contained in it.
In the July of this year (1841) a public dinner
in honour of Dickens took place at Edinburgh, and
went off with great eclat, Professor Wilson (the cele-
brated "■ Christopher North") presiding.*
* Mr. Dickens's speech upon this occasion is given in the
great novelist's collected " Speeches," recently published.
■«<s^??^3^c§e^^
CHAPTER VIII.
DICKENS'S VISIT TO AMERICA.
ONG before he fixed any date for his depar-
ture, Dickens had promised Washington
Irving, and many other correspondents in
America, that he would come and see them. The
progress of *' Oliver Twist," " Nicholas Nickleby,"
and other works, however, delayed the event, and
many of his English admirers did all that lay in
their power to keep him at home. " Worked hard,"
says poor Haydon, the painter, in his Diary, under
date December loth ; " Talfourd said he introduced
Dickens to Lady Holland. She hated the Ameri-
cans, and did not want Dickens to go.
" She said, * Why cannot you go down to Bristol,
and see some of the third or fourth-class people, and
they '11 do just as well .?' "
And the genial Thomas Hood, in his article on
*' Barnaby Rudge," after lamenting the temporary
loss of Dickens, thus excuses his absence : — " Avail-
ing himself of the pause for a little well-earned rest
and recreation, the author, it appears, has sailed on a
long projected trip to America ; or, according to Mr.
Weller, senior, has * made away with hisself to an-
io6 LIFE OF CHARLES DICKENS. [1842.
other, though not a better, world,' though it's called a
new one. In fact he is, we hope, paddling prosper-
ously across the Atlantic, whilst we are sitting down
to criticise the characters he has left behind him in
his ' Barnaby Rudge.' "
To another journal Hood sent these lines : —
TO C. DICKENS, ESQ^,
On his Departure for A7?ierica,
" Pshaw ! away with leaf and berry.
And the sober-sided cup !
Bring a goblet, and bright sherry.
And a bumper fill me up !
Though a pledge I had to shiver.
And the longest ever was,
Ere his vessel leaves our river,
I would drink a health to Eoz !
Here's success to all his antics.
Since it pleases him to roam,
And to paddle o'er Atlantics,
After such a sale at home !
May he shun all rocks whatever,
And each shallow sand that lurks,
And his passage be as clever
As the best among his works !"
It was on the 3rd of January, 1842, that our
author and his wife left England for the United
States. They went to Liverpool, and crossed the
Atlantic in the Britannia steam-packet. Captain
Hewett. The result of this trip was the publication.
1842.] DICKENS'S VISIT TO AMERICA. 107
by Messrs. Chapman and Hall, in October of the
same year, of "American Notes for General Circu-
lation," in two volumes, with a frontispiece by Clark-
son Stanfield, R.A.
The dedication was as follows : —
" i dedicate this book
to those friends of mine in america,
Who,
Giving me a welcome I must ever gratefully and proudly
remember,
Left my judgment
FREE ; ,
And who, loving their country,
Can bear the truth, when it is told good iiumouredly,
and in a kind spirit."
The publication, however, gave great offence to our
author's American readers, and, as he might have
foreseen, he got abused and vilified most unmercifully.
Judge Haliburton (" Sam Slick "), in one of his
-works, alluding to the fetes and receptions given to
Dickens, said that, on his homeward passage, he had
suffered severely from sea-sickness, and all the kind-
ness he had experienced had been cast overboard.
Whether Dickens had in his mind's eye the advice
tendered by old Weller to Sam, when he proposed
having a "planner" to carry Mr. Pickwick from the
Fleet Prison, is uncertain : —
" There ain't no vurks in it," whispered his father.
" It 'uU hold him easy, with his hat and shoes on,
and breathe through the legs, vich is holler. Have a
'passage ready taken for 'Merriker. The. 'Merrikin
io8 LIFE OF CHARLES DICKENS. [1842
gov'ment vill never give him up, ven they finds as
he 's got money to spend, Sammy. Let the gov'ner
stop there till Mrs. Bardell 's dead, or Mr. Dodson
and Fogg's hung, which last ewent I think is the
most likely to happen first, Sammy ; and then let
him come back and write a book about the 'Merrikins
as '11 pay all his expenses and more, if he blows 'em
up enough."
Emerson, in " The Conduct of Life " (in the Essay
on " Behaviour "), writes : —
" Charles Dickens self-sacrificingly undertook the
reformation of our American manners in unspeakable
particulars. I think the lesson was not quite lost ;
that it held bad manners up, so that the churls could
see the deformity. Unhappily, the book has its own
deformities. It ought not to need to print in a
reading-room a caution to strangers not to speak
loud ; nor to persons who look over fine engravings,
that they should be handled like cobwebs and butter-
flies' wings ; nor to persons who look at marble
statues, that they shall not smite them with their
canes."
In publishing a new edition of "American Notes,"
in 1850, Dickens, in the preface, urged that "pre-
judiced I have never been, otherwise than in favour
of the United States To represent me
as viewing it with ill-nature, animosity, or partisan-
ship, is merely to do a very foolish thing, which is
always a very easy one, and which I have disregarded
for eight years, and could disregard for eighty more."
1842.] DICKENS'S VISIT TO AMERICA. 109
Whatever Transatlantic critics may have thought
of the work, Lord Jeffrey, on the appearance of the
first edition, wrote the author a letter, in which he
says, *' A thousand thanks for your charming book,
and for all the pleasure, profit, and relief it has
afforded me. You have been very tender to our
sensitive friends beyond the sea, and really said
nothing which will give any serious offence to any
moderately rational patriot amongst them. The
slavers^ of course, will give you no quarter, and of
course you did not expect they would
Your account of the silent or solitary imprisonment
system is as pathetic and as powerful a piece of
writing as I have ever seen, and your sweet airy little
snatch of the little woman taking her new babe home
to her young husband,* and your manly and feeling
appeal in behalf of the poor Irish, or rather the affec-
tionate poor of all races and tongues, who are patient
and tender to their children, under circumstances
which would make half the exemplary parents
among the rich monsters of selfishness and dis-
content, remind us that we have still among us the
creator of Nelly and Smike, and the schoolmaster
and his dying pupil, and must continue to win for
you still more of that homage of the heart, that love
and esteem of the just and the good, which, though
it should never be disjoined from them, should, I
* See Chapter XII. " American Notes." A very finished
and beautiful little incident, related in that natural and truthful
manner in which Dickens excels all other writers.
no . LIFE OF CHARLES DICKENS. [1S42.
think you must already feel, be better than fortune
or fame."
Very recently it has been made known that poor
Tom Hood, almost immediately upon its appearance,
reviewed the work, under the title of " Boz in Ame-
rica." In his happiest vein of drollery, he conjectures
that it would be impossible for Mr. Boz to go to
" the States " without losing all his English charac-
teristics, and returning to his friends a regular
Down-East Yankee : — " So strong, indeed, was this
impression, that certain blue-stockinged prophetesses
even predicted a new Avater of the celebrated Mr.
Pickwick, in slippers and loose trousers, a nankeen
jacket, and a straw hat as large as an umbrella.
Sam Weller was to re-appear as his ' help,' instead of
a footman, still full of droll sayings, but in a slang
more akin to his namesake, the Clock-maker : while
Weller, senior, was to revive on the box of a Boston
long stage — only calling himself Jonathan, instead
of Tony, and spelling it with a G. A Virginian
Widow Bardell was as a matter of course ; and
some visionaries even foresaw a slave-owninsf Mr.
Snodgrass, a coon-hunting Mr. Winkle, a wide-awake
Joe, and a forest-clearing Bob Sawyer.* But, upon
the appearance of the book itself," continues Hood,
" the romanticists were in despair, and reluctantly
* " With the wishes of these admirers of Boz we can in some
degree sympathize ; for what could be a greater treat, in the
reading way, than the perplexities of a squatting Mr. Pickwick,
or a settling Mrs. Nickleby?"
1842.] DICKENS'S VISIT TO AMERICA. iii
abandoned all hopes of a Pennsylvanian Nicholas
Nickleby, affectionately darning- his mother — a New
Yorkshire Mr. Squeers, flogging creation — a black
Smike — a brown Kate — and a Bostonian Newman
Noggs, alternately swallowing a cocktail and a
cobbler y
Professor Felton, alluding to the death of Washing-
ton Irving, In a speech, In the latter part of the year
1859, gave this Interesting reminiscence of the friend-
ship existing between Dickens and Irving : —
" The time when I saw the most of Mr. Irving was
in the winter of 1842, during the visit of Mr. Charles
Dickens In New York. I had known this already
distinguished writer in Boston and Cambridge, and,
while passing some weeks with my dear and lamented
friend, Albert Sumner, I renewed my acquaintance
with Mr. Dickens, often meeting him in the brilliant
literary society which then made New York a most
agreeable resort. Halleck, Bryant, Washington
Irving, Davis, and others, scarce less attractive by
their genius, wit, and social graces, constituted a
circle not to be surpassed anywhere in the world.
I passed much of the time with Mr. Irving and Mr.
Dickens, and It was delightful to witness the cordial
intercourse of the young man, in the flush and glory of
his youthful genius, and his elder compeer, then in the
assured possession of immortal renown. Dickens said,
in his frank hearty manner, that, from his childhood,
he had known the works of Irving ; and that, before
he thought of coming to this country, he had received
112 LIFE OF CHARLES DICKENS. [1842.
a letter from him, expressing the delight he felt in
reading the story of 'Little Nell;' and from that
day they had shaken hands mitographically across the
Atlantic."
After Professor Felton's reminiscences, it may not
be uninteresting to quote the following extract from
a letter written by Washington Irving to his niece
(Mrs. Storrow), under date May 25, 1841, in which he
mentions a letter he had just received from Dickens,
in reply to one from himself : —
" And now comes the third letter from that glo-
rious fellow, Dickens (Boz), in reply to the one I
wrote, expressing my heartfelt delight with his
writings, and my yearnings towards himself See
how completely we sympathize in feeling : —
" * There is no man in the world,' replies Dickens,
' who could have given me the heartfelt pleasure you
have by your kind note of the 13th of last month.
There Is no living writer, and there are very few
among the dead, whose approbation I should feel so
proud to earn ; and, with everything you have written
upon my shelves, and in my thoughts, and In my
heart of hearts, I may honestly and truly say so. If
you could know how earnestly I write this, you would
be glad to read it — as I hope you will be, faintly
guessing at the warmth of the hand I autographlcally
hold out to you over the broad Atlantic.
" * I wish I could find In your welcome letter some
hint of an Intention to visit England. I can't. I
have held it at arm's length, and taken a bird's-eye
1S42.] DICKENS'S VISIT TO AMERICA. 113
view of itj after reading it a great many times; but
there is no greater encouragement in it, this way,
than on a microscopic inspection. I should love to
go with you — as I have gone, God knows how often
— into Little Britain, and Eastcheap, and Green
Arbour Court, and Westminster Abbey. I should
like to travel with you, outside the last of the
coaches, down to Bracebridge Hall. It would make
my heart glad to compare notes with you about that
shabby gentleman in the oil-cloth hat and red nose,
who sat in the nine-cornered back parlour of the
Mason's Arms ; and about Robert Preston, and the
tallow-chandler's widow, v/hose sitting-room is second
nature to me ; and about all those delightful places
and people that I used to walk about and dream of
in the daytime, when a very small and not-over-
particularly-taken-care-of boy. I have a good deal
to say, too, about that dashing Alonzo de Ojeda, that
you can't help being fonder of than you ought to be ;
and much to hear concerning Moorish legend, and
poor unhappy Boabdil. Diedrich Knickerbocker I
have worn to death in my pocket, and yet I should
show you his mutilated carcase with a joy past all
expression.
" *' I have been so accustomed to associate you with
my pleasantest and happiest thoughts, and with my
leisure hours, that I rush at once into full confidence
with you, and fall, as it were naturally, and by the
very laws of gravity, into your open arms. Questions
come thronging to my pen as to the lips of people
114 LIFE OF CHARLES DICKENS. [1842.
who meet after long hoping to do so. I don't know
what to say first, or what to leave unsaid, and am
constantly disposed to break off and tell you again
how cflad I am this moment has arrived.
" * My dear Washington Irving, I cannot thank you
enough for your cordial and generous praise, or tell
you what deep and lasting gratification it has given
me. I hope to have many letters from you, and to
exchange a frequent correspondence. I send this to
say so. x\fter the first two or three, I shall settle
down into a connected style, and become gradually
rational.
'' * You know what the feeling is, after having written
a letter, sealed it, and sent it off. I shall picture you
reading this, and answering it, before it has lain one
night in the post-ofiice. Ten to one that before the
fastest packet could reach New York I shall be
writing again.
"*Do you suppose the post-office clerks care to
receive letters 1 I have my doubts. They get into
a dreadful habit of indifference. A postman, I
imagine, is quite callous. Conceive his delivering
one to himself, without being startled by a prelimi-
nary double knock ! ' "
Irving, writing again to Mrs. Storrow, 29th of
October following, says :* —
" What do you think } Dickens is actually coming
to America. He has engaged passage for himself
and his wife in the steam-packet for Boston, for the
4th of January next. He says : ' I look forward to
1842.] DICKENS'S VISIT TO AMERICA. 115
shaking hands with you, with an interest I cannot
(and I would not if I could) describe. You caj^
imagine, I dare say, something of the feelings with
which I look forward to being in America. I can
hardly believe I am coming.' "
But to return to Professor Felton and his recollec-
tions of Irving and Dickens. He continues : —
" Great and varied as was the genius of Mr. Irving,
there was one thing he shrank with a comical terror
from attempting, and that was a dinner speech. A
great dinner, however, was to be given to Mr. Dickens
in New York, as one had already been given in
Boston, and it was evident to all that no man like
Washington Irving could be thought of to preside.
With all his dread of making a speech, he was
obliged to obey the universal call, and to accept the
painful pre-eminence. I saw him daily during the
interval of preparation, either at the lodgings of
Dickens, or at dinner, or at evening parties. I hoped
I showed no want of sympathy with his forebodings,
but I could not help being amused with his tragi-
comical distress which the thought of that approach-
ing dinner had caused him. His pleasant humour
mingled with the real dread, and played with the
whimsical horrors of his own position with an irre-
sistible drollery. Whenever it v/as alluded to, his
invariable answer was, * I shall certainly break down!' —
uttered in a half-melancholy tone, the ludicrous effect
of which it is impossible to describe. He was haunted,
as if by a nightmare ; and I could only compare
11 2
ii6 LIFE OF CHARLES DICKENS. [1842.
his dismay to that of Mr. Pickwick, who was so
alarmed at the prospect of leading about that
* dreadful horse'' all day. At length the long-
expected evening arrived. A company of the most
eminent persons, from all the professions and every
walk of life, were assembled, and Mr. Irving took
the chair. I had gladly accepted an invitation,
making it, however, a condition that I should not
be called upon to speak — a thing I then dreaded
quite as much as Mr. Irving himself. The direful
compulsions of life have since helped me to over-
come, in some measure, the post-prandial fright.
Under the circumstances — an invited guest, with no
impending speech- — I sat calmly and watched with
interest the imposing scene. I had the honour to be
placed next but one to Mr. Irving, and the great
pleasure of sharing in his conversation. He had
brought the manuscript of his speech, and laid it
under his plate. * I shall certainly break down,' he
repeated over and over again. At last the moment
arrived. Mr. Irving rose, and was received with
deafening and long-continued applause, which by no
means lessened his apprehension. He began in his
pleasant voice ; got through two or three sentences
pretty easily, but in the next hesitated ; and, after
one or two attempts to go on, gave it up, with a
graceful allusion to the tournament, and the troop of
knights all armed and eager for the fray ; and ended
with the toast, ' Charles Dickens, the guest of the
nation.* * There!' said he, as he resumed his scat
1842.] DICKENS'S VISIT TO AMERICA, 117
under a repetition of the applause which had saluted
his rising, — ' there ! I told you I should break down,
and I 've done it.'
" There certainly never was a shorter after-dinner
speech ; and I doubt if there ever was a more
successful one. The manuscript seemed to be a dozen
or twenty pages long, but the printed speech was not
as many lines.
" Mr. Irving often spoke with a good-humoured
envy of the felicity with which Dickens always
acquitted himself on such occasions." *
* This speech is given in " The Speeches of Charles Dickens,"
recently published. Thomas Moore, in his Diary, speaking of
running up to London to act as steward of the Literary Fund
Dinner at the Freemasons' Tavern, H.R.H. The Prince Con-
sort acting as chairman, says: — ^'May ilth, 1842. — By the
bye, Irving had yesterday come to Murray's with the determi-
nation, as I found, not to go to the dinner, and all begged of me
to use my influence with him to change this resolution. But he
told me his mind was made up on the point, that the drinking
his health, and the speech he would have to make in return,
were more than he durst encounter ; that he had broken down
at the Dickens Dinner (of which he was chairman) in America,
and obliged to stop short in the middle of his oration, which
made him resolve not to encounter another such accident. In
vain did I represent to him that a few words would be quite
sufficient in returning thanks. ' That Dickens Dinner,' which
he always pronounced with strong emphasis, hammering away
all the time with his right arm, more suo, ' that Dickens Dinner '
still haunted his imagination, and I almost gave up all hope of
persuading him." The arguments proved irresistible, and Irving
went to it.
5i8 LIFE OF CHARLES DICKENS, [1842.
Immediately after the dinner, Irving and Dickens
started off together to Washington, to spend a few-
days, and there took leave of one another. Irving at
this time having just received his appointment as
Minister to Spain, Dickens wrote to him: — "We
passed through — literally passed through — this place
again to-day. I did not come to see you, for I really
had not the heart to say good-bye again, and I felt
more than I can tell you when we shook hands last
Wednesday. You will not be at Baltimore, I fear ?
I thought, at the time, that you only said you might
be there, to make our parting the gayer.
" Wherever you go, God bless you ! What pleasure
I have had in seeing and talking with you, I will not
attempt to say. I shall never forget it as long as I
live. What would I give, if we could have a quiet
walk together ! Spain is a lazy place, and its climate
an indolent one. But if you have ever leisure under
its sunny skies to think of a man who loves you, and
holds communion with your spirit oftener, perhaps,
than any other person alive — leisure from listlessness,
I mean — and will write to me in London, you will
give me an inexpressible amount of pleasure."
Dickens took the opportunity, in a number of All
the Year Round, March, 1862 (when the song "A
Young Man from the Country" was very popular,
and which suggested the article), to remark that
what he had originally written about the United
States had been fully borne out in the recent events
in that great republic.
CHAPTER IX.
FURTHER AMERICAN EXPERIENCES.
N 1848 there appeared a new edition of an
extensive and important Avork on " Prison
Discipline." The author was the Rev. John
Field, Chaplain of the County Gaol at Reading, in
Berkshire, and well known in literary circles as the
author of a " Life of John Howard, the Philanthro-
pist," and editor of the " Howard Correspondence."
This v/ork on prison discipline had attracted consi-
derable attention, and as the author, in advocating
the advantages of the separate system of imprison-
ment, took occasion to mention Mr. Dickens's re-
marks in his " American Notes " upon the Solitary
Prison at Philadelphia, the latter felt it his duty to
reply : —
"As Mr. Field condescends to quote some vapour-
ings about the account given by Mr. Charles Dickens
in his ' American Notes ' of the Solitary Prison at
Philadelphia, he may perhaps really wish for some
few words of information on the subject. For this
purpose Mr. Charles Dickens has referred to the entry
in his Diary, made at the close of that day.
120 LIFE OF CHARLES DICKENS. [1842.
" He left his hotel for the prison at twelve o'clock;
being waited on, by appointment, by the gentleman
who showed it to him, and he returned between
seven and eight at night ; dining in the prison in the
course of that time ; which, according to his calcula-
tion, in despite of the Philadelphia newspaper, rather
exceeded two hours. He found the prison admirably
conducted, extremely clean, and the system adminis-
tered in a most intelligent, kind, orderly, tender, and
careful manner. He did not consider (nor should
he, if he were to visit Pentonville to-morrow) that
the book in which visitors were expected to record
their observations of the place was intended for the
insertion of criticisms on the system, but for honest
testimony to the manner of its administration, and
to that he bore, as an impartial visitor, the highest
testimony in his power. In returning thanks for liis
health being drunk, at the dinner within its walls, he
said that what he had seen that day was running
in his mind ; that he could not help reflecting on
it ; and that it was an awful punishment. If the
American officer who rode with him afterwards
should ever see these words, he will perhaps recall
his conversation with Mr. Dickens on the road, as to
Mr. Dickens having said so, very plainly, and very
strongly. In reference to the ridiculous assertion
that Mr. Dickens in his book termed a woman 'quite
beautiful ' who was a negress, he positively believes
that he was shown no negress in the prison, but one
who was nursing a woman much diseased, and to
1842.] FURTHER AMERICAN EXPERIENCES. 121
whom no reference whatever is made in his published
account. In describing three young women, ' all
convicted at the same time of a conspiracy,' he may,
possibly, among many cases, have substituted in his
memory, for one of them whom he did not see, some
other prisoner, confined for some other crime, whom
he did see ; but he has not the least doubt of having
been guilty of the (American) enormity of detecting
beauty in the passive quadroon or mulatto girl, or of
having seen exactly what he describes ; and he re-
members the girl more particularly described in this
connection perfectly. Can Mr. P'ield really suppose
Mr. Dickens had any interest or purpose in misre-
presenting the system, or that, if he could be guilty
of such unworthy conduct, or desire to do it anything
but justice, he could have volunteered the narrative
of a man's having, of his own choice, undergone it
for two years ?
"We will not notice the objection of Mr. Field
(who strengthens the truth of Mr. Burns to nature,
by the testimony of Mr. Pitt ! ) to the discussion of
such a topic as the present in a work of ' mere amuse-
ment;' though we had thought we remembered in that
book a word or two about slavery, which, although a
very amusing, can scarcely be considered an unmi-
tigatedly comic theme. We are quite content to
believe, without seeking to make a convert of the
Reverend Mr. Field, that no work need be one of
* mere amusement,' and that some works to which he
would apply that designation have done a little good
122 LIFE OF CHARLES DICKENS, [1842.
in advancing principles to which, we hope and will
believe, for the credit of his Christian office, he is not
indifferent."
However, all these disputes and " angry recollec-
tions" of the America of 1842, were finally dis-
posed of by Mr. Dickens on his arrival home after a
second visit to that great country. At the end of
this little Memoir we give the great novelist's public
testimony of the change in his experiences of
America, with the "Postscript" which he then declared
should for ever after continue to form a part of any
new edition of "American Notes."
One of the prime objects in Mr. Dickens's visit
to our Transatlantic Cousins Vv^as the endeavour to
place the vexed question of International Copyright
on a sound and proper footing, and whenever an
available occasion presented itself, he strenuously
urged his ideas and views. Returning to England,
he forwarded to the AihencBiLin this letter, for which
he had desired the v/idest publicity, in the hope that
it might assist in bringing about the much-desired
International Convention. It was inserted with the
following editorial note : —
" On the subject of literary piracy we have
received the following letter from Mr. Charles
Dickens. We do not see very clearly the good that
would result even from a general adoption of the pro-
posed measures ; but the straightforward and hearty
way in which the writer has, under the most dis-
couraging circumstances, set himself in opposition to
1842.] FURTHER AMERICAN EXPERIENCES. 123
the disgraceful practice, entitles all his suggestions to
respectful attention : —
" I Devonshire Terrace, York Gate,
" Regent's Park,
"7th July, 1842.
" You may perhaps be aware, that during my stay
in America I lost no opportunity of endeavouring to
awaken the public mind to a sense of the unjust and
iniquitous state of the law of that country in refer-
ence to the wholesale piracy of British works.
Having been successful in making the subject one of
general discussion in the United States, I carried to
Washington, for presentation to Congress by Mr.
Clay, a petition from the whole body of American
authors, earnestly praying for the enactment of an
International Copyright Law. It was signed by Mr.
Washington Irving, Mr. Prescott, Mr. Cooper, and
every man who had distinguished himself in the lite-
rature of America, and has since been referred to a
Select Committee of the House of Representatives.
To counteract any effect which might be produced
by that petition, a meeting was held at Boston —
v/hich you will remember is the seat and stronghold
of Learning and Letters in the United States — at
v/hich a memorial against any change in the existing
state of things in this respect was agreed to, with but
one dissentient voice. This document, which, in-
credible as it may appear to you, was actually for-
warded to Congress, and received, deliberately stated,
124 LIFE OF CHARLES DICKENS. [1842.
that if English authors were invested with any
control over the republication of their own books, it
would be no longer possible for American editors to
alter and adapt them (as they do now) to the
American taste. This memorial was without loss of
time replied to by Mr. Prescott, who commented,
with the natural indignation of a gentleman and a
man of letters, upon its extraordinary dishonesty. I
am satisfied that this brief mention of its tone and
spirit is sufficient to impress you with the conviction
that it becomes all those who are in any way con-
nected with the literature of England to take that
high stand to which the nature of their pursuits, and
the extent of their sphere of usefulness, justly entitle
them, to discourage the upholders of such doctrines
by every means in their power, and to hold them-
selves aloof from the remotest participation in a
system, from which the moral sense and honourable
feeling of all just men must instinctively recoil. For
myself I have resolved that I will never from this
time enter into any negotiation with any person for
the transmission across the Atlantic of early proofs
of anything I may write, and that I will forego all
profit derivable from such a source. I do not venture
to urge this line of proceeding upon you, but I would
beg to suggest, and to lay great stress upon the
necessity of observing, one other course of action, to
which I cannot too emphatically call your attention.
The persons who exert themselves to mislead the
American public on this question, to put down its
1842.] FURTHER AMERICAN EXPERIENCES. 125
discussion, and to suppress and distort the truth in
reference to it in every possible way (as you may easily
suppose) are those who have a strong interest in the
existing system of piracy and plunder ; inasmuch as,
so long as it continues, they can gain a very comfort-
able living out of the brains of other men, while they
would find it very difficult to find bread by the
exercise of their own. These are the editors and
proprietors of newspapers almost exclusively devoted
to the republication of popular English works.*
They are, for the most part, men of very low attain-
ments, and of more than indifferent reputation, and
I have frequently seen them, in the same sheet in
which they boast of the rapid sale of many thousand
copies of an English reprint, coarsely and insolently
attacking the author of that very book, and heaping
scurrility and slander upon his head. I would there-
fore entreat you, in the name of the honourable pur-
suit with which you are so intimately connected,
never to hold correspondence with any of these men,
and never to negotiate with them for the sale of
* Shortly after his first landing in America, Thackeray was
invited to dinner by one of the Messrs. Harper, the well-known
publishing firm, whose magazine, Harper'^s Monthly, was at one
period a deliberate compilation from all the best English periodi-
cals. On his introduction to Mr. Harper, Thackeray had
joked with him on the American contempt for copyright ; and
when he went into the drawing-room he took a little girl whom
he found playing there on his knee, and gazing at her with
feigned wonder, said in solemn tones, " And this is a pirate's
daurjitcr I ''
126 LIFE OF CHARLES DICKENS. [1S42.
early proofs, over which you have control, but to
treat on all occasions with some respectable American
publishing house, and with such an establishment
only. Our common interest in this subject, and my
advocacy of it, single-handed, on every occasion that
has presented itself during my absence from Europe,
forms my excuse for addressing you.
" I am, &c.,
"Charles Dickens."
To revert to the American visit, we may state that
for the "■ Dickens Ball," at Nev/ York, on February
14th, 1842, a committee of the citizens recommended,
among many other suggestions of a similar character,
the following : —
ORDER OF DANCES AND TABLEAUX VIVANTS.
1. Grand March.
2. Tableau Vivant « A Sketch, by Boz."
3. AmiJie Quadrille.
4. Tableau Vivant "The Seasons," a poem, with music.
5. Quadrille Waltz, selections.
6. Tableau Vivant The book of "Oliver Tv^ist."
7. Quadrille March Norma.
8. Tableau Vivant " The Ivy Green."
9. Victoria Waltz.
10. Tableau Vivant "Little Nell."
11. Basket Quadrille.
12. Tableau Vivant The book of "Nicholas Nickleby."
13. March.
14. Tableau Vivant ..." A Sketch, by Boz."
15. Spanish Dance.
16. Tableau Vivant .."The Pickw^ick Papers."
1S42.] FURTHER AMERICAN EXPERIENCES. 127
It is, perhaps, well to remark that "Mrs. Leo
Hunter's dinner party" was presented among the
tableaux, as finally amended. The following report
of an actual incident at the ball reads like an extract
from the account of the manner in which Martin
Chuzzlewit "received" the American sovereigns at
the "National Hotel" :— -
**As Boz approached, Mr. Philip Hone seized his
hand, and said, ^ My dear sir, here is a handful of our
people — right glad — bright eyes — rejoice — heartfelt
welcome — can't express — overpowered — feelings ' —
to all which Boz most graciously bowed, and placed
his hand upon his heart ; and then Mr. Hone said
" nine cheers," and, evidently to the astonishment of
the hero of the extraordinary scene, the surrounding
crowd gave utterance to nine enthusiastic cheers."
Punch jokingly said : " We learnt, while having
our hair cut at Trucfitt's the other day (March, 1842),
that that illustrious dealer in fictitious hair had re-
ceived an immense order from Boz, originating in his
desire to gratify the seventeen thousand American
young ladies who had honoured him with applications
for locks from his caput. Two ships have been
chartered to convey the sentimental cargo, and will
start from the London docks on the 1st day of April."
Soon after his return from America we find Sydney
Smith again in active correspondence with our author.
Dickens had asked him to dinner, and Sydney Smith
replied* : —
*i4th May, 1842.
128 LIFE OF CHARLES DICKENS. [1842.
*' I accept your obliging invitation conditionally.
If I 2.m invited by any man of greater genius than
yourself, or by one In whose works I have been more
completely Interested, I will repudiate you, and dine
with the more splendid phenomenon of the two."
At the end of the year, on the loth December,
"The Patrician's Daughter," by Dr. Westland Mar-
ston, was represented at Drury Lane, the beautiful
prologue by Dickens being admirably delivered by
Ur. Macready.
:<S^.rSr?t/"o
'^^"^^ "^^ ^>«V^^ C^/C^^U^ i^^^.^i-'^J^
A^ ^TMt/y/ M.4m^c6 LrCc^ 1^^ ^(jU.^'f^
Facsimile of
M¥ Dl( KE7S S' HJLXl) WRITIN (r.
CHAPTER X.
" MARTIN CHUZZLEWIT."
NDETERRED by the disapprobation show-
ered down upon him by the Americans, on
1st January, 1843, Dickens issued the first
number of " Martin Chuzzlewit."
If there had been any previous doubt as to the
general feeling throughout the States, there was none
now. No sooner had the new book reached America
than the storm burst forth with great violence, and
all classes were so touched with Dickens's satire
and the fun he had made of them, that a writer
some time since said that when present at the
Boston Theatre — the burlesque of " Macbeth " being
performed — all sorts of worthless articles (Mexican
rifles, Pennsylvanian bonds, &c.) were pitched into
the cauldron, in the incantation scene, but nothing
provoked louder cheers than when the last work
by Dickens was thrown in ! The American journals,
both literary and political, all united against the
common foe, much in the same way as they had
united twelve years before against Mrs. Trollope, and
her " Domestic Manners of the Americans."
In the preface to the cheap edition appearing in
I
330 LIFE OF CHARLES DICKENS. [1843.
2849, ^^ remarked that the American portions of
the book, he had been given to understand from
authorities, were considered violent exaggerations,
and that the Watertoast Association and eloquence,
for example, were beyond all bounds of belief.
Nothing, however, but a liberal paraphrase of some
reports of public proceedings in the United States
(especially of the Brandywine Association), printed
in the Times y in June and July, 1843, had been
employed in writing Martin Chuzzlewit, and these
formed the material complained of. We' may
remark that the same " Postscript " as in that of
" American Notes " is affixed to the " Charles
Dickens Edition " of " Martin Chuzzlewit."
Blackwood affirmed that " Pecksniff owed much of
his celebrity, we believe, to his remarkable likeness
to the late Sir Robert Peel." "The American Pub-
lisher's Circular," in the summer of 1857, stating
that Mr. Samuel Carter Hall was about to visit the
United States, to deliver a series of lectures, impu-
dently alluded to Mr. Hall as being " the original of
Dickens's character," and suggested that if he (Mr.
Hall) wished to draw well, he should advertise himself
as " the original Pecksniff."
Lord Lytton, in the preface to " Night and Morn-
ing," says : — " In this work I have sought to lift the
mask from the timid selfishness which too often
bears with us the name of Respectability. Purposely
avoiding all attraction that may savour of extrava-
gance, patiently subduing every tone and every hue
1843.] *' MARTIN CHUZZLEWIT." 131
to the aspect of those whom we meet daily in our
thoroughfares, I have shown in Robert Beaufort the
man of decorous phrase and bloodless action — the
systematic self-server — in whom the world forgives
the lack of all that is generous, warm, and noble, in
order to respect the passive acquiescence in metho-
dical conventions and hollow forms. And how
common such men are with us in this century, and
how inviting and how necessary their delineation,
may be seen in this, — that the popular and pre-
eminent Observer of the age in which we live, has
since placed their prototype in vigorous colours upon
imperishable canvass. Need I say that I allude to
the * Pecksniff ' of Mr. Dickens ?"
The main object of " Martin Chuzzlewit " was to
call attention to the system of ship-hospitals, and to
workhouse nurses ; and, as types of the latter, Sarah
Gamp, with the no less immortal, though invisible,
Mrs. Harris, and Betsy Prig, are inimitable. Speaking
of the former, a writer said : —
" She is, with a vengeance,
' The grave, conceited nurse, of office proud ! *
" coarse, greedy, inhuman, jovial ; — prowling about
young wives with a leer, and old men with a look
that would fain 'lay them out.' Ready at every
festivity ' to put the bottle to her lips,' and at every
calamity, to squat down and find in it her own
account of pickled salmon and cucumber, — and
crutched up in a sort of sham sympathy and zeal,
I 2
132 LIFE OF CHARLES DICKENS. [1S43.
by the perpetual praises administered to herself by
that Eidolon, Mrs. Harris — there are not many things
of their kind so living in fiction as this night-mare.
The touch of exaggeration in her dialect is so skil-
fully distributed everywhere, that we lose the sense
of it as we read. "
Sydney Smith, delighted at the manner in which
the Americans were pasquinaded, sent him these
familiar notes on the merits of the book : —
" You have been so used to such impertinences
that I believe you will excuse me for saying how very
much pleased I am with the first number of your
new work. PecksnifT and his daughters, and Pinch,
are admirable — quite first-rate painting, such as no
one but yourself can execute.
" I did not like your genealogy of the Chuzzlewits,
and I must wait a little to see how Martin turns out.
I am impatient for the next number.
" Pray come and see me next summer ; and believe
me ever yours,
"Sydney Smith.
"P.S. — Chuffey is admirable. I have never read a
finer piece of writing ; it is deeply pathetic and
affecting. Your last number is excellent. Don't
give yourself the trouble to answer my impertinent
eulogies, only excuse them."
Then, again, under date July 12th, 1843, i^ ^^'
knowledgment of a call from Dickens, and after
the receipt of a new number of " Martin Chuzzlewit,"
he writes : —
1843.] ''MARTIN CHUZZLEWirr 133
" Excellent ! nothing can be better ! You must
settle it with the Americans as you can, but I have
nothing to do with that. I have only to certify that
the number is full of wit, humour, and power of
description.
"I am slowly recovering from an attack of the
gout in the knee, and am sorry to have missed you."
" Martin Chuzzlewit " was published in a complete
form by Messrs. Chapman and Hall, and dedicated
to Miss Burdett Coutts. Poor Tom Pinch claims our
best sympathy ; the boy Bailey, Pecksniff, and his
chaste daughters, Montague Tigg, Mark Tapley, and
Mrs. Lupin, and the Chuzzlewits, old and young, are
all admirably sketched. The American characters,
Jefferson Brick (war correspondent), Scadder, Colonel
Diver, and Hannibal Chollop, are fine food for
mirth.
The most melodramatic portion is the murder of
Tigg by Jonas Chuzzlewit. The disguise and pre-
paration— the history of the individual mind of the
murderer — the steps by which he descends — and the
minute particulars which the over-wrought brain of
Jonas catches up to use for his horrible purpose (wit-
ness the conversation with the Doctor), are splendid
examples of observation and intuition, and as true
as nature itself; and the defeat and final extirpation
of selfishness in the heart of the hero, Martin, point
a most valuable moral. The heroine is, however,
weak, and sinks into insignificance by the side of
charmincr little Ruth Pinch.
134 LIFE OF CHARLES DICKENS, [1843.
Remaining true to the resolve contained in his
letter to the Athcncsum, the numbers were simulta-
neously published here and in America, Messrs.
Harper Brothers, by arrangement, being furnished
with a duplicate copy of each number, thereby
enabling them to forestall the other American
publishers.
A good melodramatic version was produced at
the Lyceum, Mr. Robert Keeley enacting Sairey
Gamp ; Mr. Emery, Jonas ; Frank Matthews, Peck-
sniff; Miss Woolgar and Mrs. Keeley, Mercy and
Bailey.
Very recently, in March, 1868, Mr. Horace Wigan's
adaptation at the Olympic met with considerable
success, Mr. J. Clarke sustaining the part of Mrs.
Gamp.
Douglas Jerrold this summer (1843), occupying a
cottage near Heme Bay, wrote to Dickens, inviting
him to come and see him. The following is an ex-
tract from his rejoinder : —
"Heme Bay. Hum! I suppose it is no worse
than any other place in this weather ; but it is watery,
rather, isn't it .-* In my mind's eye, I have the sea
in a perpetual state of smallpox, and the chalk
running downhill like town milk. But I know the
comfort of getting to work in a fresh place, and pro-
posing pious projects to oneself, and having the more
substantial advantage of going to bed early, and
getting up ditto, and walking about alone. If there
were a fine day, I should like to deprive you of
1843] ''MARTIN CHUZZLEWirr 135
the last-named happiness, and take a good long
stroll."
During the year, at the inauguration of the Man-
chester Athenaeum, he made an admirable speech —
his longest effort up to this time — on the importance
and usefulness of Mechanics' Institutes. *
After the publication of " Oliver Twist " and
" Martin Chuzzlewit," Dickens's friends were con-
tinually reporting to him cases of cruelty and hard-
ship, and begging his attention thereto. In answer
to one of these philanthropic appeals, Dickens wrote
— he was at that time living in Devonshire terrace : —
" That is a very horrible case you tell me of. I
would to God I could get at the parental heart of
, in which event I would so scarify it, that
he should writhe again. But if I were to put such a
father as he into a book, all the fathers going (and
especially the bad ones) would hold up their hands
and protest against the unnatural caricature. I find
that a great many people (particularly those who
might have sat for the character) consider even
Mr. Pecksniff a grotesque impossibility ; and Mrs.
Nickleby herself, sitting bodily before me in a solid
chair, once asked me whether I really believed there
was such a woman.
" So , reviewing his own case, would not be-
lieve in Jonas Chuzzlewit. * I like " Oliver Twist," *
says , * for I am fond of children. But the book
* Given in Charles Dickens's Speeches, recently published.
136 LIFE OF CHARLES DICKENS. [1843.
is unnatural. For who would think of being cruel to
poor little Oliver Twist ? '
"Nevertheless I will bear the dog in my mind.
And if I can hit him between the o.y^'^i so that he
shall stagger more than you or I have done this
Christmas under the combined effects of punch and
turkey — I will.
" Thank you cordially for your note. Excuse this
scrap of paper. I thought it was a whole sheet,
until I turned over."*
The reader will remember Macllse's beautiful por-
trait of Dickens, familiar to us all as the engraved
frontispiece to the large edition of " Nicholas Nic-
kleby." It is the portrait of a literary exquisite
thirty years ago ; and it is hard to believe that those
large effeminate eyes sparkling from beneath flowing
locks, that ample black satin scarf, with a diamond
union-pin, and that wide velvet collar, can have any-
thing to do with the hearty, keen-eyed, sailor-like
man whose last photographs now look at us from
every shop-window ! But it is so ! they are the por-
traits of the same great man. Time alone has
worked the change. Of his elegant appearance,
when young, Mr. Arthur Locker gives us a remi-
niscence : — " The first time," he says, " I saw the
idolized Boz in the flesh was at a Fancy Fair in the
Painted Hall of Greenwich Hospital, held, I think,
• * The letter was dated " Second January, 1 844." It was
published in the Autographic Mirror for February, 1864.
i843-] "MARTIN CHUZZLEWIT." 137
for the benefit of the Shipwrecked Mariners' Society.
He was then a handsome young man, with piercing
bright eyes and carefully arranged hair — much, in
fact, as he is represented in Maclise's picture."
Towards the close of this year another charac-
teristic portrait of our author was taken by Miss M.
Gillies, and a fine engraving of it, by Armytage, ap-
peared as a frontispiece to Home's " New Spirit of
the Age," issued early in the new year. It is different
to the Maclise picture ; the hair is longer and more
careless, the face is more thoughtful, the mouth
firmer — in fact, there is less of the exquisite and
more of the man about it than in the MacHse por-
trait taken four years before.
CHAPTER XI.
THE "CHRISTMAS CAROL."
^IS next work was that delightful little book
— a better-hearted one never issued from the
press — " A Christmas Carol, in prose ; being
a Ghost Story of Christmas." It appeared in De-
cember, 1843, with some admirable illustrations by
John Leech. Since the publication of the " Pickwick
Papers," no work of Dickens's caused half the sensa-
tion this touching and beautiful little story did. It is
written with such a hearty appreciation of Christmas,
and all the attendant festivities indulged in at that
joyous period. The description of Scrooge is wonder-
fully drawn ; his excitement in waking up after his
interviews with the spirits, and finding it all a dream,
his getting up and nearly cutting his nose off in
shaving, buying the big turkey, and sending it off to
Bob Cratchit, with a series of chuckles, and giving so
handsome a donation to the collector, and finally
going to the party at Fred's, where that fine fellow
Topper and the plump sister played up such grand
tricks, and then behaving so unexpectedly to poor
Bob the next day, — follow so rapidly as almost to
take one's breath away with amazement and delight !
i843-] THE "CHRISTMAS CAROL." 139
If any individual story ever warmed a Christmas
hearth, that was the one ; if ever soHtary Old-Self
was converted by a book, and made to be merry and
childlike at that season "Avhen its blessed founder
was himself a child," he surely was by that !
On a former page we spoke of Thackeray's
hearty appreciation of Dickens — expressed, too,
at a time when the "Vanity Fair" had made its
writer's fame. It has been said that a degree
of rivalry at one period existed between the two
authors ; but few readers, we think, will be in-
clined to characterize by any such term the most
friendly competition after perusing this touching and
beautiful tribute* to Mr. Dickens's genius from the
pen of the yet unknown Michael Angelo Titmarsh.
A box of Christmas books is supposed to have been
sent by the editor to Titmarsh in his retirement in
Switzerland, whence the latter writes his notions of
their contents. The last book of all is Mr. Dickens's
" Christmas Carol " — we mean the story of old
Scrooge — the immortal precursor of that long line of
Christmas stories which are now so familiar to his
readers.
" And now (says the critic), there is but one book
left in the box, the smallest one, but oh ! how much
the best of all. It Is the work of the master of all
the English humourists now alive ; the young man
who came and took his place calmly at the head of
the whole tribe, and who has kept it. Think of all
* It appeared in Fraser's Magazine^ for July, 1 844.
140 LIFE OF CHARLES DICKENS. [1843.
v/e owe Mr. Dickens since those half dozen years,
that store of happy hours that he has made us pass,
the kindly and pleasant companions whom he has
introduced to us ; the harmless laughter, the generous
wit, the frank, manly, human love which he has
taught us to feel ! Every month of those years has
brought us some kind token from this delightful
genius. His books may have lost in art, perhaps,
but could we afford to v/ait ? Since the days when
the Spectator was produced by a man of kindred
mind and temper, what books have appeared that
have taken so affectionate a hold of the English
public as these ?
******
"Who can listen to objections regarding such a
book as this? It seems to me a national benefit,
and, to every man or woman who reads it, a personal
kindness. The last two people I heard speak of
it were women ; neither knew the other, or the
author, and both said, by way of criticism, * God
bless him ! '
"As for Tiny Tim, there is a certain passage in
the book regarding that young gentleman, about
which a man should hardly venture to speak in
print or in public, any more than he would of any
other affections of his private heart. There is not
a reader in EnG:land but that little creature will be
a bond of union between author and him ; and he
will say of Charles Dickens, as the woman just
now, * God bless him ! ' What a feeling is this for
iS43-] THE " CHRISTMAS CAROL." 141
a writer to be able to Inspire, and what a reward to
reap ! "
Let the reader call to mind the book itself, and
then he will appreciate the warmth and exuberance
of good feeling reflected In the following letter to Its
author by Lord Jeffrey : — " Blessings on your kind
heart, my dear Dickens, and may It always be as full
and as light as It Is kind, and a fountain of kindness to
all within reach of Its beatings. We are all charmed
with your ' Carol ; ' chiefly, I think, for the genuine
goodness which breathes all through It, and is the
true inspiring angel by which its genius has been
awakened. The whole scene of the Cratchlts Is like
the dream of a beneficent angel, In spite of its broad
reality, and little Tiny Tim in life and death almost
as sweet and as touching as Nelly
Well, to be sure, you should be happy yourself ; for
you may be sure you have done more good, and not
only fastened more kindly feelings, but prompted
more positive acts of benevolence, by this little pub-
lication, than can be traced to all the pulpits and
confessionals since Christmas, 1842."*
Sydney Smith, too, a few weeks afterwards
■wrrote : — " Many thanks for the ' Christmas Carol,'
which I shall immediately proceed upon, in pre-
ference to six American pamphlets I found upon my
arrival, all promising Immediate payment ! " *[-
In a criticism in Hood's Magazine, a similar senti-
* Edinburgh, Dec. 26, 1843.
t London, 21st Feb., 1844.
142 LIFE OF CHARLES DICKENS. [184-^
ment to that contained in Lord Jeffrey's letter
occurs : — " This book will do more to spread Chris-
tian feeling than ten thousand pulpits ! "
And in another article the same writer — the kindly
Thomas Hood himself — says : — " It was a blessed
inspiration that put such a book into the head of
Charles Dickens — a happy inspiration of the heart,
that warms every page. It is impossible to read,
without a glowing bosom and burning cheeks, between
love and shame for our kind, with perhaps a little
touch of misgiving, whether we are not personally
open, a crack or so, to the reproach of Wordsworth," —
** ' The world is too much with us, early and late.
Getting and spending.' *'
Men of very different natures to Thomas Hood
read of Little Nell, and were touched. It is told of
Daniel O'Connell, the great Irish agitator, that,
riding with a friend one day, and reading the then
recently issued book where the death of Little Nell
is recorded, the great orator's eyes filled with tears,
and he sobbed aloud, —
" He should not have killed her ! — ^he should not
have killed her ! She was too good ! " and so he
threw the book out of the windov/, unable to read
more, and indignant that the author should have
immolated a heroine in death.
The story was dramatized and played at several
theatres, the Adelphi, as usual, taking the lead in
making the tale popular. It was about this time that
I844-] THE ''CHRISTMAS CAROL." 143
Dickens resorted to the Court of Chancery for an
injunction against the printer and four pubUshers of
" Parley's Illuminated Library " for piracy.
Mr. Dickens had now two sons — the last being born
during the progress of " Martin Chuzzlewit." Early in
the new year, it was decided upon christening the
second boy, and the name Francis Jeffrey — after that
of a true and tried friend — was determined upon. A
letter of the latter, dated ist February, 1844, in
answer to the half-serious, half-jocular proposal of
Dickens, says : — " About that most flattering, or
more probably passing, fancy of that dear Kate
(Mrs. Dickens) of yours to associate my name with
yours over the baptismal font of your new-come boy,
my first impression was that it was a mere piece of
kind badinage of hers (or perhaps your own), and not
meant to be seriously taken, and, consequently, that
it would be foolish to take any notice of it
If such a thing be indeed in your contemplation, it
would be more flattering and agreeable to me than
most things which have happened to me in my moral
pilgrimage ; while, if it was but the expression of a
happy and confiding playfulness, I shall still feel
grateful for the communication, and return you a
smile as cordial as your own, with full permission for
both of you to smile at the simplicity which could not
distinguish jest from earnest I want
amazingly to see you rich, and independent of all irk-
some exertions ; and really if you go on having more
boys (and naming them after poor Scotch plebeians).
144 LIFE OF CHARLES DICKENS. [1844.
you must make good bargains and lucky hits, and,
above all, accommodate yourself oftener to that deeper
and higher tone of human feeling, which, you 7iow see
experimentally, is more surely and steadily popular
than any display of fancy, or magical power of
observation and description combined. And so God
be with you and yours," &c.
The last part of the letter alludes, no doubt, to the
profits of the " Christmas Carol," the sale of which was
very large. Jeffrey knew how few authors possessed
sufficient worldly wisdom to keep a balance at their
bankers', and gave his young friend a delicate hint to
*'be careful and save." This was not the only time Lord
Jeffrey quietly lectured his correspondent. Three years
later, in 1847, we get this piece of practical — shall we
say Northern — advice i* — " I am rather " (he writes in
1847) " disappointed to find your embankment " (doubt-
lessly a fund of future provision) " still so small. But it
is a great thing that you have made a beginning, and
laid a foundation, and you are young enough to think
of living yet many years under the proud roof of the
completed structure, which even I expect to see ascend-
ing in its grandeur. But when I consider that the
public has, upon moderate computation, paid at least
^100,000 for your works (and had a good bargain,
too, for the money), I think it is rather provoking
to think that the author should not now have
in bank, and never have received, I suspect, above
. There must have been some mismanagement,
I think, as well as ill-luck, to have occasioned this
1844.] THE *' CHRISTMAS CAROW .145
result — not extravagance on your part, my dear
Dickens, nor even excessive beneficence — but im-
provident arrangements with publishers, and too care-
less a control over their proceedings. But you are
wiser now, and, with Forster's kind and judicious
help, will soon redeem the effect of your not un-
generous errors."
It is not generally known that Dickens contributed
an article to Hood's Magazine a7id Comic Miscellany
in May, 1844. Our author had received some kind-
nesses at the hands of the humourist, and in recogni-
tion of them he sent a paper entitled " Threatening
Letter to Thomas Hood, from an Ancient Gentleman,
by favour of Charles Dickcjis!' to his friend's magazine.
Speaking of the manner of some complaining old
gentlemen, the writer of the letter tried to find fault
with everything modern : —
** Mr. Hood, Sir. .... Ah ! governments
were governments, and judges were judges in my
day, Mr. Hood. There was no nonsense then. Any
of your seditious complainings, and we were ready
with the military on the shortest notice. We should
have charged Covent Garden Theatre, sir, on a
Wednesday night, at the point of the bayonet.
Then, the judges were full of dignity and firmness,
and knew how to administer the law.
" There is only one judge who knows how to do his
duty now. He tried that revolutionary female the
other day, who, though she was in full work (making
shirts at three-halfpence a-piece), had no pride in her
IC
146 LIFE OF CHARLES DICKENS. [1844.
country, but treasonably took it into her head, in the
distraction of having been robbed of her easy earn-
ings, to attempt to drown herself and her young
child, and the glorious man went out of his way, sir
— out of his way — to call her up for instant sentence
of death, and to tell her she had no hope of mercy
in this world — as you may see yourself if you look
in the papers of Wednesday, the 17th of April."
It is curious, after this allusion to Mr. Laing, the
notorious police magistrate — said to be the Fang
of "Oliver Twist" — and after mentioning the poor
distressed needlewoman, with the allusion to Sir
Peter Laurie, that the next article immediately
following should be the first appearance of Hood's
exquisite "Bridge of Sighs." On the same page
with Dickens's bitter and telling attack upon the
grumblers in power — the grumblers who can only see
national prosperity in the increasing misery of the
lower orders — there appeared those wonderful lines,
commencing, —
" One more Unfortunate,
Weary of breath.
Rashly importunate.
Gone to her death ! "
as if suggested by the poor female whom Dickens
had just described as being brought before the magis-
trate for an attempt to commit suicide.
In May, 1844, he presided at the Annual Conver-
sazione of the Polytechnic Institution in Birming-
ham, and made a most telling speech. Writing, soon
jS44] THE "CHRISTMAS CAROL:' 147
after, to Jerrold — who was very nervous in address-
ing an assembly — he said : " Is your modesty a con-
firmed habit, or could you prevail upon yourself, if
you are moderately well, to let me call you up for a
word or two at the Sanatorium Dinner ? There are
some men (excellent men) connected with that insti-
tution, who would take the very strongest interest in
your doing so ; and do advise me, one of these odd
days, that if I can do it well and unaffectedly, I
may." Jerrold overcame his bashfulness, and pre-
sided at the next Anniversary.
A very kind and graceful act was performed by
Dickens this year. Mr. Newby, in July, published,
in one volume, "The Evenings of a Working
Man. Being the Occupation of his Scanty Leisure^
by John Overs. With a Preface, relating to the
Author, by Charles Dickeiis'^ The preface is of the
most charming description. It first mentions that
Overs was a carpenter, who had employed his evenings
in literary compositions, and applied to him, as he
was relinquishing the editorship of Bentlefs Miscel-
lany, for help to get his writings into notice. After
some correspondence, Dickens trying to dissuade
him from the perils of authorship, and a personal
interview, "he wrote me," he says, "as manly and
straightforward, but, withal, as modest, a letter as
ever I read in my life. He explained to me how
limited his ambition was, soaring no higher than the
establishment of his wife in some light business, and
the better education of his children. He set be-
K 2
148 LIFE OF CHARLES DICKENS. [1844.
fore me the difference of his evening and holiday
studies, such as they were, and his having no better
resource than an ale-house or a skittle-ground.'*
Dickens accordingly consented to assist him, and
got several of his pieces inserted in a magazine.
*' During this period neither hammer, nor plane, nor
chisel had been laid aside for the more enticing ser-
vice of the pen — literary compositions had neither
seduced John Overs into dreams nor lamentations
which have damaged his peace of mind.
*****
" He is very ill ; the faintest shadow of the man
who came into my little study, for the first time,
half a dozen years ago, after the correspondence I
have mentioned. He has been very ill for a long
period ; his disease is a severe and wasting affection
of the lungs, which has incapacitated him these
many months for every kind of occupation. * If I
could only do a hard day's work,' he said to me, the
other day, * how happy I should be.'
" Having these papers by him, am.ongst others, he
bethought himself that, if he could get a bookseller
to purchase them for publication in a volume, they
would enable him to make some temporary provision
for his sick wife and very young family. We talked
the matter over together, and that it might be easier
of accomplishment, I promised him that I would
write an introduction to his book.
" I would to Heaven that I could do him better
service ; I would to Heaven it were an introduc-
i844-] 1'tJ^ '* CHRISTMAS CAROL." 149
tion to a long, and vigorous, and useful life. But
Hope will not trim her lamp the less brightly for him
and his because of this impulse to their struggling
fortunes ; and trust me, reader, they deserve her
light, and need it sorely.
"He has inscribed this book to one* whose skill
will help him, under Providence, in all that human
skill can do — to one who never could have recognized
in any potentate on earth a higher claim to constant
kindness and attention than he has recognized in
him."
The book was eventually published at 5^"., and was
found to contain some very creditable writing, both
prose and verse. Overs did not live long to enjoy
his popularity, for the malady under which he was
labouring terminated fatally the following October.
The work and its author are now almost forgotten,
but the generous conduct displayed towards him by
Dickens is well deserving of remembrance.
* Dr. Elliotson.
■§£?!§-
m
CHAPTER XII.
VISIT TO ITALY. — "THE CHIMES."
N the summer of this year Dickens went to
Italy. He started off with his wife, sister-
in-law, five children, courier, nurses, &c.,
and a carriage, and had a very enjoyable holiday.
Previous to his departure, he was entertained at a
dinner by his friends, at the " Trafalgar," Greenwich,
on 19th June, 1845, Lord Normanby in the chair.
The following extracts from his epistles to Jerrold
give us many pleasing bits of an autobiographical
character, and at least show us how he enjoyed
himself : —
" Come, come and see me in Italy — let us smoke a
pipe among the vines. I have taken a little house
surrounded by them, and no man in the world should
be more welcome to it than you."
And in another from Cremona : —
" It was very hearty and good of you, Jerrold, to
make that affectionate mention of the * Carol ' in
Punch; and, I assure you, it was not lost upon the
distant object of your manly regard, but touched
him as you wished and meant it should. I wish we
had not lost so much time in improving our personal
1844.] VISIT TO ITALY. 151
knowledge of each other. But I have so steadily-
read you, and so selfishly gratified myself in always
expressing the admiration with which your gallant
truths inspired me, that I must not call it lost time
either."
From the same place, in November : —
" You rather entertained the idea once of coming
to see me at Genoa. I shall return straight on the
9th of December, limiting my stay in town to one
week. Now, couldn't you come back with me } The
journey that way is very cheap, costing little more
than £\2^ and I am quite sure the gratification to
you would be high. I am lodged in quite a wonder-
ful place, and would put you in a painted room as
big as a church, and much more comfortable. There
are pens and ink upon the premises ; orange-trees,
gardens, battledores and shuttlecocks, rousing wood
fires for the evenings, and a welcome worth having.
Come ! Letter from a gentleman in Italy
to Bradbury and Evans in London. Letter from a
gentleman in a country gone to sleep, to a gentle-
man in a country that would go to sleep too, and
never wake again, if some people had their way.
You can work in Genoa — the house is used to it : it
is exactly a week's post. Have that portmanteau
looked to ; and when we meet, say, * I am coming !* "
The visit to Italy often formed a subject for con-
versation with Dickens, and only a few weeks before
his death, he told Mr. Arthur Locker this anecdote
of his experiences there. **Mr. Dickens, on one
152 LIFE OF CHARLES DICKENS. [1844.
occasion, visited a certain monastery, and was con-
ducted over the building by a young monk, who,
though a native of the country, spoke remarkably
fluent English. There was, however, one peculiarity
about his pronunciation. He frequently misplaced
his v's and w's. * Have you been in England ? *
asked Mr. Dickens. * No,' replied the monk, ' I have
learnt my English from this book,* producing * Pick-
wick ;' and it further appeared that he had selected
Mr. Samuel Weller as the beau ideal of elegant pro-
nunciation."
** The Chimes : a Goblin Story of some Bells that
Rang an Old Year out and a New Year in," was
published at the end of the year, by Messrs. Chap-
man and Hall, illustrated by Maclise, Doyle, Leech,
and Stanfield. It was of the same size and price as
the former Christmas book ; but, instead of being
illustrated by Mr. Leech alone, several Academicians
and other artists had now come forward with their
pencils. The great success of the *' Christmas
Carol," in the preceding year, had directed the
attention of other authors to this class of literature,
and this Christmas there appeared *'The Snow
Storm," by Mrs. Gore ; •' Jhe Last of the Fairies,"
by G. P. R. James ; an Irish Story, by Mr. Lever ;
and others ; but we need hardly say Mr. Dickens
distanced them all.
Next to the *' Christmas Carol," it is one of the
most delightful little books he has written. Old
Toby Veck, the patient, drudging ticket-porter,
1844.] *'THE CHIMES." 153
plying his vocation near the old church, listening
to the voices of the bells, and gathering encourage-
ment from them, is a beautifully drawn character.
Meg, his daughter, a hopeful woman, and Richard,
her sweetheart, are truthfully portrayed, as also Will
Fern, Sir Joshua Bowley, Mr. Filer, and Alderman
Cute. The plot is worked out somewhat after the
plan of the " Christmas Carol," consisting mainly of
a dream by Toby Veck. Every one ought to be well
pleased with the finale, in which Toby disappears
from notice in a country dance to the step he is so
accustomed to — a Trot.
Thomas Hood, who had written so beautifully of
the " Christmas Carol," could not refrain from
expressing in print a like admiration for " The
Chimes": — "This," he wrote, "is another of those
seasonable books intended by Boz to stir up and
awaken the kindly feelings which are generally dif-
fused amongst mankind, but too apt, as old Weller
says, to lie * dormouse ' in the human bosom. It is
similar in plan to the ' Christmas Carol,' but is scarcely
so happy in its subject — it could not be — as that
famous Gobbling Story, with its opulence of good
cheer, and all the Gargantuan festivity of that hos-
pitable tide. The hero of the tale is one Toby Veck
(we wish that surname had been more English in
its sound, it seems to want an outlandish De or
Van before it), a little old London ticket-porter,
—who does not know the original 1 — and his hum-
ble dwelling down the mews, with his wooden card-
154 LIFE OF CHARLES DICKENS. [1844.
board at the door, with his name and occupation,
and the
^ N.B. — Messuages carefully delivered!*
May * The Chimes/ " Tom Hood concludes, " be
widely and wisely heard, inculcating their wholesome
lessons of charity and forbearance, reminding wealth
of the claims of want — the feasting of the fasting,
and inducing them to spare something for an aching
void from their comfortable repletion."
Having alluded to the administration of the law
by Mr. Laing, the Clerkenwell magistrate, in " Oliver
Twist," under the character of Mr. Fang, likewise
to the notorious Sir Peter Laurie, in " The Chimes,"
as Alderman Cute, the talk about "putting
down " various little wants, cares, and troubles
of the poor being merely a transcript of what the
garrulous old City magistrate had said from the
bench, " Particularly well," says one who had heard
him, "do we recollect a promise made by that
officious personage, * dressed in a little brief autho-
rity,' to a starved and maddened woman, who had
attempted to drown herself, that he (Sir Peter
Laurie) would ///^f down suicide T The alderman did
not forget the attack made upon him, and when he
found an opportunity, which he did shortly, ridiculed
Mr. Dickens's description of Jacob's Island in
"Oliver Twist," and denied in full court the exist-
ence, as described, of that locality, and of the Folly
Ditch ; but the author was again too strong for the
alderman, and in his preface to the new edition of
x844.] *'THE CHIMES." 155
the tale he incidentally mentions the fact, and denies,
in his turn, the existence of Sir Peter Laurie !
Jerrold, we may remark, under the initial of
"Q.," often scarified the alderman in the pages of
Punch.
As a drama " The Chimes " became very popular,
the Adelphi performing on 19th December a version
adapted with some skill by Messrs. Mark Lemon and
Gilbert A'Beckett, Mr. Wright sustaining the part of
Alderman Cute, and Paul Bedford Sir Joshua Bowley.
The Lyceum had an admirable dramatic version, Mr.
Keeley's Toby Veck being a most life-like portrait of
Dickens's happy original.
Writing from Milan, in November, 1844, to the
Countess of Blessington, we learn how this beautiful
little work was composed : —
" Since I heard from Count D'Orsay, I have been
beset in I don't know how many ways. First of all,
I went to Marseilles, and came back to Genoa. Then
I went to the Peschiere. Then some people who had
been present at the Scientific Congress here, made a
sudden inroad on that establishment and over-ran it.
Then they went away, and I shut myself up for one
month, close and tight, over my little Christmas
book, ' The Chimes.' All my affections and passions
got twined and knotted in it, and I became as
haggard as a murderer, long before I had wrote
*The End.' When I had done that, like ^ The man
of Thessaly,' who having scratched his eyes out in
a quickset hedge, plunged into a bramble-bush to
156 LIFE OF CHARLES DICKENS. [1844.
scratch them in again, I fled to Venice, to recover
the composure I had disturbed. From thence I
went to Verona and to Mantua. And now I am here
— just come up from underground, and earthy all
over, from seeing that extraordinary tomb in which
the Dead Saint lies in an alabaster case, with
sparkling jewels all about him to mock his dusty
eyes, not to mention the twenty-franc pieces which
devout votaries were ringing down upon a sort of
skylight in the Cathedral pavement above, as if it
were the counter of his Heavenly shop
Old is a trifle uglier than when I first
arrived. He has periodical parties, at which
there are a great many flower-pots and a few ices —
no other refreshments. He goes about continu-
ally with extemporaneous poetry ; and is always
ready, like tavern-dinners, on the shortest notice
and the most reasonable terms. He keeps a
gigantic harp in his bedroom, together with pen, ink,
and paper, for fixing his ideas as they flow — a kind
of profane King David, truly good-natured and very
harmless. Pray say to Count D'Orsay everything
that is cordial and loving from me. The travelling-
purse he gave me has been of immense service. It
has been constantly opened. All Italy seems to
yearn to put its hand into it. I think of hanging it,
when I come back to England, on a nail as a trophy,
and of gashing the brim like the blade of an old
sword, and saying to my son and heir, as they do
upon the stage : * You see this notch, boy } Five
X845-1 " THE CHIMES." 157
hundred francs were laid low on that day, for post-
horses. Where this gap is, a waiter charged your
father treble the correct amount — and got it. This
end, worn into teeth like the rasped edge of an old
file, is sacred to the Custom Houses, boy, the pass-
ports, and the shabby soldiers at town-gates, who
put an open hand and a dirty coat-cuff into the
windows of all Forestieri. Take it, boy. Thy
father has nothing else to give 1 ' My desk is cooling
itself in a mail-coach, somewhere down at the back
of the cathedral, and the pens and ink in this house
are so detestable, that I have no hope of your ever
getting this portion of my letter. But I have the
less misery in this state of mind, from knowing that
it has nothing in it to repay you for the trouble of
perusal."
During the early part of the year 1845 Dickens
remained on the Continent. He was in London,
however, in the summer, making arrangements for
new books, and other ventures — amongst them a new
daily paper, of the most liberal principles — for the
comino- autumn season.
CHAPTER XIII.
DICKENS AS AN ACTOR.
T has been very generally stated that it was
at the close of this year that our author
made his first appearance as an actor upon a
public stage. This is not correct. Dickens's extreme
fondness for theatricals had tempted him, as far back
as the year 1836, when " Pickwick " was publishing,
to take a part in " The Strange Gentleman," at St.
James's Theatre. The amateur actor was not suc-
cessful on this occasion, and we believe no further
attempt — except drawing-room performances — was
made until the autumn of 1845, when he made
another appearance on the stage at the St. James's
Theatre, on the 19th of September, the play selected
being Ben Jonson's " Every Man in his Humour ;"
the various parts of the amateur performance being
taken by literary and artistic celebrities. The triumph
achieved was immense. They were induced to repeat
the performance for a Charity, at the same theatre,
on the 15 th of November following, the only altera-
tion being the substitution of a Mr. Eaton for Mr.
A'Beckett as William. The playbill itself is a
curiosity : —
1845.] DICKENS AS AN ACTOR. 159
*'A Strictly Private Amateur Performance
At the St. James's Theatre
(By favour of Mr. Mitchell). Will be performed Ben Jonson*s
Comedy of
EVERY MAN IN HIS HUMOUR.
CHARACTERS^
Knowell
Edward Knowell
Brain worm ...
George Downright ...
Wellbred
Kitely
Captain Bobadil
Master Stephen
Master Mathew
Thomas Cash
Oliver Cob
Justice Clement
Roger Formal
William
James ... ...
Dame Kitely...
Mistress Bridget
Henry Mayhew.
Frederick Dickens.
Mark Lemon.
Dudley Costello.
George Cattermole.
John Forster.
Charles Dickens.
Douglas Jerrold,
John Leech.
Augustus Dickens.
Percival Leigh.
Frank Stone.
Mr. Evans.
W. Eaton.
W. B. Jerrold.
Miss Fortescue.
Miss Hinton.
Miss Bew.
To conclude with a Farce, in One Act, called
TWO O'CLOCK IN THE MORNING.
CHARACTERS—
Mr. Snobbington ...
The Stranger
Mr. Charles Dickens.
Mr. Mark Lemon.
Previous to the Play, the Overture to William Tell. Previous
to the Farce, the Overture to La Gazza Ladra.
His Royal Highness Prince Albert has been pleased to express his
intention to honour the performance with his presence."
i6o LIFE OF CHARLES DICKENS. I.1844.
Ben Jonson, as an acting dramatist, has almost
disappeared from the stage he so long adorned, and,
probably, no performance of his best comedy was
ever more successful than the above. Dickens made
such an admirable Captain Bobadil, that Leslie, the
Royal Academician, took a most characteristic por-
trait of him in that character. The moment selected
is when the Captain shouts out —
" A gentleman ! odds so, I am not within."
Act I., Scene 3.
Mr. Mitchell, of Bond Street, published a fine
lithograph of the picture, and collectors of the
deceased novelist's portraits will do well to secure a
copy. For beauty of portraiture and character there
is nothing like it. It is also very interesting, as
coming between the beautiful but effeminate portrait
of Maclise and the photograph of our own day,
because it shows the change that was coming over
his features, when deep thought and firmness of pur-
pose were beginning to leave their marks behind
them.
But to return to Dickens as an actor. A friend
says : —
*^ Analogous to his powers as a reader were his
abilities as an actor ; and it has been said of him
with truth that, with perhaps the exception of
Frederick Lemaitre in his best days, there was no
one who could excel Charles Dickens in purely
dramatic representation. Those who saw the charac-
ter of the lighthouse-keeper in Mr. Wilkie Collins's
I845-] DICKENS AS AN ACTOR. i6i
drama, as portrayed first by Mr. Dickens and then
by Mr. Robson, were enabled to judge of the wonder-
ful superiority of the rendering given by the former.
And not merely as an actor, but as a stage director,
were his talents pre-eminent ; not merely did he play
his own part to perfection, but he taught every one
else in his little company how to play theirs ; he
would devise scenery with Stanfield and Telbin, take
a practical share in the stage carpentry, write out the
copy for the playbill, and in every way thoroughly
earn the title of * Mr. Crummies,' with which he was
always affectionately greeted on these occasions."
At the time of which we are writing, Dickens was
full of enthusiasm for the stage, and being ap-
pealed to by Jerrold for an opinion on his drama of
" Time Works Wonders," he wrote to his friend : —
" I am greatly struck by the whole idea of the
piece. The elopement in the beginning, and the-
consequences that flow from it, and their delicate and:
masterly exposition, are of the freshest, truest, and
most vigorous kind ; especially the characters —
especially the governess, among the best I know ;
and the wit and the wisdom of it are never asunder.
I could almost find it in my heart to sit down and
write you a long letter on the subject of this play,
but I won't. I will only thank you ior it heartily,
and add that I agree with you in thinking it incom-
parably the best of your dramatic writings."
During the summer and autumn oi this year Mr.
Dickens finished his new Christmas book, "The
I.
i62 LIFE OP CHARLES DICKENS. [1845-46.
Cricket on the Hearth (a Fairy Tale of Home) ;
printed and published for the Author " by Messrs.
Bradbury and Evans, illustrated by Leech, Stanfield,
and Maclise, and dedicated to Lord Jeffrey. Next
to the " Christmas Carol " and the " Chimes," this is
a great favourite.
The quaint way in which it opens, giving an
eloquent picture of homely and domestic comfort in
the English carrier's house, the construction of the
plot, and the glorious denoiiemeiity make the book one
of his best and heartiest efforts. Tilly Slowboy, the
great clumsy nurse-girl, is very charmingly pour-
trayed, her especial forte being to hold the baby
topsy-turvey, and entertain it with dialogues, consist-
ing mainly of scraps from conversations she hears,
with all the nouns turned into plurals.
The Lyceum was first in the field (21st December)
with a dramatic adaptation by Mr. Albert Smith,
Miss Mary Keeley impersonating Bertha ; Mr. Keeley,
Caleb ; Mrs. Keeley, Mrs. Peerybingle ; and Mr. Emery,
John, the honest carrier. Under Mrs. Keeley 's man-
agement it proved an extraordinary success.
On 6th January following, Mr. Webster's version
of the story was placed on the Haymarket boards,
with this strong cast : —
John Peerybingle Mr. Webster.
Tackleton Mr. Tilbury.
Caleb Mr. Farren.
Mrs. Peerybingle Miss Fortesque.
Bertha Mrs. Seymour
Tilly Slowboy Mr. Euckstone.
1845-46.] DICKENS AS AN ACTOR. 163
At the Adelphi, O' Smith represented Mr. Peery-
bingle ; Wright, Tilly Slowboy ; and the celebrated
Mrs. Fitzwilliam, Dot. At the City of London
Theatre, too, an adaptation was performed with con-
siderable ability. In the beginning of 1862, Mr.
Boucicault's adaptation, under the title of "Dot,"
played at the Adelphi, proved a great triumph,
Mr. J. L. Toole sustaining the part of Caleb.
I. 2
CHAPTER XIV.
DICKENS AS A JOURNALIST.
E have previously alluded to the fact that
Mr. Dickens had for some time past been
thinking of connecting himself with a new
daily paper which was to appear early in the new
year. The idea was well taken up. Money was
freely spent by the various shareholders, and many
advertisements told the public that a newspaper,
which should supply everything in the first style of
newspaper talent, would be published at the price
of twopence-halfpenny. The name chosen was the
Daily News, and Mr. Dickens was widely advertised
as "the head of the literary department." Expec-
tation was raised to a high pitch by this announce-
ment ; and in 1846, on the 21st of January, the first
number appeared. The new journal, however, did
not prove so successful as was expected. The staffs
of other papers had been long organized, their
expenses — of course immense — were well and judi-
ciously controlled, and the arrangements complete.
All these things were new to the Daily News, and
the expenses entered into did not render it possible,
with the circulation it had then reached, to sell the
i84<5 ] DICKENS AS A JOURNALIST. 165
paper at the original price ; and it was shortly after
raised to threepence, and finally to the same price
as the Times.
Very recently, and only a few days after the
death of the great novelist, the paper here alluded
to gave this account of his connection with the
journal : —
" Some of our readers may not be aware that the
* Pictures from Italy,' which are now included In all
editions of Charles Dickens's works, were originally
contributed to this newspaper, and that its early
numbers were brought out under his editorship. In
the first number of this journal, in the Daily News
of January 21, 1846, appeared No. i of * Travelling
Letters, written on the Road, by Charles Dickens.'
In the Daily Nezvs of February 14th, of the same
year, Mr. Dickens wrote the following verses — which
will be new to many — elicited by a speech at one
of the night meetings of the wives of agricultural
labourers in Wiltshire, held to petition for free-
trade : —
THE HYMN OF THE WILTSHIRE LABOURERS.
" Don't you all think that we have a great need to cry to our
God to put it in the hearts of our greaseous Queen and her
members of Parlerment to grant us free bread ! "- — Lucy Simp-
kins, at Brem Hill.
Oh God, who by Thy Prophet's hand
Didst smite the rocky brake.
Whence water came at Thy command.
Thy people's thirst to slake :
''--^^
LIFE OF CHARLES DICKENS. [1846.
Strike, now, upon this granite wall.
Stern, obdurate, and high ;
And let some drops of pity fall
For us who starve and die !
The God, who took a little child
And set him in the midst.
And promised him His mercy mild.
As, by Thy Son, Thou didst :
Look down upon our children dear.
So gaunt, so cold, so spare.
And let their images appear
Where Lords and Gentry are !
Oh God, teach them to feel how wc.
When our poor infants droop.
Are weakened in our trust in Thee,
And how our spirits stoop :
For, in Thy rest, so bright and fair.
All tears and sorrows sleep ;
And their young looks, so full of care.
Would make Thine angels weep !
The God, who with His finger drew
The Judgment coming on.
Write for these men, what must ensue.
Ere many years be gone !
Oh God, whose bow is in the sky.
Let them not brave and dare.
Until they look (too late) on high
And see an Arrow there !
Oh God, remind them In the bread
They break upon the knee.
These sacred words may yet be read,
" In memory of Me " !
1846.] DICKENS AS A JOURNALIST. 167
Oh God, remind them of His sweet
Compassion for the poor.
And how He gave them Bread to eat.
And went from door to door.
Charles Dickens.
" There is the true ring in these lines. They have
the note which Dickens sounded consistently through
life of right against might ; the note which found
expression in the Anti-Corn Law agitation, in the
protests against workhouse enormities, in the raid
against those eccentricities in legislation which are
anomalies to the rich and bitter hardships to the
poor. Let the reader remark how consistently the
weekly periodicals which Mr. Dickens has guided
have taken this side, and how the many pens
employed on them have taken this side whenever
political or social subjects have been discussed ; and
he will understand that the author was not a mere
jester and story-teller, but a true philanthropist and
Informer."*
Dickens's friends very soon saw that he had taken
a false step. The duties of a daily political paper
were not suitable to him, and before many months
he relinquished the editorship, and retired from par-
ticipation in the Daily News — but not, it is under-
stood, without a considerable loss in money. His
place was then filled by Mr. John Forster, the able
editor of the Examiner ^ and friend — and at that time.
* Daily News, nth June, 1870.
i68 LIFE OF CHARLES DICKENS. [1846.
the champion — of Mr. Macready. For many years
previously Dickens had been on the friendliest terms
with the author of the delightful " Life of Goldsmith,"
and this intimacy was maintained to the close of our
author's life, and in his will Mr. Forster has been
appointed principal executor. After the " Pictures '*
had appeared in the Daily NewSy they were col-
lected and printed and published for the author,
in May, 1846, by his new publishers, Messrs. Brad-
bury and Evans. Both this work and " The Cricket
on the Hearth " may be regarded as the specula-
tions of Mr. Dickens in attempting publishing on his
own account. No further works written by him have
been, we believe, " printed and published for the
author." The book did not meet with that hearty
applause which had been given to his previous works.
About this time there are evidences that Dickens
was planning another novel, to be issued in the old
familiar green covers. Two years had elapsed since
the completion of " Martin Chuzzlewit," and we now
find him writing to his friend, the Countess of
Blessington, about a "new book" — which new work
must have been " Dombey and Son," that appeared
in the following year : — " Vague thoughts of a new
book are rife within me just now ; and I go wander-
ing about at night into the strangest places, according
to my usual propensity at such a time, seeking rest,
and finding none. As an addition to my composure,
I ran over a little dog in the Regent's Park, yesterday
(killing him on the spot), and gave his little mistress
1846.] DICKENS AS A JOURNALIST, 169
such exquisite distress as I never saw the Hke of. I
must have some talk with you about those American
singers * They must never go back to their own
country without your having heard them sing Hood's
* Bridge of Sighs.' My God ! how sorrowful and
pitiful it is 1"
Writing to Jerrold, also, before his departure to
Switzerland, he incidentally speaks of the work he
is engaged upon : —
" I wish you would seriously consider the expe-
diency and feasibility of coming to Lausanne in the
summer or early autumn. I must be at work myself
during a certain part of every day almost, and you
could do twice as much there as here. It is a won-
derful place to see ; and what sort of welcome you
will find I will say nothing about, for I have vanity
enough to believe that you would be willing to feel
yourself as much at home in my household as in any
man's." Arriving at Lausanne, he writes that he
will be ready to accommodate him in June, and goes
on : — " We are established here, in a perfect doll's
house, which could be put bodily into the hall of our
Italian palazzo ; but it is the most lovely and deli-
cious situation imaginable, and there is a spare bed-
room, wherein we could make you as comfortable as
need be. Bowers of roses for cigar smoking, arbours
for cool punch-drinking, mountain and Tyrolean
countries close at hand, piled-up Alps before the
windows, &c. &c. &c."
* The Hutchinson family probably.
CHAPTER XV.
APPEARANCE OF "DOMBEY AND SON."
N the 1st October, the first number of
" Dombey and Son " was issued by Messrs,
Bradbury and Evans, illustrated by Phiz.
It ran the usual twenty numbers, and on its comple-
tion was dedicated to the Marchioness of Normanby.
This is, perhaps, one of his least popular novels.
The descriptions of high life are somewhat forced
and overdrawn. Dombey is a man thoroughly to be
detested — cruel, stern, and unbending. Little Paul
and Captain Cuttle are the two best characters in
the book, which contains many others excessively
diverting. Mr. Toots, with his mania for writing
confidential letters to himself from great and eminent
men, and his penchant for Messrs. Burgess and Co.,
the celebrated tailors ; Perch, the messenger, and
father of a large family ; the awful Mrs. MacStinger,
Susan Nipper, Major Joe Bagstock, Miss Floy, &c.
In ''Dombey" Dickens has evidently endeavoured
to describe a certain phase of ''high life," and he
has done so with much success. The character of
the aristocratic Cousin Feenix is finished and natural.
It may just be mentioned that Hablot K. Browne
(Phiz), with Mr. Dickens's sanction, published some
1846-47-] APPEARANCE OF " DOMBEY AND SON" 171
additional designs — full-length portraits of the cha-
racters contained in the novel.
While the story was progressing, an enterprising
publisher, in January, 1847, started in weekly penny
numbers " Dombey and Daughter," coolly announcing
its appearance thus : —
"This work is from the pen of one of the first Periodical Writers of
the day ; and is, in literary merit (although so low in price), no way inferior
to Mr. Dickens's admirable worl<, ' Dombey and Son.' Those who are
reading ' Dombey and Son ' should most assuredly order ' Dombey and
Daughter ; ' it is a production of exalted intellect, written to sustain
moral example and virtuous precept— deeply to interest, and sagely to
instruct.
"Order of any Bookseller or Newsvendor. — One Penny will test the
truth of this announcement."
The public thought differently, and nothing further
was heard of the work.
Early in 1847, in a letter to Lady Blessington,
Dickens wrote : — " I begin to doubt whether I had
anything to do with a book called * Dombey,' or ever
sat over number five (not finished a fortnight yet),
day after day, until I half began, like the monk in
poor Wilkie's story, to think it the only reality in
life, and to mistake all the realities for short-lived
shadows."*
In the preface to the new edition in 1858, is this
note : — " I began this book by the Lake of Geneva,
and went on with it for some months in France.
* It may be remembered how this same beautiful story of
Wilkie's, was differently applied by Mr. Dickens, in the last
speech he ever made at the Royal Academy dinner.
172 LIFE OF CHARLES DICKENS. [1846-47.
The association between the writing and the place of
writing is so curiously strong in my mind, that at
this day, although I know every stair in the little
midshipman's house, and could swear to every pew
in the church in which Florence was married, or to
every young gentleman's bedstead in Doctor Blimber's
establishment, I yet confusedly imagine Captain
Cuttle as secluding himself from Mrs. MacStinger
among the mountains of Switzerland. Similarly,
when I am reminded by any chance of what it was
that the waves were always saying, I wander in my
fancy for a whole winter night about the streets of
Paris — as I really did, with a heavy heart, on the
night when my little friend and I parted company
for ever."*
* The Philadelphia Morning Post says : — Dickens, while in
this city, was very anxious to purchase Mr. James Hamilton's
painting, entitled " What are the Wild Waves Saying ? " But
as this beautiful work, one of the artist's best, was already sold,
Mr. Dickens requested that he might see the original sketch,
with which he was so greatly pleased that he insisted upon buying
it. Mr. Hamilton refused to sell the picture, but presented it
to Mr. Dickens, The other day the artist received from Mr.
Dickens an exquisite edition of his novels, accompanied by the
following autograph : — " Gad's-hill Place, Higham by Rochester,
Kent, Monday, Twenty-fifth May, 1868, to Mr. James Hamil-
ton, this set of my books with thanks and regard. — Charles
Dickens." It is certain that Charles Dickens's genius never
suggested a more imaginative picture than this masterpiece, and
his appreciation of Hamilton could not have been more deli-
cately shown.
1S46-47-] APPEARANCE OF '^ DOMBEY AND SON." 173
Lord Cockburn, in a letter under date 31st of
January, 1847, wrote to the author: —
" Oh, my dear, dear Dickens ! What a No. 5 you
have given us ! I have so cried and sobbed over it
last night, and again this morning ; and felt my
heart purified by those tears, and blessed and loved
you for making me shed them ; and I never can bless
and love you enough. Since that divine Nelly was
found in her humble couch, beneath the snow and
ivy, there has been nothing like the actual dying of
that sweet Paul, in the summershine of that lofty
room."
A high medical authority assures us, that in the
author's description of the last illness of Mrs. Skew-
ton, he actually anticipated the clinical researches of
M. Dax, Broca, and Hughlings Jackson, on the con-
nection of right hemiplegia with asphasia.
The story was cleverly dramatized and well
represented at the Marylebone Theatre, in June,
1849, and its success was in proportion to its
merits.
In the spring of 1846, on April 6th, the first
Anniversary Festival of the General Theatrical
Fund Association was held at the London Tavern.
Dickens was in the chair, and made some admirable
hits in his most effective speech, as when he said,
in speaking of the *' base uses " to which the two
great theatres were then being applied : — "Covent
Garden is now but a vision of the past. You might
play the bottle conjuror with its dramatic company,
174 LIFE OF CHARLES DICKENS. [1846-47.
and put them all into a pint bottle. The human
voice is rarely heard within its walls, save in con-
nection with corn, or the ambidextrous prestidigita-
tion of the Wizard of the North. In like manner,
Drury Lane is conducted now with almost a sole
view to the opera and ballet, insomuch that the
statue of Shakspeare over the door serves as em-
phatically to point out his grave as his bust did in
the church of Stratford-upon-Avon."
What, too, can be happier than his pleadings for
the poor actor : — " Hazlitt has well said that * There
is no class of society whom so many persons regard
with affection as actors. We greet them on the stage,
we like to m.eet them in the streets ; they almost
always recall to us pleasant associations.' When they
have strutted and fretted their hour upon the stage,
let them not be heard no more — but let them be
heard sometimes to say that they are happy in their
old age. When they have passed for the last time
from behind that glittering row of lights with which
we are all familiar, let them not pass away into
gloom and darkness, — but let them pass into cheer-
fulness and light — into a contented and happy
home." *
Writing to Jerrold from Geneva, in November,
1846, he says : "This day week I finished my little
Christmas book (writing towards the close the exact
words of a passage in your affectionate letter,"!*
* Given entire in " The Speeches of Charles Dickens."
t Jerrold, in the letter referred to by Dickens, had said (in
I847-] APPEARANCE OF " DOMBEY AND SON." 175
received this morning ; to wit, ' After all, life has
something serious in it ') ; and ran over here for a
week's rest. I cannot tell you how much true
gratification I have had in your most hearty letter.
Forster told me that the same spirit breathed through
a notice of * Dombey ' in your paper ; and I have
been saying since to K. and G., that there is no such
good way of testing the worth of a literary friendship
as by comparing its influence on one's mind with any
that literary animosity can produce. Mr. W. will
throw me into a violent fit of anger for the moment,
it is true ; but his acts and deeds pass into the death
of all bad things next day, and rot out of my memory ;
whereas a generous sympathy like yours is ever
present to me, ever fresh and new to me — always
stimulating, cheerful, and delightful. The pain of
unjust malice is lost in an hour. The pleasure of a
generous friendship is the steadiest joy in the world.
What a glorious and comfortable thing that is to
think of!
"No, I don't get the paper* regularly. To the
deprecating Gilbert A'Beckett's ** Comic History of England"):
" After all, life has something serious in it. It cannot be all a
comic history of humanity. Some men would, I believe, write
the Comic Sermon on the Mount. Think of a Comic History
of England; the drollery of Alfred; the fun of Sir Thomas
More in the Tower ; the farce of his daughter begging the dead
head, and clasping it in her coffin, on her bosom. Surely the
world will be sick of this blasphemy."
* Douglas J errold's Weekly Newspaper.
176 LIFE OF CHARLES DICKENS. [1847.
best of my recollection, I have not had more
than three numbers — certainly not more than four.
But I knew how busy you must be, and had no
expectation of hearing from you until I wrote from
Paris (as I intended doing), and implored you to
come and make merry with us there. I am truly
pleased to receive your good account of that enter-
prise I have had great success
again in magnetism. E , who has been with ua
for a week or so, holds my magnetic powers in
great veneration, and I really think they are, by
some conjunction of chances, strong. Let them,
or something else, hold you to me by the
heart."
" The Battle of Life (a Love Story)" was the
Christmas book referred to in the beginning of the
foregoing letter. Messrs. Bradbury and Evans were
the publishers, and Macllse, Leech, Stanfield, and
Doyle the Illustrators. It was a great favourite, and
enjoyed considerable popularity, on account of its
poetical tendency.
Clemency Newcome is a spiritedly drawn and
tvell-concelved character, as are Messrs. Snitchley
and Craggs, the solicitors. Dr. Jeddler, his daughters,
Heathfield, and Michael Warden, they all displaying
considerable care and painstaking In their treatment.
Benjamin Britain, sometimes called Little Britain, to
distinguish him from Great, is an oddity. He ex-
presses himself in a conversation to this effect : —
** I don't know anything, I don't care for anything, I
x847-] APPEARANCE OF " DOMBEY AND SON." 177
don't make out anything, I don't believe anything,
and I don't want anything."
The Lyceum reopened on the 21st December, with
a dramatic version of the story by Albert Smith
— Clemency Newcome sustained by Mrs. Keeley ;
Benjamin Britain, by Mr. Keeley; Alfred Heathfield,
Leigh Murray; and Doctor Jeddler, Mr. Frank
Matthews. At Astley's Theatre, in March, 1867, a-
clever adaptation was performed, and ran a con-
siderable time.
M
CHAPTER XVr.
VICTOR HUGO. — THE HAUNTED MAN.
^ROM Paris, early in 1847, our author writes
to Lady Blessington, describing his visit to
Victor Hugo, then residing in the French
capital. Twelve months after this, the great French
novelist had to fly. The co?/p d'etat brought about a
new order of things : —
" We were (writes Dickens) at V. H.'s house last
Sunday week — a most extraordinary place, something
like an old curiosity shop, or the property-room of
some gloomy, vast old theatre. I was much struck
by H. himself, who looks like a genius — he is, every
inch of him, and is very interesting and satisfactory
from head to foot. His wife is a handsome woman,
with flashing black eyes. There is also a charming
ditto daughter, of fifteen or sixteen, with ditto eyes.
Sitting among old armour and old tapestry, and old
coffers, and grim old chairs and tables, and old
canopies of state from old palaces, and old golden
lions going to play at skittles with ponderous old
golden balls, that made a most romantic show, and
1 847-1 VICTOR HUGO. x-jg
looked like a chapter out of one of his own
books."
The letter is most interesting in a double sense.
It shows us Victor Hugo's tastes in decoration, and
those objects in his house upon which his eye would
continually rest, and which would help to form
drapery and literary illustration for his fictions ; and
it shows us in an oblique manner what Avere
Dickens's notions in these matters, and the sym-
pathy— if any — in such surroundings, between the
two men.
During this year an announcement appeared that
Shakspeare's house at Stratford-upon-Avon v/as to
be sold. A public meeting was held, and a committee
organized. By subscriptions, and a grand perform-
ance at Covent Garden Theatre, on yt\\ December
— all the principal actors and actresses taking
part therein — and readings by Macready, prior
to his retirement, a sufficient sum (;^ 3,000) was
realized.
To provide for the proper care and custody of the
house and its relics, a series of amateur entertain-
ments were given. Messrs. Charles Knight, Peter
Cunningham, and John Payne Collier were the Di-
rectors of the General Manag-ement, and Dickens
the Stage Manager.
The first performance took place at the Haymarket
Theatre on May 15, 1848, the play selected being
" The Merry Wives of Windsor," with the following
cast : —
M 2
i8o
LIFE OF CHARLES DICKENS.
[1847.
Sir John FalstafF
Fenton ...
Shallow
Slender...
Mr. Ford
Mr. Page
Sir Hugh Evans
Dr. Caius
Host of the Garter Inn
Bardolph
Pistol
Nym ...
Robin
Simple...
Jlugby ...
Mrs. Ford
Mrs. Page
Mrs. Anne Page
Mrs. puickly
Mr. Mark Lemon.
Mr. Charles Romcr.
Mr. Charles Dickens.
Mr. John Leech.
Mr. Forstcr.
Mr. Frank Stone.
Mr. G. H. Lewes.
Mr. Dudley Costello.
Mr. Frcdk.' Dickens.
Mr. Cole.
Mr. Geo. Cruikshank.
Mr. Augustus Dickens.
Miss Robins.
Mr. Augustus Egg.
Mr. Eaton.
Miss Fortesque.
Miss Ken worthy.
Miss Anne Romer.
Mrs. Cowden Clarke.
Towards the close of the year 1847 he was invited
by the good people of Leeds to attend a soiree
at their Mechanics' Institution.* One clause of his
speech was in his most characteristic manner. He is
speaking of a class of politicians who object to
educate the lower orders any more than up to a
certain point, because " Knowledge is power " : —
" I never heard but one tangible position taken
against educational establishments for the people,
and that was, that in this or that instance, or in these
or those instances, education for the people has
failed. And I have never traced even this to its
source but I have found that the term education, so
* December, 1847.
1847-48.] THE HAUNTED MAN, 181
employed, meant anything but education — Implied
the mere imperfect application of old, Ignorant, pre-
posterous spelling-book lessons to the meanest pur-
poses— as If you should teach a child that there Is no
higher end In electricity, for example, than expressly
to strike a mutton-pie out of the hand of a greedy
boy — and on which it Is as unreasonable to found an
objection to education In a comprehensive sense, as it
would be to object altogether to the combing of
youthful hair, because in a certain charity-school
they had a practice of combing It Into the pupils'
eyes."
" Dombey and Son " Interfering with his arrange-
ments, the Christmas of 1847 passed without the
usual appearance of a separate story, but the ensu-
ing Christmas " The Haunted Man, and the Ghost's
Bargain " was published by Messrs. Bradbury and
Evans. This is, perhaps, his least popular little
book, although considerable skill and vigorous
writing are apparent. Redlaw, the Haunted Man, is a
creation of sad and sombre hue. The most genial
parts are the accounts of Tetterby, the struggling
newsvendor, and his family, not forgetting Johnny,
and the Moloch baby, Sally.
In a little sketch of Mr. Dickens which appeared
many years ago. It was said, — " If stories told by
booksellers of extraordinary sales be true, this last
Christmas volume met with quite as much favour as
any of the rest. But somehow, when It was read, it
did not please. The ' Haunted Man ' did not long
i82 LIFE OF CHARLES DICKENS. [iS^/.
haunt our memories. It had a peculiar purpose,
opposed to the first part of the old saw, * Forget and
forgive.' This extract will place before us the moral
of the tale : —
" ' I have no learning,' said Milly, * and you have
much ; I am not used to think, and you are always
thinking. May I tell you why it seems to me a
good thing to remember wrong that has been done
us.?'
" ' Yes.'
" ^ That we may forgive it.'
" ' Pardon me, great heaven,' said Redlaw, lifting
up his eyes, 'for having thrown away thine own
attribute ! '
" 'And if,' said Milly, 'If your own memory should
one day be restored, as we will hope and pray it may
be, would it not be a blessing to you to recall at once
a wrong and its forgiveness } '
" Alas for human nature, how few can do
this ! "
Happy he from whose memory wrong is quickly
effaced ; and unfortunate that mind which, in recall-
ing an injury, feels again the poignancy of the wound.
We fear that forgiveness, or what looks like it, the
absence of rancour, often comes through forgetful-
ness. We fear that it ever must be so ; that few will
remember vividly, and forgive perfectly. In ordinary
minds, then, forgetfulness and forgiveness will be com-
panions, and for them the old motto is a good one ;
but it is the highest part of the highest creed, to
1847.] THE HAUNTED MAN. 183
forgive before memory sleeps, and ever to remember
how the good overcame the evil.
It has been remarked that the illustrious novelist
has curiously mistaken the legend of the old portrait,
on which this story is built, — " Lord, keep my me-
mory green," Vv-hich we take to be a wish that the
fame of the man shall survive to aftcrtimcs, so as to
verify Herrick's sweet lines, —
" Only the actions of the just
Smell sweet, and blosioni in the diat.'*^
Whilst Mr. Dickens makes it mean, "Lord, allow
my recollection (mental power of remembrance") to
be unimpaired ;" like Swift's prayer that he should
not die mad, viewing with fear the awful contingency
of loss of mind.
" From Marlborough's eyes the tears of dotage flow.
And swift expire, a driveller and a show."
At the Adelphi and the Polytechnic Institution
this story, by the aid of the patent Pepper's -ghost
apparatus, some three or four years since, excited
considerable attention, and the satisfactory result, in
a monetary sense, was testified by the fact of the
numerous audiences at each representation.
The five little Christmas books which we have
separately noticed under the year of their issue, were
published in one volume, and entitled " Christmas
Books." To this Mr. Dickens contributed a new
and admirable preface.
Three days after Christmas-day, 1847, Dickens
i84 LIFE OF CHARLES DICKERS. [1847.
was in Glasgow, presiding at the opening of the new
Athenaeum there. The burden of his speech was
" What constituted Real Education ? "
"Mere reading and writing is not education," he
said ; " it would be quite as reasonable to call bricks
and mortar architecture — oils and colours art — reeds
and catgut music — or the child's spelling-books
the works of Shakspeare, Milton, or Bacon — as to
call the lowest rudiments of education, education,
and to visit on that most abused and slandered word
their failure in any instance." These and kindred
sentiments were very warmly received, and were
acknowledged in a complimentary speech by Sir
Archibald (then Mr.) Alison.
■^^^??^^r^^^
CHAPTER XVII.
DICKENS AND THACKERAY.-
FIELD."
DAVID COPPER-
R. DICKENS had hitherto met with no
competitor in the field of Enghsh fiction.
He had early won the attention of readers,
but no writer had arisen to divide the honour with
him. Another novelist, however, was now beginning
to be talked of On the 1st of February, 1847, Mr.
Thackeray had issued the first monthly portion of
"Vanity Fair," in the yellow wrapper which served
to distinguish it from Mr. Dickens's stories, and,
after some twelve months had passed, critics began
to speak of the work in terms of approbation. The
EdinhiirgJi Reviezv, criticising it in January, 1848,
says, — "The great charm of this work is its entire
freedom from mannerism and aftcctation both in
style and sentiment. * * * His pathos (though
not so deep as ]\Ir. Dickens's) is exquisite ; the more
so, perhaps, because he seems to struggle against it,
and to be half ashamed of being caught in the m^elt-
ing mood ; but the attempt to be caustic, satirical,
ironical, or philosophical, on such occasions, is uni-
formly vain ; and again and again have we found
i86 LIFE OF CHARLES DICKENS. [1848.
reason to admire how an originally fine and kind
nature remains essentially free from worldliness, and,
in the highest pride of intellect, pays homage to the
heart."
From this time forward a friendly rivalry ensued
between the two representatives of the two schools
of English fiction. We say ''rivalry," but it never
could have existed from Dickens's side, for, when
''Vanity Fair" was at its best, finding six thousand
purchasers a month, Dickens was taking the shillings
from thirty to forty thousand readers ; but the
gossips of society have always asserted that there
zvas a rivalry, and made comparisons so very fre-
quently between the two great men, that we inci-
dentally allude to it here. More than once has
Thackeray said to the present writer (or words very
similar) : — "Ah ! they talk to me of popularity, with
a sale of little more than one half of 10,000! Why,
look at that lucky fellow, Dickens, with heaven
knows how many readers, and certainly not less than
30,000 buyers ! " But the fact is easily explained —
only cultivated readers enjoy Thackeray, whereas
both cultivated and uncultivated read Dickens v/ith
delight.
To return to Mr. Dickens's new book — "■ David
Copperfield," one of the finest and certainly one of
the most popular of its author's works. The first
number appeared May ist, 1849, with illustrations by
" Phiz." It extended to the usual twenty numbers,
and on its completion was issued by Messrs. Brad-
1 049-] "DAVID COPPERFIELDr 187
bury and Evans, with a dedication to the Honour-
able Mr. and Mrs. Richard Watson of Rockingham.
The work, as we have previously remarked, is a
great favourite, and such it deserves to be, for to our
mind it is the happiest of all his fictions. It was the
first that we read, and well do we remember the
exquisite delight with which we eagerly devoured its
pages — a rough seaman's copy of the American
edition, which had been lent as an immense favour —
and, boy-like, appreciated and sympathized with
David in his youthful struggles. At that time we
had just quitted the house of a distant relative with
whom we had been residing, and who in very many
respects — so far as trying to break David's spirit in
before going to Salem House — greatly resembled
the treatment shown towards ourselves.
The book is written in a delightfully easy, earnest,
yet most graceful manner ; the plot is well contrived
and never forced. It has often been hinted that in
many ways it is partly autobiographical — the hero
beginning at the law, turning parliamentary reporter,
and finally winding up as a successful novelist, all
of which the world knows have been Mr. Dickens's
experiences. In fact, it is generally believed to
occupy the same position to Dickens as "Pendennis"
does to Thackeray.
The peculiar commencement and description of
Blunderstone Rookery ; the birth of the posthumous
child ; the second marriage of David's mother to
Murdstone ; his early days, and the wonderful croco-
i88 LIFE OF CHARLES DICKENS. [1849.
dile book ; Peggotty, and the courtship of Barkis the
carrier, leaving his offerings behind the door ; Mrs,
Gummldge, Steerforth, the famous MIcawbers, Betsy
Trotwood, the kind-hearted aunt, and her aversion
to donkeys ; Mr. Dick and his memorial, and his
inability to keep Charles I. out of It ; David's love
of darling Dora Spenlow, their marriage, and the
dreadful troubles encountered In house-keeping, her
death, and his consequent journey to Switzerland,
and coming home, and marrying Agnes WIckheld ;
the vlUanies of Uriah Heep ; the eccentricities of Miss
]\Iowcher, the corn extractor ; Emily, the poor
seduced girl ; the magnificent description of the storm
at Yarmouth, In which Steerforth the betrayer meets
his death, while Ham, seeking to save him, meets the
same fate ; the love of Daniel Peggotty for his niece,
and his patient search after her ; Traddles and his
ultimate success, and the starting off to the Antipodes
of the IMIcawbers, Peggotty, Martha, Emily, and Mrs.
Gummldge, their life in the bush, and how they
prospered, are each and all described in such glowing
language, destitute of exaggeration, and bearing so
strongly the Impress of truth and reality, that they
cannot fail to charm and delight the reader. It
would be impertinent further to point out — to our
mind — the best points In tlie book, and one can but
thank God that such a writer has penned a work
that can never be too much read or admired.
In the latest edition of " David Copperfield" — in
the " Charles Dickens Edition " — the author takes us
1849] "DAVID COPPERFIELD." 1S9
into his confidence, and tells us that it was his
favourite child. He says : — " I remarked, in the
original preface to this book, that I did not find it
easy to get sufficiently away from it, in the first sen-
sations of having finished, to refer to it with the
composure which this formal heading would seem to
require. My interest in it was so recent and strong,
and my mind so divided between pleasure and regret
— pleasure in the achievement of a long design,
regret in the separation from many companions — that
I was in danger of Avearying the reader with personal
confidences and private emotions. Besides which,
all that I could have said of the story, to any pur-
pose, I had endeavoured to say in it. It would con-
cern the reader little, perhaps, to know how sorrow-
fully the pen is laid down at the close of a two
years' imaginative task ; or how an author feels as if
he were dismissing some portion of himself into the
shadowy world, when a crowd of the creatures of
his brain are going from him for ever. Yet I had
nothing else to tell ; unless, indeed, I w^ere to confess
(which might be of less moment still) that no one
can ever believe this narrative in the reading, more
than I believed it in the writing. So true are these
avowals at the present day, that I can only now take
the reader into one confidence more. Of all my
books, I like this the best. It will easily be believed
that I am a fond parent of every child of my fancy,
and that no one can love them as dearly as I love
them ; but, like many fond parents, I have, in my
iQO LIFE OF CHARLES DICKEXS. [1S49.
heart of hearts, a favourite child, and his name is
David Copperfield."
At the Strand Theatre, on October 2 1st, 1850,
Almar's adaptation was played under the title of
" Born with a Caul." The Surrey Theatre, in the
following month, had a much better version ; Mr.
Thomas Mead as Peggotty, and the renowned Mr.
Widdicomb combining the characters of Miss
Mov/cher and Mr. Micav/ber. But the most success-
ful representation of all was '' The Deal Boatman"
at Drury Lane theatre, two or three years since, in
two acts, by Mr. Burnand.
Mr. Dickens was living at this time at No. i,
Devonshire Terrace, in the New Road. In his
" American Notes," in " Martin Chuzzlewit," and
elsevv^here in his writings, and occasionally in his
speeches, he had expressed his disapproval of capital
punishment. He now resolved to be a witness at a
" hanging match " — as it is frequently called by the
lower orders — and afterwards publish his experiences.
The trial of the notorious Mannings had recently
startled society, and it was thought that the hanging
of such notable wretches would at least afford a fair
specimen of the riot and demoralization attending
a London public execution. For the purpose of
seeing the whole ceremony, and giving the institu-
tion a fair trial, he left his house with a friend, on
the evening previous, determined to make a night
of it in the crowd fronting the Southwark scaffold.
The following; letter to the Times was the result : —
1S40.] ON CAPITAL PUXISIIMEXT. 19X
" I was a witness of the execution at Horsemonger
Lane this morning. I went there with the intention
of observing the crowd gathered to behold it, and I
had excellent opportunities of doing so at intervals
all through the night, and continuously from day-
break until after tlie spectacle was over. I do not
address you on the subject with any intention of dis-
cussing the abstract question of capital punishment,
or any of the arguments of its opponents or advo-
cates. I simply wish to turn this dreadful expe-
rience to some account for the general good, by
taking the readiest and most public means of advert-
ing to an intimation given by Sir G. Grey, in the last
session of Parliament, that the Government might be
induced to give its support to a measure making the
infliction of capital punishment a private solemnity
within the prison-walls (v/ith such guarantees for the
last sentence of the law being inexorably and surely
administered as should be satisfactory to the public
at large), and of most earnestly beseeching Sir G.
Grey, as a solemn duty which he owes to society,
and a responsibility which he cannot for ever put
away, to originate such a legislative change himself.
I believe that a sight so inconceivably awful as the
wickedness and levity of the immense crowd collected
at that execution this morning, could be imagined by
no man, and could be presented in no heathen land
under the sun. The horrors of the crime which brought
the wretched murderers to it, faded in my mind
before the atrocious bearing, looks, and language of
192 LIFE OF CHARLES DICKENS. [1849.
the assembled spectators. When I came upon the
scene at midnight, the shriUness of the cries and
howls that were raised from time to time, denoting
that they came from a concourse of boys and girls
assembled in the best places, made my blood run
cold. As the night went on, screeching and laughing,
and yelling in strong chorus of parodies on negro
melodies, with substitutions of ' Mrs. Manning ' for
* Susannah,' and the like, were added to these. When
the day dawned, thieves, low prostitutes, ruffians,
and vagabonds of every kind, flocked on to the
ground, with every variety of offensive and foul
behaviour. Fightings, faintings, whistlings, imita-
tions of Punch, brutal jokes, tumultuous demon-
strations of indecent delight, when swooning women
were dragged out of the crowd by the police with their
dresses disordered, gave a new zest to the general
entertainment. When the sun rose brightly — as it
did — it gilded thousands upon thousands of up-
turned faces, so inexpressibly odious in their brutal
mirth or callousness, that a man had cause to feel
ashamed of the shape he wore, and to shrink from
himself, as fashioned in the image of the Devil.
When the two miserable creatures who attracted all
this ghastly sight about them were turned quivering
into the air, there was no more emotion, no more
pity, no more thought that two immortal souls had
gone to judgment, no more restraint in any of the
previous obscenities, than if the name of Christ had
never been heard in this world, and there were no
1849.] ON CAPITAL PUNISHMENT. 193*
belief among men but that they perished like the
beasts. I have seen, habitually, some of the worst
sources of general contamination and corruption in
this country, and I think there are not many phases
of London life that could surprise me. I am
solemnly convinced that nothing that ingenuity could
devise to be done in this city, in the same compass
of time, could work such ruin as one public execu-
tion, and I stand astounded and appalled by the
wickedness it exhibits. I do not believe that any
community can prosper where such a scene of horror
and demoralization as was enacted this morning out-
side Horsemonger Lane Gaol, is presented at the
very doors of good citizens, and is passed by, un-
known or forgotten. And when, in our prayers and
thanksgivings for the season, we are humbly express-
ing before God our desire to remove the moral evils
of the land, I would ask your readers to consider
whether it is not a time to think of this one, and to
root it out.
" Tuesday , November i^th!'
The great question of " public hanging " occupied
Dickens's attention for some time after. The horrors
of that night and the morning preceding the Manning
execution he could not readily forget. Some days
after he wrote to the TimeSy he addressed a long
letter to his friend Douglas Jerrold, who was adverse
to hanging, but thought that whilst it continued in
the land, it should take place in public. Dickens
thus remonstrates with his friend : — " In a letter I
19^ LIFE OF CHARLES DICKENS. [1849
have received from G. this morning" he quotes a
recent letter from you, in which you deprecate the
'mystery' of private hanging.
'^ Will you consider what punishment there is,
except death, to which ' mystery ' does not attach ?
Will you consider whether all the improvements in
prisons and punishments that have been made within
the last twenty years have or have not been all pro-
ductive of ^mystery?' I can remember very well
when the silent system v/as objected to as mysterious,
and opposed to the genius of English society. Yet
there is no question that it has been a great benefit.
The prison vans are mysterious vehicles ; but surely
they are better than the old system of marching
prisoners through the streets chained to a long chain,
like the galley-slaves in '■ Don Quixote.' Is there no
mystery about transportation, and our manner of
sending men away to Norfolk Island, or elsewhere ?
None in abandoning the use of a man's name, and
knowing him only by a number } Is not the whole
improved and altered system, from the beginning to
end, a mystery t I wish I could induce you to feel
justified in leaving that word to the platform people,
on the strength of your knowledge of what crime
was, and of what its punishments were, in the days
when there was no mystery connected with these
things, and all was as open as Bridewell when Ned
Ward went to see the women v/hipped."
CHAPTER XVIII.
"HOUSEHOLD WORDS. — THE GUILD OF
LITERATURE.
OTWITHSTANDING past experiences in
connection with the Daily Neivs, Mr.
Dickens was still desirous of some peri-
odical in which he could hold frequent and regular
intercourse with his readers. Early in 1850, our
indefatigable author projected the Household Words,
a name which was more or less familiar to the
public through a line in Shakspeare's Henry V. —
" Familiar in their mouths as ' Household Wordsl "
It is just worth while in passing to say that this
motto was a favourite with Mr. Dickens, He often
used it in conversation, long before a periodical
of the kind was dreamt of. As far back as his
first visit to America, when he was addressing
the young men of Boston, and Washington Irving,
Holmes, and other celebrities were present, he
said — " You have in America great writers —
great writers — who will live in all time, and are
as familiar to our lips as household words." *
* Feb. I, 1842.
196 LIFE OF CHARLES DICKENS. [1850.
And afterwards, in his speeches, the motto was
•not uncommon.
On Saturday, March 30th, 1850, was issued the
first number of ^^ Household Words, price 2d., con-
ducted by Charles Dickens."
No article had the name of its author appended,
and when the "Conductor" proposed to Jerrold
that he should contribute to its pages, but added
that his name could not appear, as the journal was
anonymous, the wit replied, ''Ay, I see it is, for
there's the name of Charles Dickens on every
page."
Amongst the original contributors to Household
Words may be mentioned John Forster, W. H. Wills,
George Augustus Sala, Moy Thomas, John HoUings-
head. Miss Martineau, Professor Morley, Edmund
Yates, Dr. Charles Mackay, Andrew Halliday,
Edmund Oilier, and many other talented writers. It
was the great delight of the ''Conductor" to draw
around him the rising talent — the new men who
gave evidence of literary ability ; and m.any a
mark have they made in the pages of Household
Words !
Connected with Ho2isehold Words, at the end of
each month, appeared the Household Narrative, con-
taining a history of the preceding month. It began
in April of this year, and involved Mr. Dickens in
a dispute with the Stamp Office. An information
was laid against the Narrative, it being contended
that, under the Stamp Duty Act, it wp,s a newspaper;
1850-51.] '^HOUSEHOLD WORDS." 197
but, on appeal to the Court of Exchequer, the Barons
decided in I\Ir. Dickens's favour, and thus the first
step to the repeal of the newspaper stamp was given.
The publication was not a success, people preferring
to pay for amusement and information combined,
rather than for the latter in a purely statistical form.
It stopped at about the 70th number, and sets are
now rare.
But to return to HouseJwld Words. A friend who
knew Dickens writes: — "His editorship of this
periodical was no nominal post. Papers sent in for
approval invariably went through a preliminary
* testing ' by the acting editor (Mr. W. H. Wills) ; but
all those which survived this ordeal were con-
scientiously read and judged by Mr. Dickens, who
again read all the accepted contributions in proof,
and made numerous and valuable alterations in
them." Besides the ordinary tales and articles upon
popular topics, there appeared in HoiiscJiold Words,
in good time for the festive season, and during the first
year, a collection of stories, connected entirely with
Christmas, — viz. "A Christmas Tree," and '' A Christ-
mas Pudding," " Christmas in the Navy, in Lodgings,
in India, in the Frozen Regions, in the Bush, and
among the Sick and Poor of London," and " Plouse-
hold Christmas Carols."
In the ensuing January, Dickens commenced
therein his " Child's History of England," which in
the following year was reprinted in a separate form
by Messrs. Bradbury and Evans, and inscribed : —
193 LIFE OF CHARLES DICKEXS. [1850-51.
*' TO MY OWN DEAR CHILDHEN,
WHOM I HOPE IT MAY HELP, BY-AND-BY, TO READ WITH
INTEREST LARGER AND BETTER BOOKS ON THE
SAME SUBJECT."
The Battle of Hastings is one of the finest and
most marvellous pieces of descriptive writing in the
** Child's History," which — as has been well remarked
— " might be read by many children of larger growth
with much profit." This is an extract from his
glowing description : — '' The sun rose high and sank,
and the battle still raged. Through all the wild
October day, the clash and din resounded in the air.
In the red sunset, in the white moonlight, heaps upon
heaps of dead men lay strewn, a dreadful spectacle,
all over the ground. King Harold, wounded with an
arrow in the eye, was nearly blind. His brothers
were already killed. Twenty Norman knights, whose
battered armour had fiashed fiery and golden all day
long, and now looked silvery in the moonlight,
dashed forward to seize the royal banner from the
English knights and soldiers, still faithfully collected
round their blinded king. The king received a
mortal wound and dropped."
If the remainder of the description is turned into
blank verse (as Byron did when copying "Werner"
from the " Canterbury Tales " of Miss Lee), by
adding two words, and expunging some few others,
we obtain this glowing and beautiful narration : —
1851.] *' HOUSEHOLD WORDS:' 199
" The English broke and fled.
The Normans rallied, and the day was lost !
Oh, what a sight beneath the moon and stars !
The lights were shining in the victor's tent
(Pitch'd near the spot where blinded Harold fell) ;
He and his knights carousing were within ;
Soldiers with torches, going to and fro.
Sought for the corpse of Harold 'mongst the dead.
The Warrior, work'd with stones and golden thread;.
Lay low, all torn, and soil'd with English blood.
And the three Lions kept watch o'er the field ! "
The work has never been reprinted at a lower price
than the old three-volume form, and of course it
forms no part of the recent " Cheap Editions " and
the " Charles Dickens Edition ; " but, now that extra
attention will be directed to the writings of Mr.
Dickens, it is to be hoped that it may be reprinted
at a moderate price.
The second Christmas number (185 1) of Household
Words consisted of nine stories about Christmas, and
how it was held, and what it was like in different
companies and countries — in fact, very similar to the
preceding number.
At the Sixth Annual Dinner of the General Thea-
trical Fund (April 14, 185 1), the conductors again
begged Mr. Dickens to preside. His speech was
short, but exceedingly happy. Speaking of the
Theatrical Fund, he said : —
" It is a society in which the word exclusiveness is
wholly unknown. It is a society which includes every
200 LIFE OF CHARLES DICKENS. [1851.
actor, whether he be Benedick or Hamlet, or the
Ghost, or the Bandit, or the court-physician, or, in
the one person, the whole King's army. He may do
the "' light business,'' or the " heavy," or the comic, or
the eccentric. He may be the captain who courts
the young lady, whose uncle still unaccountably per-
sists in dressing himself in a costume one hundred
years older than his time. Or he may be the young
lady's brother in the white gloves and inexpressibles,
whose duty in the family appears to be to listen to
the female members of it whenever they sing, and to
shake hands with everybody between all the verses.
Or he may be the baron who gives the fete, and v/ho
sits uneasily on the sofa under a canopy with the
baroness while the fete is going on. Or he may be the
peasant at the fete who comes on the stage to swell
the drinking chorus, and who, it may be observed,
always turns his glass upside down before he begins
to drink out of it. Or he may be the clown who
takes away the doorstep of the house where the
evening party is gohig on. Or he may be the gentle-
man who issues out of the house on the false alarm,
and is precipitated into the area. Or, to come to the
actresses, she may be the fairy who resides for ever
in a revolving star, with an occasional visit to a bower
or a palace. Or the actor may be the armed head
of the witch's cauldron ; or even that extraordinary
witch, concerning whom I have observed, in country
places, that he is much less like the notion formed
from the description of Hopkins than the Malcolm or
e35i.] the guild of LITERATURE. 201
Donalbain of the previous scenes. This society, in
short, says, " Be you what you may, be you actor or
actress, be your path in your profession never so
high, or never so low, never so haughty, or never
so humble, v/e offer you the means of doing
good to yourselves, and of doing good to your
brethren."
In June, 185 1, a project — which, it is said, Mr.
Dickens had long had in contemplation — v/as brought
forward by Sir Edward Bulwer Lytton, namely, the
founding of a Guild of Literature and Art ; in reality,
a provident fund and benefit society for unfortunate
literary men and artists. From it the proper persons
would receive continual or occasional relief, as tiie
case might be ; but the leading feature was the
" Provident Fund," to be composed of monies de-
posited by the authors themselves, when they were
in a position to be able to lay by something. Dickens
and Sir Edward Bulwer Lytton (since a peer) wTre
the most active promoters. The precise plan of the
" Guild " was discussed at Lord Lytton's seat, at
Knebworth, the November previously. There had
been three amateur performances, by Dickens and
others, of '' Every Man in his Humour," for the
gratification of his lordship and his neighbouring
friends, when it w'as arranged that his lordship should
write a comedy, and Dickens and Mark Lemon a
farce. The comedy was entitled '' Not so Bad as
we Seem," and the farce bore the name of " Mrs.
202 LIFE OF CHARLES DICKENS. [1S51.
Nightingale's Diary." The first performance took
place at Devonshire House, before the Queen, the
Prince Consort, and the Court circles ; and afterwards
at the Hanover Square Rooms, and at many of the
large provincial tov/ns (Bath, Bristol, &c.). At Devon-
shire House, not the least incident occurred to shade
what a late Drury-Lane manager might, in his own
Titanic way, have called " the blaze of triumph."
From the first moment that the scheme was made
known to her Majesty and Prince Albert, both the
Queen and the Prince manifested the liveliest
interest in its success. The Duke of Devonshire,
with a munificence that made the name of his
Grace a proverb for liberality, dedicated his m^an-
sion to the cause of Literature and Art, and his
house was for many days in possession of the ama-
teurs.
The play began at half-past nine. Her Majesty^
Prince Albert, and the Royal Family occupying a
box erected for the occasion. The seats v/ere filled
by the most illustrious for rank and genius. There
was the Duchess of Sutherland ; there was the
*' Iron Duke," in his best temiper ; there was
Macaulay, Chevalier Bunsen, Van der Weyer — them-
selves authors ; in fact, all the highest representatives
of the rank, beauty, and genius of England, and her
foreign Ambassadors.
The list of the performers, and the parts taken by
them, is a curiosity in its way : —
1351.] THE GUILD OF LITERATURE.
203
MEN.
The Duke of
Middlesex,
The Earl of
Loftus,
Peers attached to
the son of James
)• il., commonly - T^, ^^ m r^ ^^
I called the First I ^'- ^"'"'y '^°"'="''-
Pretender
Mr. Frank Stone.
Mr. Charles Dickens.
Lord Wilmot, a young man at
the head of the mode more
than a century ago, son to Lord C
Loftus ... ... ... J
Mr. Shadowly Softhead, a young '\
gentleman from the City, friend r Mr. Douglas Jerrold.
and double to Lord Wilmot... )
Mr. Hardman, a rising Member |
of Parliament, and adherent to > Mr. John Forster.
Sir Robert Walpole j
Sir Geoffrey Thornside, a eentle-) ^,, iv/r i t
r ^ J r -1 J . > Mr. Mark Lemon,
man or good iamily and estate )
Mr. Goodenough Eacy, in busi- ')
ness, highly respectable, and a > Mr. E. W. Topham.
friend to Sir Geoffrey }
Lord Le Trimmer, ") Frequenters ") Mr. Peter Cunningham.
Sir Thomas Timid, [ of Will's '> Mr. Westland Marston.
Colonel Fhnt, ) Coffeehouse ) Mr. R. H. Home.
Mr. Jacob Tonson, a Bookseller . Mr. Charles Knight.
Smart, Valet to Lord Wilmot ... Mr. Wilkie CoDins.
Hod^e, Servant to Sir Geoffrey ) t\t t u "-n • 1
r,.p • 1 ^ > Mr. John lenniel.
1 nornside,.. ... ...)■'
Paddy O'Sullivan, Mr. Fallen's) iv/r n u -n u
T -^ 11 J > Mr. Robert Bell.
Landlord ... ... ... )
Mr. David Fallen, Grub Street, 7 tit a . -o a n a
A I J T) ui f Mr. Augustus Ee?, A.R.A,
Author and Pamphleteer ... j ^ ^^'
Lord Strongbow, Sir John Bruin, Coffeehouse Loungers, Drawers,
Newsmen, Watchmen, &c.. Sec.
WOMEN.
Lucy, daughter to Sir Geoffrey) -^r r-
n^u ■:> [ Mrs. Compton.
1 nornside ... ... ... ) ^
Barbara, daughter to jMr. Easy... 'Miss Ellen Chaplin.
"^rhe Silent Ladv or Deadman's Lane.
204 LIFE OF CHARLES DICKENS. [1851-
The Royal party paid the deepest attention to the
progress of the play, Her Majesty frequently leading
the applause. And when the curtain fell upon the
three hours' triumph, Her Majesty rose in her box,
and by the most cordial demonstration of approval,
"■ commanded " (for such may be the word) the re-
appearance of all the actors, again to receive the
Royal approval of their efforts. Nor did the Queen
and Prince merely bestow applause. Her Majesty took
seventeen places for herself, visitors, and suite ; and,
further, as a joint contribution of herself and the
Prince, headed the list of subscriptions with £i^0,
making the sum total of ;^225. It is said that the
receipts of the night exceeded ^^ 1,000. Another re-
presentation at Devonshire House took place on the
following Tuesday, the admission being £2. The
farce written for the occasion, called '' Mrs. Night-
ingale's Diary," was performed, and Charles Dickens
and Mark Lemon sustained the principal characters.
A critic at the time remarked, " Both these gen-
tlemen are admirable actors. It is by no means
amateur playing with them. Dickens seizes the strong
points of a character, bringing them out as effectively
upon the stage as his pen undyingly marks them upon
paper. Lemon has all the ease of a finished per-
former, with a capital relish for comedy and broad
farce."
For the representations in the provinces a portable
theatre was constructed, Messrs. Clarkson Stanfield,
David Roberts, Grieve, and others, painting the
scenes, &c., which are said to have been very beau-
1851-52.] THE GUILD OF LITERATURE. 205
tiful. The funds raised were unfortunately, by a flaw
in the act of parhament, unintentionally tied up for
a number of years, but on Saturday, July 29th, 1865,
the surviving members of the Fund proceeded to the
neighbourhood of Stevenage, near the magnificent
seat of the president, Lord Lytton, to inspect three
houses built in the gothic style on the ground given
by him for that purpose. An enterprising publican
in the vicinity had just previously opened his estab-
lishment, which bore the very appropriate sign of
" Our Mutual Friend " — Mr. Dickens's then latest
work — and caused considerable merriment.
So popular had Mr. Dickens become in the
character of president or chairman at the anniver-
saries of benevolent societies, that the gardeners
begged him to officiate for them at their dinner and
meeting of the *' Gardeners' Benevolent Institution."
The affair came off on the 14th June, 1852, at the
London Tavern. The splendid display of flowers was
the result of a very hearty combination of the very
best efforts of the best gardeners, and Mr. Dickens
(to use his own phrase) ^'^ burst into bloom " upon the
culture of flowers and fruits in such a way as to
astonish his auditory.
The Household Words Christmas number for 1852
was entitled " A Round of Stories by the Christmas
Fire," told by A Poor Relation — A Child — Somebody
—An Old Nurse— The " Boots "—A Grandfather—
A Charw^oman — A Deaf Playmate — A Guest — and
A Mother.
CHAPTER XIX.
"BLEAK HOUSE." — LEIGH HUNT.
WO years had now elapsed since the com-
pletion of " David Copperfield/' and a new
novel was announced, to appear in the old
familiar serial form, under the title of ^' Bleak
House." It is not generally known, we believe, that
the name " Bleak H^ouse " was taken from that tall,
solitary brick house which stands away from the
others, and rising far above them, at Broadstairs —
the house where for one, if not for two seasons, Mr.
Dickens resided. This charming little town was for
many years Mr. Dickens's favourite seaside resort —
^n fact, " Our Watering Place," as he called it in an
article in Household VVoi'ds some years since. The
house in question is a square sullen structure — hard
and bleak, and of course it is now one of the lions of
the place, the guide-books and local photographers
setting great store by it. Just below Bleak House, on
the point that runs out to form the harbour, is the
Tartar Frigate, the cosiest little sailor's inn, selling the
strongest of tobacco, and the strongest-smelling rum
i8s2.] *' BLEAK HOUSE." ao/
that is to be met with around the coast. Close by is
a rope-house, decorated with wonderful figure-heads,
each having a wild story of shipwreck to tell. As
you pass the little Tartar Frigate, with its red blinds
and little door, you know what are the sounds that
are to be heard there any night during the winter.
The very walls must have long ago learnt '' Tom
Bowling" and the "Bay of Biscay" by heart, and
would now be very thankful for a fresh song. Dickens
knew the little inn very well, and, under the title of
" The Tartar Frigate," he gave in Household Words,
some years since, an admirable description of this
little town with a tiny harbour. The great novelist
v/as fond of genuine sailors — the hardy, good-
tempered fellows of Deal and Eroadstairs — brave as
lions, and guileless as children ; and it was to his
being so much in their company that he doubtless
ovv'ed his sailor look. Mr. Arthur Locker, whose
recollections we have before quoted, saw him only a
few weeks before his death, when he was " struck by
his sailor-like aspect — a peculiarity observed by many
other persons. Yet, except his two voyages to
America, he had not been much on the sea, and was
not, I believe, a particularly good sailor. But we all
know his sympathy for seamen, and I think, without
being fanciful, that his nautical air may in part be
attributed to early Portsmouth associations."
" Bleak House " ran through its course of num-
bers, and appeared in a complete form in August of
the following year : —
2o8 LIFE OF CHARLES DICKENS. [1552-53.
" DEDICATED,
AS A REMEMBRANCE OF OUR
FRIENDLY UNION,
TO MY COMPANIONS
IN THE
GUILD OF LITERATURE AND ART.**
The work was directed with considerable effect
against the Court of Chancery. Lawyers and others
were loud in their complaints at the way in which
their favourite Court had been assailed ; but the
majority of legal readers, whether then or even now
practising, or connected in any shape or way with the
Court in question — or even only as unfortunate suitors
— can testify as to the enormous waste of time, and
the costly procedure therein. Matters have, of late
years, somewhat improved, but a great deal yet
remains to be remedied.
The author, in his preface, took the opportunity
Qf defending himself from the remarks made upon
the supposititious suit of Jarndyce v. Jarndyce,* and
Krook's death by spontaneous combustion. The
latter incident excited much controversy at the time,
* Suggested, it is believed, by the celebrated case of the
Jennings' property. Dickens had previously brought an anta-
gonist upon himself in the person of Sir Edward Sugden (now
Lord St. Leonards), in consequence of an article in Household
Words, headed " Martyrs in Chancery," on the offence of Con-
tempt of Court, and replied to by the above eminent lawyer, in
a letter to the Jlmes (7th January, 1851), giving a true version
of the case therein referred to.
THE HOME OF CHARLES DICKENS,
185c— i860.
TAVISTOCK HOUSE, TAVISTOCK SQUARE.
Before Dickens removed here, the house was occupied by Mr. Perry, the once
famous chief of the " Morning Chronicle." Whilst living at Tavistock House, "Bleak
House," "A Child's History of England," "Hard Times," "Little Dorrit," "A Tale
of Two Cities," portions of "Hunted Down "and the "Uncommercial Traveller"
were written. In i860 our Author finally removed to Gad's Hill.
'852-53-1 LEIGH HUNT. zo^
Mr. G. H. Lewes opposing the idea strongly ; but
Dickens maintained his ground, and referred to seve-
ral well-authenticated cases in support of the theory.
One of the characters in the book, Harold Skim-
pole, an incarnation of a canting and hypocritical
scoundrel, whom one longs to kick, was fastened
upon as the impersonation of that kind and genial
writer, the late Leigh Hunt. Those who had the
good fortune to know him personally, indignantly
refuted the calumny, and, like other unfounded ru-
mours, the matter died out, until, after his death, the
idea was again bruited forth.
Mr. Thornton Hunt (his eldest son), in preparing a
new edition of his father's famous " Autobiography,"
prefixed an introductory chapter, in which the follow-
ing passages occur : —
*' His animation, his sympathy with what was gay
and pleasurable, his avowed doctrine of cultivating
cheerfulness, were manifest on the surface, and could
be appreciated by those who knew him in society,
most probably even exaggerated as salient traits, on
which he himself insisted zvit/i. a sort of gay and
OS ten iatioiLS wilfnlncss.
" The anxiety to recognize the right of others, the
tendency to 'refine,' which was noted by an early
school companion, and the propensity to elaborate
every thought, made him, along with the direct argu-
ment by which he sustained his own conviction, re-
cognize and almost admit all that might be said on
the opposite side.
o
2IO LIFE OF CHARLES DICKENS. [1852-53.
" It is most desirable that his qualities should be
known as they were ; for such deficiencies as he had
are the honest explanation of his mistakes ; while, as
the reader may see from his writing and his conduct,
they are not, as the faults of which he was accused
would be, incompatible with the noblest faculties both
of head and heart. To know Leigh Hunt as he was,
was to hold him in reverence and love."
Dickens, immediately, in a number oi All the Year
Rotmd, under the head of '' Leigh Hunt — a Remon-
strance," made this statement : —
*^ Four or five years ago, the writer of these lines
was much pained by accidentally encountering a
printed statement, 'that Mr. Leigh Hunt was the
original of Harold Skimpole in Bleak House.' The
writer of these lines is the author of that book.
The statement came from America. It is no disre-
spect to that country, in which the writer has, per-
haps, as many friends and as true an interest as any
man that lives, goodhumouredly to state the fact
that he has, now and then, been the subject of para-
graphs in Transatlantic newspapers more surprisingly
destitute of all foundation in truth than the wildest
delusions of the wildest lunatics. For reasons born
of this experience, he let the thing go by.
" But since Mr. Leigh Hunt's death the statement
has been revived in England. The delicacy and
generosity evinced in its revival are for the rather
late consideration of its revivers. The fact is this : — ■
Exactly those graces and charms of manner which
1852-53.] LEIGH HUNT. 2it
are remembered in the words we have quoted were
remembered by the author of the work of fiction in
question when he drew the character in question.
Above all other things, that * sort of gay and osten-
tatious wilfulness' in the humouring of a subject,
which had many a time delighted him, and impressed
him as being unspeakably whimsical and attractive,
was the airy quality he wanted for the man he
invented. Partly for this reason, and partly (he has
since often grieved to think) for the pleasure it
afforded him to find that delightful manner repro-
ducing itself under his hand, he yielded to the
temptation of too often making the character speak
like his old friend. He no more thought, God
forgive him ! that the admired original would ever be
charged with the imaginary vices of the fictitious
creature than he has himself ever thought of charging
the blood of Desdemona and Othello on the innocent
Academy model who sat for lago's leg in the picture.
Even as to the mere occasional manner, he meant to
be so cautious and conscientious that he privately
referred the proof sheets of the first number of that
book to two intimate literary friends of Leigh Hunt
(both still living), and altered the whole of that part
of the text on their discovering too strong a resem-
blance to his ' way.'
" He cannot see the son lay this wreath on the
father's tomb, and leave him to the possibility of
ever thinking that the present words might have
righted the father's memory and were left unwritten.
O 2
212 LIFE OF CHARLES DICKENS. [1852-53.
He cannot know that his own son may have to
explain his father when folly or malice can wound
his heart no more, and leave this task undone."
Mr. Thornton Hunt, alluding to his father's
incapacity to understand figures, frankly admitted,
" His so-called improvidence resulted partly from
actual disappointment in professional undertakings,
partly from a real incapacity to understand any
objects when they were reduced to figures,* and
partly from a readiness of self-sacrifice, which was
the less to be guessed by any one who knew him, since
he seldom alluded to it, and never, except in the
vaguest and most unintelligible terms, hinted at its
real nature or extent."
Very recently, and since the decease of the great
novelist, a similar statement about Skimpole and
Leigh Hunt, made in the columns of a daily
journal,-f- was thus replied to by Mr. Edmund
Oilier, an old friend of the deceased essayist : —
"Dickens himself corrected the misapprehension in
a paper in All the Year Round towards the close of
1859, after Hunt's death ; and during Hunt's life,
and after the publication of ' Bleak House,' he wrote
a most genial paper about him in Household Words,
* Several anecdotes have been circulated relative to the late
Lord Macaulay's dislike to mathematics, and, acting on this
distaste, he declined to compete for honours, but was, in consi-
deration of his great proficiency in other studies, elected a
fellow of his college (Trinity, Cambridge).
t D^i/y Nezvs, lothjune, 1870.
18S2-S3-] LEIGH HUNT. 213
It Is also within my knowledge that he expressed to
Leigh Hunt personally his regret at the Skimpole
snistake."
Leigh Hunt himself, in confessing his inability at
school to master the multiplication table, naively
adds, "Nor do I know it to this dayl" And again : —
" I equally disliked Dr. Franklin, author of ' Poor
Richard's Almanack,' a heap, as it appeared to me, of
* scoundrel maxims.'* I think I now appreciate Dr.
Franklin as I ought ; but, although I can see the
utility of such publications as his almanack for a
rising commercial State, and hold it useful as a
memorandum to uncalculating persons like myself,
who happen to live in an old one, I think there is no
necessity for it in commercial nations long estab-
lished, and that it has no business in others, who do
not found their happiness in that sort of power.
Franklin, with all his abilities, is but at the head of
those who think that man lives ' by bread alone.' "
And again, in his " Journal," a few years ago, that
gentleman, after narrating several agreeable hardships
inflicted upon him, says : — " A little before this, a
friend in a manufacturing town was informed that I
was a terrible speculator in the money markets ! I
* Thomson's phrase in his " Castle of Indolence," speaking of
a miserly money-getter : —
" * A penny saved is a penny got ;'
Firm to this scoundrel maxim keepeth he.
Nor of its rigour will he bate a jot.
Till he hath quench'd his fire and banished his pot.**
214 LIFE OF CHARLES DICKENS. [1852-53.
who was never in a market of any kind but to buy
an apple or a flower, and who could not dabble in
money business if I would, from sheer ignorance of
their language ! "
Just at this time other characters in Mr. Dickens's
novel were selected by gossips as representing this
or that distinguished individual. Thus Boythorne
was affirmed to be the energetic Mr. Walter Savage
Landor. Miss Martineau came forv/ard in her own
person to take the cap of Mrs. Jellaby, and to scold
Mr. Dickens for his allusions to " blue-stockingism "
and "Borioboola Gha." Whether there was any
foundation for these parallels betwixt living in-
dividuals and the characters in " Bleak House," it is
not now likely the world will ever know, but there
can be no doubt about one of the characters in that
book — the French lady's maid. Mr. Dickens made no
secret about her representing Mrs. Manning the
murderess. Indeed he attended at her examination
at the Police Court, and was present both at her trial
and her execution. Her broken English, her im-
patient gestures, and her volubility are imitated in
the novel with marvellous exactness.
The character of Turveydrop, we may mention,
was always believed to portray " the first gentle-
man in Europe," His Sacred Majesty King George
the Fourth,
CHAPTER XX.
AMERICAN PUBLISHERS. — THE FIRST READING.
S many statements have recently been made
in this country and in the United States
respecting Mr. Dickens's relations to the
American publishers of his works, we may say that
*' Bleak House" was his first novel issued there in the
profits arising from the sale of which he participated.
Up to the publication of " Dombey and Son " he
had received nothing from America. It was understood
that he was rather more angry with Messrs. Harper
and Brothers — subsequently his recognized publishers
— than with any other Transatlantic house. They
had just begun publishing their New MontJily
Magazine^ and the publishers of the International
Magazine were contesting with the Harpers the
first place in American periodical literature. After
a severe and indecisive struggle of a year, one of the
conductors of the International conceived an idea
which, if successfully carried out, would have given
the victory to that Magazine : one of its publishers
was going abroad, and was authorized to secure from
Mr. Dickens "advanced sheets" of his next novel
for publication in the International.
2i6 LIFE OF CHARLES DICKENS. [1852-53.
The steamer on which he sailed had hardly got out
of sight before Dr. Griswold, of the International ^ had
given to the Evening Post a sensational paragraph,
stating that Mr. Dickens had been engaged to write
for the International Magazine a new novel, for which
he was to be paid 2,000 dollars — a sum considerably
larger in 1850 than in 1867 — and then considered
enormous for the favour demanded. The watchful
Harpers, sent out in the next steamer a messenger
who went directly to Mr. Dickens, and found him
ready for any reasonable offer. The Post with Dr.
Griswold's paragraph being shown him, he at once
decided to hold the Yankees to the terms therein
set forth, and agreed for the 2,000 dollars to furnish
Harper and Brothers Avith *' advance sheets " of the
next novel, which was the present one of " Bleak
House." The messenger of the International had
made the very great blunder of going to Mr. Dickens's
publisher instead of to Mr. Dickens himself. The
publisher had told him that Mr. Dickens was busy
about private theatricals, which would probably
absorb his attention for an indefinite period, and that
no new novel was in contemplation. In fact, it is not
improbable that, on account of the bargain with the
Harpers, " Bleak House " was written, or at least
published, before it otherwise would have been. It is
said that Mr. Dickens has received upwards of
100,000 dollars on the sale of his works in America.
Early in the new year Mr. Dickens paid a visit to
the Midland counties. Birmingham has always been
i8s3.J AMERICAN PUBLISHERS. 217
very partial to our great novelist, and he in turn has
been equally partial to Birmingham. One of his
earliest speeches was delivered here, and for services
rendered to the town a public presentation of a
diamond ring and a silver salver was made to him,
in the rooms of the Society of Artists there, on
January 6, 1853. A banquet was subsequently given
to him, and Mr. Dickens made three speeches on the
occasion.
In May of this year Dickens was the guest of the
Lord Mayor. His lordship had invited a number of
literary celebrities to dine with him, including Mrs.
Beecher Stowe and her husband, and Dickens was
called upon to respond to Mr. Justice Talfourd's
toast, "Anglo-Saxon Literature."
Mrs. Stowe, in her " Sunny Memories of Foreign
Lands," alludes to the occasion, and to the author of
" Bleak House," remarking : — " Directly opposite me
was Mr. Dickens, whom I now beheld for the first
time, and was surprised to see looking so young.
Mr. Justice Talfourd made allusion to the author of
* Uncle Tom's Cabin ' and Mr. Dickens, speaking of
both as having employed fiction as a means of
awakening the attention of the respective countries to
the condition of the oppressed and suffering classes.
We rose from table between eleven and twelve
o'clock — that is, we ladies — and went into the draw-
ing-room, where I was presented to Mrs. Dickens and
several other ladies. Mrs. Dickens is a good specimen
of a truly English woman ; tall, large, and well-
2i8 LIFE OF CHARLES DICKENS. [1853.
developed, with fine, healthy colour, and an air of
frankness, cheerfulness, and reliability. A friend
whispered to me that she was as observing and fond
of humour as hen husband. After a while, the gentle-
men came back to the drawing-room, and I had a
few moments of very pleasant friendly conversation
with Mr. Dickens. They are both people that one
could not know a little of without desiring to know
more."
In her Adieus she said — '' I have omitted, however,
that I went with Lady Hatherton to call on Mr. and
Mrs. Dickens, and was sorry to find him too unwell
to be able to see me. Mrs. Dickens, who was busy
in attending him, also excused herself, and we saw
her sister."
We now come to an important event in Mr.
Dickens's career — his first public " reading." Various
towns claim the honour of being the first to invite
the great novelist to read to its inhabitants ; but
we believe Peterborough was the real scene of his
first appearance in the capacity of a public reader.
Reading aloud, however, to the circle of his household,
and at those Hampstead dinners, had often been a
source of gratification to his friends. The first allusion
to reading his works in public was made at Birming-
ham, 6th January, 1853, when he returned thanks
for a present that had been made to him. He then
promised to come next December to give two
or three readings, from his own books, on behalf
of the Midland Institute ; suggesting that the
i853-] THE FIRST READING. 219
novelty of such a proceeding might produce some-
thing towards the funds of that admirable institu-
tion. A daily journal* with which Mr. Dickens was
formerly connected has, however, recently asserted
that it was at Chatham that our author made his
first public appearance ; but we believe that in the
quiet little city of Peterborough, some few months
before the time for the Birmingham reading had
arrived, Mr. Dickens essayed his first public reading,
he himself going down a day or two before to
superintend the stage, and those *' effects " which,
however small, he never neglected.
Whether Birmingham, Peterborough, or Chatham-
can claim the honour, there can be no question about
the result of Mr. Dickens's efforts in this new line.
It was an undoubted success, and was soon repeated
for other charitable institutions in various parts of
England. At Birmingham over ^300 were collected.
Mr. Dickens used to tell some amusing stories
of his " reading " experiences in the provinces. At
one town in the north, a door-keeper's opinion was
invited by a gentleman who was entering the room
to hear the second " reading " of the course.
" Very fair, sir," was the reply ; " very fair ; he does
not read amiss ; but his attitudes are poor, sir. I
think nothing of his attitudes."
It is tolerably Avell known that our author never
experienced those bashful sensations which most
* The Daily NezvSy nth June, 1870.
220 LIFE OF CHARLES DICKENS. I.1853.
persons experience when they come before the pubhc
for the first time. The reader's own recollections of
rising to respond to toasts, even in a private circle, will
suggest the feeling which Mr. Dickens never knew.
Mr. George Hodder says : — " I once asked Mr.
Dickens if he ever felt nervous in public.
" '■ Not in the least,' was the answer. * The first
time I took the chair, I felt as much confidence
as if I had done the thing a hundred times.'
*' At a dinner to his eldest son, who was going out
to China, the young man became warmed with the
wine ; and Dickens, in returning thanks when his own
health was drunk, said that after so good a dinner * a
little transaction in tea would do his son a world of
good.'"
It was always this happy readiness at response,
this being able to reply on the moment, that made
him, as he certainly was, the best after-dinner speaker
in England. There is an exquisite delicacy in his
treatment of an ordinary subject, and in the selection
of words, which, if possessed by any other speaker in
this country — Mr. Bright, perhaps, excepted — is
certainly not shown in any recent efforts of their
oratory. As has been remarked, some of his speeches
are equal to the finest pages of his printed works.
CHAPTER XXL
"HARD TIMES." — "SEVEN POOR TRAVELLERS." —
*' HOLLY TREE INN."
[N August, 1854, Mr. Dickens published his
" Hard Times," which had previously ap-
peared in the weekly pages of Household
Words. It Avas ^^ Inscribed to TJiomas Carlyle!' for
whom Mr. Dickens ever felt the warmest admi-
ration. This work is treated differently to any
of his other books, and hardly sustains his repu-
tation, being the least read and admired of his nu-
merous fictions. The plot is meagre and aimless.
The personages are too often exaggerated and over-
drawn ; the design, apparently, being to place facts,
figures, science, and political economy in anything
but a favourable or correct light. The education
received by the Gradgrinds is preposterous. Mr.
Charles Knight, in his " Passages of a Working
Life," said : '' Before I published, in 1854, my volume of
* Knowledge is Power,' I sent a copy to my eminent
friend (Mr. Charles Dickens), with somewhat of
apprehension, for he was then publishing his * Hard
Times.' I said that I was afraid that he would set
me down as a cold-hearted political economist. His
reply, of the 30th of January, 1854, was very charac-
22a LIFE OF CHARLES DICKENS. [1854.
terlstic ; and I venture to extract it, as it may not
only correct some erroneous notions as to his opinions
on such subjects, but proclaim a great truth, which
has perhaps not been sufficiently attended to by some
of the dreary and dogmatic professors of what has
been called the dismal science : — ' My satire is against
those who see figures and averages, and nothing else —
the representatives of the wickedest and most
enormous vice of this time — the men who, through
long years to come, will do more to damage the
really useful truths of political economy than I
could do (if I tried) in my whole life — the addled
heads who would take the average of cold in the
Crimea during twelve months as a reason for cloth-
ing a soldier in nankeen on a night when he would
be frozen to death in fur — and who would comfort
the labourer, in travelling twelve miles a day to
and from his work, by telling him that the average
distance of one inhabited place from another on the
whole area of England is not more than four miles.
Bah ! what have you to do with these ?' "
An amusing parody or skit on the tale by the late
Robert Brough appeared in "Our Miscellany," a work
the joint production of that lamented writer and
Mr. Edmund Yates. At the Strand Theatre, in the
August following, a version was placed on the stage,
and was well received, all the melancholy parts being
cut out, and all the humour heightened as much as
possible ; the denotLemcnt being somewhat different to
Mr. Dickens's ! The new Bill for closing the public-
I8S4-5S-] ''HARD TIMES." 223
houses creating great excitement and discussion at
the time, Mr. Gradgrind was made to exhibit strong
animosity and hostility to the proposed measure. It
may be mentioned that an adaptation was performed
at Astley's Theatre, with the title of " Under the
Earth ; or, the Sons of Toil," as recently as April and
May, 1867.
It was in this year, on the 13th of March, that
Dickens lost his dear friend Sir Thomas Noon Tal-
fourd — better known as Serjeant Talfourd, the friend
of Charles Lamb, and of many other eminent men
of letters in his day. That Dickens keenly felt the
loss, we know from various passages in the life of his
deceased friend. How beautiful is this description of
the dead man's virtues, — how delicately are his
graces dwelt upon : —
" The chief delight of his life was to give delight
to others. His nature was so exquisitely kind, that to
be kind was its highest happiness. Those who had
the privilege of seeing him in his own home, when
his public successes were greatest — so modest, so
contented with little things, so interested in humble
persons and humble efforts, so surrounded by children
and young people, so adored in remembrance of a
domestic generosity and greatness of heart too sacred
to be unveiled here, can never forget the pleasure of
that sight."
"The Seven Poor Travellers " formed the title of the
Christmas number for 1854. It was one of the most
popular of the series of Christmas stories. The idea
234 LIFE OF CHARLES DICKENS. [1855
was that Dickens had stayed one Christmas Eve at
the Poor Travellers' House at Rochester (founded by
good old Richard Watts*), in company with six
* The house appointed for the reception of the poor tra-
vellers, is situated on the north side of the High Street, adjoin-
ing to the custom-house, and is probably the original building.
A very considerable sum was expended by the mayor and
citizens on its repair in 1771. Agreeably to the benevolent
design of the donor, poor travellers have lodging and four-pence
each ; and that this charity may be more generally known, the
following inscription is fixed over the door : —
« RICHARD WATTS, ESQ.,
BY HIS WILL DATED 2 2 AuG., 1 5/9,
FOUNDED THIS CHARITY,
FOR SIX POOR TRAVELLERS,
WHO NOT BEING RoGUES, OR ProCTORS,
may receive gratis, for one night,
Lodging, Entertainment,
and four-pence each.
In testimony of his Munificence,
in honour of his Memory,
AND inducement TO HIS ExAMPLE,
NATH^- HOOD, Esq., the present Mayor,
HAS CAUSED THIS STONE,
GRATEFULLY TO BE RENEWED
AND INSCRIBED,
A. D. 1771."
The History of Rochester, 1772.
By direction of the Court of Chancery, the large income
derived from the property bequeathed for the support of tht
house (being now ^3,500 per annum), was, in pursuance of a
scheme settled in 1855, applied in building of almshouses for
1 855-] THE THACKERAY DINNER. 225
poor travellers, and entertained them with roast beef,
turkey, and punch from the neighbouring inn, when
each in turn told a story. His own, the history of
Richard Doubledick, is one of the most impressive
and beautiful stories ever written.
On January 15th following, he presided, at the
London Tavern, at the Annual Dinner of the Com-
mercial Travellers' School at Wanstead. This was
the occasion when he made a most amusing and
sprightly speech upon " Commercials." On 27th
June, in the same year, he delivered a telling speech
upon " Reform " at Drury Lane Theatre.
It was during this year, in July, that the much-
talked-of private theatricals at Campden House
were set on foot by Dickens, for the benefit of the
Brompton Consumption Hospital. The piece per-
formed was the " Lighthouse," a thrilling melo-
drama, written by Mr. Wilkie Collins. Dickens took
the part of Aaron Gurnock, the old lighthouse-
keeper, to perfection ; Miss Dickens representing
Phoebe ; Mr. Egg, a rough sailor ; and Mr. Mark
Lemon, Jacob Bell.
In October, 1855 — prior to his departure to
America — a dinner was given to Mr. Thackeray at
the London Tavern, of which one who was present
gave the following account : — ** The Thackeray dinner
was a triumph. Covers, we are assured, v/ere laid for
ten men and ten women. The result has been the erection of
a splendid edifice, in the Elizabethan style, with two magnificent
gateways.
P
226 LIFE OF CHARLES DICKENS. [1855.
sixty ; and sixty and no more sat down precisely at
the minute named to do honour to the great novehst.
Sixty very hearty shakes of the hand did Thackeray
receive from sixty friends on that occasion ; and
hearty cheers from sixty vociferous and friendly
tongues followed the chairman's (Mr. Charles
Dickens's) proposal of his health, and of wishes for
his speedy and successful return among us. Dickens
was never happier. He spoke as if he was fully
conscious that it was a great occasion, and that the
absence of even one reporter was a matter of con-
gratulation, affording ampler room to unbend. The
table was in the shape of a horse-shoe, having two
vice-chairmen : and this circumstance was wrought
up and played with by Dickens in the true Sam
Weller and Charles Dickens manner. Thackeray,
who is far from what is called a good speaker, outdid
himself. There was his usual hesitation ; but this
hesitation becomes his manner of speaking and his
matter, and is never unpleasant to his hearers, though
it is, we are assured, most irksome to himself This
speech was full of pathos, and humour, and oddity,
with bits of prepared parts imperfectly recollected,
but most happily made good by the felicities of the
passing moment. Like the ' Last Minstrel/ —
' Each blank in faithless memory void.
The poet's glowing thought supplied.'
It was a speech to remember for its earnestness of
purpose and its undoubted originality. Then the
i85S-] JOHNSON'S GOD-DAUGHTER. 227
chairman quitted, and many near and at a distance
quitted with him. Thackeray was on the move with
the chairman, when, inspired by the moment, Jerrold
took the chair, and Thackeray remained. Who is to
chronicle what now passed ? — what passages of wit —
what neat and pleasant sarcastic speeches in pro-
posing healths — what varied and pleasant, aye, and
at times, sarcastic acknowledgments .'' Up to the
time when Dickens left, a good reporter might have
given all, and with ease, to future ages ; but there
could be no reporting what followed. There were
words too nimble and too full of flame for a dozen
Gurneys, all ears, to catch and preserve. Few will
forget that night. There was an ' air of wit ' about
the room for three days after. Enough to make the
two next companies, though downright fools, right
witty."
The ensuing month an appeal was made on
behalf of Johnson's god-daughter, signed by nineteen
eminent literary men, including Dickens, Hallam,
Disraeli, Carlyle, Thackeray, Milman, and Macaulay.
A large sum of money was raised, but the recipient
did not live many years to enjoy the annuity
secured for her, and this quaint advertisement
appeared in the Times of the i8th of January,
i860:—
"On the 15th inst., at No. 5, Minerva Place, Hatcham,
S.E., Ann Elizabeth, eldest daughter of the late Mauritius
Lowe, Esq., of the Royal Academy, Gold Medallist, and god-
daughter of the late Samuel Johnson, LL.D., aged 82."
P 2
228 LIFE OF CHARLES DICKENS. [1855.
** The late Samuel Johiiso7i, LL.D.," sounds strange
in these days !
Another appeal to aid in a philanthropic cause
was made to our author in the Christmas week, and
again he expressed his readiness to assist.
He read his " Christmas Carol " to an immense
audience at the Mechanics' Institute, Sheffield, in aid
of its funds, and we are told in the papers of the
time that at the termination the Mayor presented
him with a very handsome table service of cutlery,
including, we are further told, with a circumstantiality
which is amusing — "a pair of lish-carvers, and a
couple of razors," in the name of the inhabitants, for
his generous help and assistance. In thanking him,
Dickens said that in an earnest desire to leave
imaginative and popular literature something more
closely associated than he found it at once with the
private homes and the public rights of the English
people, "he should be faithful to death."*
This Christmas the celebrated number, entitled
*' The Holly Tree Inn," came out. The best story
in it — of course by Dickens — was " The Boots," a
charming sketch, the writing delightfully fresh and
vivid. It recorded the droll adventures of a young
* Dickens, in a letter to Charles Knight, in 1844, alluding
to the appearance of "Knight's Weekly Volumes," wrote him: —
" If I can ever be of the feeblest use in advancing a pro-
ject so intimately connected with an end on which my heart is
set — the liberal education of the people — I shall be sincerely
glad. All good wishes and success attend you."
1855-5^-] ''HOLLY TREE INN.' 329
gentleman of the tender age of eight, running off
with his sweetheart, aged seven, to Gretna Green.
Mr. Johnstone dramatized it for the Strand
Theatre, and, we may mention, it was the means of
introducing the now celebrated Miss Herbert to the
London boards. A much better version was pro-
duced at the Adelphi, Mr. Benjamin Webster play-
ing, with all those peculiar and delicate touches of
nature he is capable of, the role of Cobbs, " the
Boots."
•^^€^e^Si£g^9^^
CHAPTER XXII.
LITTLE DORRIT. — TAVISTOCK HOUSE
THEATRICALS.
HE leading events in our author's career from
the time we now begin to approach will be
^^ fresh in the memories of most readers. In
the Christmas week of this year the first number of
" Little Dorrit " appeared, and on its completion,
twenty months later, was issued by Messrs. Bradbury
and Evans, with illustrations by " Phiz," and dedicated
to Clarkson Stanfield, R.A., the eminent landscape
painter. This work was written with the express
intention of showing the procrastination and formal
routine of the Government administration of busi-
ness, happily designated as " The Circumlocution
Office," and the Tite Barnacle's family, who impede
the machinery by their inefficiency and supercilious
know-nothing propensities.
Soon after it was published, Lord Lytton unwit-
tingly furnished a specimen of the mode in which the
despatch of public business is conducted. Receiving
an important deputation at the Colonial Office (when
he was Minister), it appeared that, though a memorial
had been sent in, and due notice given, he had heard
i355-S5.] ''LITTLE DORR IT," 231
nothing of the matter till five minutes before, if
indeed he had heard of it at all ; in explanation of
which he somewhat naively remarked that in such
offices " papers of importance passed through several
departments, and required time for inspection — first
they were sent to the Emigration Board, then to
another office, and then to the Secretary of State,
v/ho might refer it to some other department." One
cannot fail to observe the extreme vagueness of the
final resting-place of the unfortunate document.
" Some other department." What other department }
This is what Mr. Clennam and his mechanical partner
were always "wanting to know."
The work met with an immense sale in the serial
form, but it is not now so popular as some of the
other works of Mr. Dickens. The story was drama-
tized, and well represented at the Strand Theatre.
We come now to note Dickens's change of resi-
dence from Tavistock House, Tavistock Square, to
Gad's Hill Place, Kent, or, as the great man himself
always wrote it, with that amplitude and unmlstake-
able clearness which made him write, not only the day
of the month, but the day of the week, in full at the
head of his letters — Gad's Hill Place, HigJiam by
Rochester, Kent. How he came to live here is plea-
santly told by a friend.*
"Though not born at Rochester, Mr. Dickens
spent some portion of his boyhood there ; and was
wont to tell how his father, the late Mr. John
* Dailj News, 15 June, 1870.
232 LIFE OF CHARLES DICKENS. [1855-56.
Dickens, in the course of a country ramble, pointed
out to him as a child the house at Gad's Hill Place,
saying, ' There, my boy ; if you work and mind your
book, you will, perhaps, one day live in a house like
that.' This speech sunk deep, and in after years, and
in the course of his many long pedestrian rambles
through the lanes and roads of the pleasant Kentish
country, Mr. Dickens came to regard this Gad's Hill
House lovingly, and to wish himself its possessor.
This seemed an impossibility. The property was so
held that there was no likelihood of its ever coming
into the market ; and so Gad's Hill came to be
alluded to jocularly, as representing a fancy which
was pleasant enough in dreamland, but would never
be realized.
" Meanwhile the years rolled on, and Gad's Hill
became almost forgotten. Then a further lapse of
time, and Mr. Dickens felt a strong wish to settle in
the country, and determined to let Tavistock House.
About this time, and by the strangest coincidences,
his intimate friend and close ally, Mr. W. H. Wills,
chanced to sit next to a lady at a London dinner-
party, who remarked, in the course of conversation,
that a house and grounds had come into her posses-
sion of which she wanted to dispose. The reader
will guess the rest. The house was in Kent, was not
far from Rochester, had this and that distinguishing
feature which made it like Gad's Hill and like no
other place ; and the upshot of Mr. Wills's dinner-
table chit-chat with a lady whom he had never met
1856.] ''TRAVELLING abroad:' 233
before was, that Charles Dickens realized the dream
of his youth, and became the possessor of Gad's
Hill." The purchase was made in the Spring of
1856.
In the " Uncommercial Traveller," under the head
of "Travelling Abroad," No. VII., Dickens makes
this mention of it : —
So smooth was the old high-road, and so fresh were the
horses, and so fast went I, that it was midway between
Gravesend and Rochester, and the widening river was bearing
the shilps, white-sailed, or black-smoked, out to sea, when I
noticed by the wayside a very queer small boy.
** Halloa ! " said I to the very queer small boy, " where do
you live ? "
" At Chatham," says he.
" What do you do there ? " says I.
" I go to school," says he.
I took him up in a moment, and we went on.
Presently, the very queer small boy says, ** This is Gad's Hill
we are coming to, where FalstafF went out to rob those
travellers, and ran away."
" You know something about Falstaff, eh ? " said I.
"All about him," said the very queer small boy.
** I am old (I am nine) and I read all sorts of books. But do
let us stop at the top of the hill and look at the house there, if
you please ! "
" You admire that house ? " said I.
" Bless you, sir ! " said the very queer small boy, " when I
was not more than half as old as nine, it used to be a treat for
me to be brought to look at it. And now I am nine, I come
by myself to look at it. And ever since I can recollect, my
father, seeing me so fond of it, has often said to me, *]f you
234 LIFE OF CHARLES DICKENS. [1856.
were to be very persevering and were to work hard, you might
some day come to live in it/ Though that 's impossible ! " said
the very queer small boy, drawing a low breath, and now star-
ing at the house out of window with all his might.
I was rather amazed to be told this by the very queer small
boy, for that house happens to be my house, and I have reason
to believe that what he said was true.
Of " Gad's Hill's haunted greenness," a modern
poet well says : —
" There is a subtle spirit in its air ;
The very soul of humour homes it there 5
So is it now : of old so has it been ;
Shakspeare from off it caught the rarest scene
That ever shook with laughs the sides of Care ;
Falstaff's fine instinct for a Prince grew where
That hill — what years since ! — show'd its Kentish green.
Fit home for England's world-loved Dickens."
Before Dickens left Tavistock House, where he
had resided for many years, and v/here " Bleak
House " and " Little Dorrit " were written, he gave
some dramatic performances which elicited the
warmest praise from those who had the good
fortune to be present. A large room had been fitted
up with stage, scenery, and footlights, and his friend
Wilkie Collins had written an entirely new drama of
the most romantic character for the occasion. The
title was " The Frozen Deep," and the rigours of the
Arctic regions were scenically portrayed by Clarkson
Stanfield, RA., and Mr. Danson. The following rough
outline will give some idea of the piece as then per-
formed. First, there was a beautiful scene in Kent,
i8s6.] TAVISTOCK HOUSE THEATRICALS. 23s
painted by Mr. Telbin, in which the members of the
family of Captain Ebsworth and Lieutenants Crayford
and Steventon, who are on board certain vessels en-
gaged in an expedition at the North Pole, are assem-
bled, and disclose the sufferings and the suspense by
which they are agonized during the absence of their
relatives. These consist of five young ladies — Mrs.
Steventon (Miss Helen), Rose Ebsworth (Miss
Kate), Lucy Orayford (Miss Hogarth), Clara Burn-
ham (Miss Mary), and the Nurse Esther (Mrs Wills),
with their Maid (Miss Martha). Clara Burnham has
two lovers — one Richard Wardour, performed by Mr.
Charles Dickens himself, and the other Frank Alders-
ley (Mr. Wilkie Collins), to whom she is engaged. The
former has vowed a terrible vengeance against his
rival. And now that they are both on the Polar Seas
together, Clara's fears are awakened, and haunt her
imagination continually. To deepen the impression
still more. Nurse Esther pretends to second-sight,
and predicts the most fatal catastrophe.
Doubts are entertained of the character of Wardour
from his strange conduct. This arises from " the
pangs of despised love," with which his heart still
wrestles. As yet he knows not who his rival may be,
and does not suspect that he dwells in the same hut
with him. Lieutenant Crayford, a bluff, hearty sailor
(Mark Lemon), takes a strong interest in him, and
believes in his inherent goodness. But at length his
faith gives way ; for, in a well-managed conversation,
he penetrates the state of Wardour's soul, and forms
236 LIFE OF CHARLES DICKENS. [1856.
of his tendencies the most awful judgment. Soon
after Wardour makes the discovery that Aldersley is
his rival, and his resolution is formed to accomplish
the vengeance on which he had so long brooded. We
next find all the party, with the young ladies, on the
shore of Newfoundland. But Wardour and Aldersley
are for awhile missing, and Crayford is haunted with
a horrible suspicion that the latter has been made the
victim of the former. Wardour in rags, wild as a
maniac, rushes into the cave. He claims food and
drink, part of which he takes, and carefully preserves
the rest in a wallet. Crayford at last recognizes him
— endeavours to seize him — but the madman dashes
away, soon to return with poor exhausted Aldersley
in his arms. He had become the preserver of the
man whom he had seduced to the most desolate
spots on the Arctic snows for the purpose of destroy-
ing. He makes full reparation for his intended
crime ; and, ere his death, blesses the union of Clara
Burnham and Frank Aldersley. Dickens's persona-
tion of Wardour required the best acting of a well-
practised performer. His acting surprised all who
witnessed it. The character was a fervid, powerful,
and distinct individuality ; not unlike, in some
respects, Mr. B. Webster's tragic impersonations.
Mrs. Inchbald's farce of " Animal Magnetism " con-
cluded the evening's amusements, Mr. Dickens acting
the Doctor, and Mr. Mark Lemon Pedrillo.
On the Wednesday following, Buckstone's well-
known farce of " Uncle John " was performed,
\
i8s7-] TAVISTOCK HOUSE THEATRICALS. 237
Mr. Dickens acting the vigorous old gentleman of
seventy to perfection. Representations subsequently
took place at the Gallery of Illustration, and at the
Free Trade Hall, Manchester, for charitable purposes.
On the 27th October, 1864, it was publicly produced
at the Olympic Theatre, and met with a very
enthusiastic reception.
The death of Douglas Jerrold, in June, 1857, was
keenly felt by Dickens. The two friends had been on
the most intimate terms for many years, as the few
extracts we have already given from pleasant letters
will show. The funeral was at Norwood Cemetery.
The coffin was of plain oak, and on each side were
the initials, " D. J." The pall-bearers were Charles
Dickens, W. M. Thackeray, Charles Knight, Horace
Mayhew, Mark Lemon, Monckton Milnes (Lord
Houghton), and Mr. Bradbury. A great gathering
of artists and literary men surrounded the grave.
With his usual thoughtfulness and practical kind-
ness, he soon ascertained the position in which poor
Mrs. Jerrold, the widow, had been left. He found,
as he had really suspected — for few men of letters
were such good business men as Dickens — that a
helping hand would be necessary, and he then, in
conjunction with Mark Lemon, Albert Smith, Arthur
Smith, and other friends, formed a committee to
raise a fund, which was to be known as the " Jerrold
Fund."
" Dickens entered warmly into the matter," re-
marks one who knew him ; *' and on the day of
238 LIFE OF CHARLES DICKENS. [1857.
Jerrold's funeral, after dining with two or three
friends, of whom the informant was one, at the
Garrick Club, drew up the programme of a series of
entertainments, which was that same night taken
round to the editors of the various newspapers for
insertion." Arthur Smith was the honorary secre-
tary, and an entertainment, including the per-
formance of " The Frozen Deep," was given at the
Egyptian Hall, on 4th July, at which the Queen,
Prince Albert, and the Royal family were present.
Other performances took place elsewhere, and read-
ings were given by Thackeray and Dickens at St.
Martin's Hall, and a large sum of money was the
result.
The occasion for these charitable performances
excited considerable outcry and disapprobation in
literary circles, Jerrold being esteemed to be a pros-
perous man, as he received a very large salary as
editor of Lloyd's Weekly Nezvspaper. Dickens and
Arthur Smith at once communicated to the papers
the result of their labours, viz., the purchase of an
annuity for the widow and her unmarried daughter,
and added that they had considered their per-
sonal responsibility a sufficient refutation to any
untrue or preposterous statements that had obtained
circulation as to property asserted to have been left
by Mr. Jerrold, and that unless they had thoroughly
known, and beyond all doubt assured themselves, that
their exertions were needed by the dearest objects of
Mr. Jerrold's love, those exertions would never have
iSS7-] TAVISTOCK HOUSE THEATRICALS. 239
been heard of. Lord Palmerston, it may be added,
granted to the widow an annual pension of y;" 100
out of the Civil List.
It was at the anniversary dinner of the Ware-
housemen and Clerks' Schools, held in November of
this year, that Dickens made his well-known speech
upon "Schools," when he told his hearers of all the
schools he did not like, and, after a long enumera-
tion of these, he described to them the one he did
like.
The Christmas number of Household Words was
entitled "Perils of certain English Prisoners," and
was founded on the Indian Mutiny. It was in three
chapters, " The Island of Silver Store," " The Prison
in the Woods," and " The Rafts on the River,"
supposed to be narrated by Gilbert Davis, private in
the Royal Marines. It is, as may be remembered,
full of the most exciting adventures.
I^IMI^^^^
<f^''^f&-Q 'st-Q'^ir^
CHAPTER XXIII.
WORKS TRANSLATED INTO FRENCH.— DICKENS
AND THACKERAY.
URING this year a complete and authorized
edition of Dickens's novels was published in
France, beginning with " Vie et Aventures
de Nicholas Nickleby." To this the author added
this introductory address to the French public : —
" For a long time I have wished to see a uniform and com-
plete translation of my works into French. Hitherto, less
fortunate in France than in Germany, I have not been made
known to French readers, who are not familiar with the English
language, except by isolated and partial translations, published
without my authority and control, and from which I have
derived no personal advantage. The present publication has
been proposed to me by MM. Hachette and Co., and by M,
Charles Lahure, in terms which do honour to their elevated,
liberal, and generous character. It has been executed with
great care ; and the numerous difficulties it presents have been
vanquished with uncommon abihty, intelligence and persever-
ance. I am proud of being thus presented to the French
people, whom I sincerely love and honour."
It must have been a great source of satisfaction to
him, to have known that not only in Western Europe
and America were his books, with their kindly teach-
ings and influences for good, widely read by the com-
1858.] WOJ?/irS TRANSLATED. 241
mon people, but that as far away as Russia there
existed a translation of Dickens's works, all of which
are very popular.
" Who among us " — exclaims a writer in Vedo-
viostCy one of the leading journals of St. Petersburgh,
— " does not know the genius — who has not read the
novels of Dickens 1 There was a time when the
Russian translators of foreign novels did almost no-
thing else than translate the charming productions of
Boz ! The journals and newspapers rivalled each
other In being the first to communicate his last work.
Every word he wTote was offered to the Russian
reading community in five or six different periodicals,
and as soon as the concluding part of each of his
novels appeared in England, a variety of St. Peters-
burgh and Moscow editions bore the fame of
Dickens over all the East of Europe. Every scrap
of Dickens " — exclaims the Northern critic with the
keen appetite of his climate — " has been devoured.
With the sole exception of Walter Scott, none
among the English novelists has enjoyed such an
enormous and prolonged success as Dickens."
And since his death long obituary notices of him
have been given in the Italian papers. The Diritto
thinks that Sam Weller and the " modern Tartuffe,"
in "Martin Chuzzlewit/'will be immortal, like Perpetua
and Don Abbondio in Manzoni's " Promessi Sposi,"
which have become popular types of character. The
Nazione speak? of the deceased as the greatest of
modern English novelists. * He was," it adds, ** for
Q
242 LIFE OF CHARLES DICKENS. [1858.
five-and-tliirty years, at once the most esteemed
novelist and the greatest social reformer of his fel-
low-countrymen. There will be monuments to him
in marble and bronze, but his finest monument
will be the good he did for the poorer classes."
In March of this year Dickens visited Edinburgh
to read his *' Christmas Carol " to upwards of 2,000
members of the Philosophical Institute there. After
the reading was over, the Lord Provost presented
him with a splendid silver wassail bowl. Dickens,
in replying, said, "the first great public recognition and
encouragement I ever received was bestowed on me
by your generous and magnificent city. To come
to Edinburgh is to me like coming home."
And in a recent letter to the writer of an article
in All the Year Round — entitled " Dr. Johnson from
a Scottish Point of View" — Dickens said : " By all
means let me have the paper proposed ; but, in han-
dling JoJuisoUy be pleasant with the Scottish people,
because I love themy
A {^\N days after, on the 29th of March, Thackeray,
supported by Dickens and other literary men, pre-
sided at the Royal General Theatrical Fund Dinner
at the Freemasons' Tavern, and in proposing the
health of the chairman, Dickens took occasion to
bear his testimony to the goodness, the self-denial,
and the self-respect of the actors of England, and
passed a very flattering encomium upon the chair-
man's works : " It is not for me at this time, and in
this place," he said, *'to take on myself to flutter
1858.] DICKENS AND THACKERAY. 243
before you the well-thumbed pages of Mr. Thackeray's
books, and to tell you to observe how full they are
of wit and wisdom, how out-speaking, and how
devoid of fear or favour they are The
bright and airy pages of 'Vanity Fair.' . . . .
To this skilful showman, who has so often delighted
us, and who has charmed us again to-night, we have
now to wish God speed, and that he may continue
for many years to exercise his potent art. To him
fill a bumper toast, and fervently utter, God bless
him!"
Alas ! the " many years " were to be barely six !
In 1864 the speaker himself wrote some memorial
pages commemorative of his illustrious friend in the
deceased author's own Cornhill Magazine.
So much interest had been shown by the public in
Mr. Dickens's performance of his part of the " Jer-
rold Fund " programme, that he now determined to
give his readings professionally, and as an avowed
source of income. It was on the evening of Thurs-
day, the 29th of April, 1858, that he appeared in St.
Martin's Hall (now converted into the New Queen's
Theatre), for the first time, as a source of personal
profit to himself.
We may mention, that on the 25th of the following
month, one of the assistants in the Library at the
British Museum, M. Louis Augistin Prevost, a great
linguist, died. It was he who imparted instruction
in the French tongue to Dickens.
We come now to a painful matter, which occasioned
Q 2
244 ^^^^ OF CHARLES DICKENS. [1858.
a great talk at the time, and led Mr. Dickens's
warmest friends to marvel at the course he had
thought fit to pursue.
It appears that some domestic unhappiness in the
great novelist's family had occasioned the usual
gossip out of doors, and these " rumours and
slanders " — as he energetically termed the whisperings
that were so repugnant to him — led to his inserting
a manifesto on the front page of HouseJwld Words.^
All the newspapers and journals copied it, with
various comments, — in some cases exceedingly ran-
corous and spiteful, — and various long letters and
documents from friends on both sides appeared in
the public journals. The simple explanation was,
that a misunderstanding had arisen betwixt Mr. and
Mrs. Dickens, of a purely domestic character — so
domestic — almost trivial, indeed — that neither law
nor friendly arbitration could define or fix the
difficulty sufficiently clear to adjudicate upon it.
All we can say is, that it was a very great pity that
a purely family dispute should have been brought
before the public, and saying thus much, we trust
the reader will think we act wisely in dropping
any further mention of it.
That Mr. Dickens loved his home, and that his
domestic tastes were very strong, there is abundant
proof Hawthorne, in his "English Diary," has a
passage apropos of this : — " Mr. Dickens mentioned
how he preferred home enjoyments to all others, and
* June 1 2th.
1858.] DICKENS AND THACKERAY. 245
did not willingly go much into society. Mrs. Dickens,
too, the other day told us of his taking on himself all
possible trouble as regards their domestic affairs."
It is somewhat singular that on the very day when
Mr. Dickens's personal explanation appeared in
Household IVords, on that very day, I2th June, 1858,
a paper, also of a personal character, but concern-
ing our author's distinguished contemporary, Mr.
W. M. Thackeray, appeared in a little journal
called Town Talk; both articles eventually acquiring
a painful notoriety, and the latter occasioning an
unhappy difference between the two great men.
The article which occasioned so much pain to Mr.
Thackeray professed to give an account of the author
of " Vanity Fair " — his appearance, his career, and
his success. The article was coarse and offensive in
tone, but it was notorious that the periodical was
edited by a clever writer of the day, well known to
Mr. Thackeray as a brother member of a club to
which he belonged. As such, the subject of the
attack felt himself compelled to take notice of it.
This is a specimen of the article : —
'' His Appearance.
" Mr. Thackeray is forty-six years old, though
from the silvery whiteness of his hair he appears
somewhat older. He is very tall, standing upwards
of six feet two inches. His face is bloodless, and
not particularly expressive, but remarkable for the
fracture of the bridge of the nose, the result of an
accident in youth. His bearing is cold and unin-
245 LIFE OF CHARLES DICKENS. [1858.
viting, his style of conversation either openly cynical
or affectedly good-natured and benevolent ; his bo7i-
hojnmie is forced, his wit biting, his pride easily
touched.
" His Success.
" No one succeeds better than Mr. Thackeray in
cutting his coat according to his cloth
Our own opinion is, that his success is on the wane."
Two days later Mr. Thackeray addressed the
assumed writer of this article in a manly but indig-
nant letter.
Subsequently Mr. Thackeray, "rather (he said)
than have any further correspondence with the writer
of the character," determined to submit the letters
which had passed between them to the committee of
the club. The committee accordingly met, and de-
cided that the writer of the attack complained of was
bound to make an ample apology, or to retire from
the club. The latter contested the right of the com-
mittee to interfere. Suits at law and proceedings in
Chancery against the committee were threatened,
when Mr. Dickens, who was also a member of the
club, interfered, with the following letter : —
" Tavistock House, Tavistock Square, London, W.C.
"Wednesday, 24th November, 1858.
" My dear Thackeray, — Without a word of
prelude, I wish this note to revert to a subject on
which I said six words to you at the Athenaeum
when I last saw you.
i8s8.] DICKENS AND THACKERAY. 247
" Coming home from my country work, I find Mr.
Edwin James's opinion taken on this painful question
of the Garrick and Mr. Edmund Yates. I find it
strong on the illegality of the Garrick proceeding.
Not to complicate this note, or give it a formal
appearance, I forbear from copying the opinion ; but
I have asked to see it, and I have it, and I want to
make no secret from you of a word of it.
" I find Mr. Edwin James retained on the one
side ; I hear and read of the Attorney-General being
retained on the other. Let me, in this state of
things, ask you a plain question.
" Can any conference be held between me, as
representing Mr. Yates, and an appointed friend of
yours, as representing you, with the hope and pur-
pose of some quiet accommodation of this deplor-
able matter, which will satisfy the feelings of all
concerned "i
" It is right that, in putting this to you, I should
tell you that Mr. Yates, when you first wrote to him,
brought your letter to me. He had recently done
me a manly service I can never forget, in some
private distress of mine (generally within your know-
ledge), and he naturally thought of me as his friend
in an emergency. I told him that his article was
not to be defended ; but I confirmed him in his
opinion, that it was not reasonably possible for him
to set right what was amiss, on the receipt of a
letter couched in the very strong terms you had
employed. When you appealed to the Garrick com-
248 LIFE OF CHARLES DICKENS. [1858.
mittee and they called their general meeting, I said
at that meeting that you and I had been on good
terms for many years, and that I was very sorry to
find myself opposed to you ; but that I was clear
that the committee had nothing on earth to do with
it, and that in the strength of my conviction I should
go against them.
" If this mediation that I have suggested can take
place, I shall be heartily glad to do my best in it —
and God knows in no hostile spirit towards any one,
least of all to you. If it cannot take place, the
thing is at least no worse than it was ; and you will
burn this letter, and I will burn your answer.
" Yours faithfully,
"Charles Dickens,
"W. M. Thackeray, Esq."
To this Mr. Thackeray replied : —
"36, Onslow Square, 26th November, 1858.
** Dear Dickens, — I grieve to gather from your
letter that you were Mr. Yates's adviser in the dis-
pute between me and him. His letter was the cause
of my appeal to the Garrick Club for protection from
insults against which I had no other remedy.
*' I placed my grievance before the committee of
the club as the only place where I have been accus-
tomed to meet Mr. Yates. They gave their opinion
of his conduct, and of the reparation which lay in his
power. Not satisfied with their sentence, Mr. Yates
called for a general meeting; and, the meeting
i8s8.] DICKENS AND THACKERAY. 249
which he had called having declared against him, he
declines the jurisdiction which he had asked for, and
says he will have recourse to lawyers.
"You say that Mr. Edwin James is strongly of
opinion that the conduct of the club is illegal. On
this point I can give no sort of judgment ; nor can I
conceive that the club will be frightened, by the
opinion of any lawyer, out of their own sense of the
justice and honour which ought to obtain among
gentlemen.
" Ever since I submitted my case to the club, I
have had, and can have, no part in the dispute. It
is for them to judge if any reconcilement is possible
with your friend. I subjoin the copy of a letter*
which I wrote to the committee, and refer you to
them for the issue.
"Yours, &c.,
" W. M. Thackeray.
"C. Dickens, Esq."
* The enclosure referred to was as follows : —
"Onslow Square, Nov. 28, 1858.
"Gendemen, — I have this day received a communication
from Mr. Charles Dickens, relative to the dispute which has
been so long pending, in which he says :—
" * Can any conference be held between me, as representing
Mr. Yates, and any appointed friend of yours, as representing
you, in the hope and purpose of some quiet accommodation of
this deplorable matter, which will satisfy the feelings of all
parties ? '
" I have written to Mr. Dickens to say, that since the com-
mencement of this business, I have placed myself entirely in
250 LIFE OF CHARLES DICKENS. [1858.
the hands of the committee of the Garrick, and am still, as
ever, prepared to abide by any decision at which they may
arrive on the subject. I conceive I cannot, if I would, make
the dispute once more personal, or remove it out of the court
to which I submitted it for arbitration.
" If you can devise any peaceful means for ending it, no one
will be better pleased than
*' Your obliged faithful servant,
" W. M. Thackeray.
**The Committee of the Garrick Club."
It would be in vain to attempt to conceal that this
painful affair left a coolness between Mr. Thackeray
and his brother novelist. Mr. Thackeray, smarting
under the elaborate and unjust attack, portions of
which were copied and widely circulated in other
journals, could not but regard the friend and adviser
of his critic as in some degree associated with it ; and
Mr. Dickens, on the other hand, naturally hurt at
finding his offer of arbitration rejected, gave the
letters to the original author of the trouble for pub-
lication, with the remark — " As the receiver of my
letter did not respect the confidence in which it
addressed him, there can be none left for you to
violate. I send you what I wrote to Mr. Thackeray,
and what he wrote to me, and you are at perfect
liberty to print the two." Thus, for awhile, ended
this painful affair. Readers of Disraeli's " Quarrels
of Authors " will miss in it those sterner features of
the dissensions between literary men as they were
conducted in the old times ; but none can contem-
plate this difference between the two great masters
1858.] DICKENS AND THACKERAY. 251
of fiction of our day with other than feelings of
regret for the causes which led to it.
It is pleasing, however, to learn that the difterences
between them were ended before Mr. Thackeray's
death. Singularly enough, this happy circumstance
occurred only a few days before the time when it
would have been too late. The two great authors
met by accident in the lobby of a club. They
suddenly turned and saw each other, and the un-
restrained impulse of both was to hold out the hand
of forgiveness and fellowship. With that hearty
grasp the difference which estranged them ceased
for ever. This must have been a great consolation
to Mr. Dickens, when he saw his great brother laid in
the earth at Kensal Green ; and no one who read
the beautiful and affecting article on Thackeray, from
the hand of Mr. Dickens, which appeared in the
Cornhill Magazine, can doubt that all trace of this
painful affair had then vanished.
<©<><^>>
CHAPTER XXIV.
ROYAL DRAMATIC COLLEGE. — "ALL THE YEAR
ROUND."
]E turn now to a more pleasant theme. On the
2 1st July, 1858, a public meeting was held at
the Princess's Theatre, for the purpose of
establishing the now famous Royal Dramatic College.
Mr. Charles Kean was the chairman, and Dickens
delivered one of his excellent speeches on a topic ever
dear to him — the theatrical profession. Charles Kean
was then conducting his Shakspearian revivals — those
splendid pageantries and archaeological displays which
we all remember at this theatre twelve years ago —
and Dickens, with his usual tact, turned the circum-
stance to account in his speech. The play then being
performed was the " Merchant of Venice," and, in
concluding, the speaker remarked, " I could not but
reflect, whilst Mr. Kean was speaking, that in an
hour or two from this time the spot upon which
we are now assembled will be transformed into the
scene of a crafty and a cruel bond. I knew that, a
few hours hence, the Grand Canal of Venice will flow,
with picturesque fidelity, on the very spot where I
now stand dryshod, and that the * quality of mercy '
1858.1 ROYAL DRAMATIC COLLEGE. 253
will be beautifully stated to the Venetian Council by
a learned young doctor from Padua; — on these very
boards on which we now enlarge upon the quality of
charity and sympathy. Knowing this, it came into
my mind to consider how different the real bond of
to-day from the ideal bond of to-night. Nozu, all
generosity, all forbearance, all forgetfulness of little
jealousies and unworthy divisions, all united action
for the general good. Theji, all selfishness, all
malignity, all cruelty, all revenge, and all evil, — iiozv
all good. Thc?t, a bond to be broken within the
compass of a few — three or four — swiftly passing
hours, — nozv, a bond to be valid and of good effect
generations hence."
The committee's labours were successful, and an
elegant building, in the Elizabethan style, at Maybury,
was the result. On June 1st, i860, the late Prince
Consort, in laying the foundation stone, spoke of the
Dramatic College as conferring " a benefit upon the
public as well as upon the stage, by aiding a profession
from which the community at large derived national
entertainment." Five years after, on 5th June, the
Prince of Wales inaugurated the Central Hall of the
College. The annual Fancy Fair at the Crystal
Palace, and the junketings thereat, it is needless to
say, are the means of adding a large accession to the
funds.
During the autumn months of this year, the
readings were continued in London, and at various
large towns in England and Ireland ; the novelist
?S4 LIFE OF CHARLES DICKENS. [1858.
receiving both applause and money to a greater
extent than ever.
It was in November, 1858, that he allowed his name
to be put in nomination for the high office of Lord
Rector of Glasgow University. His rivals were Lord
Lytton (who was chosen to the office), and Lord
Shaftesbury. The result of the poll was :
Lord Lytton. Lord Shaftesbury. Dickens.
216. 203. 68.
The cause of this large minority is now not remem-
bered, but it is more than probable that Dickens took
no special pains to secure votes in his own behalf.
During the following month he was entertained at
a public dinner by the citizens of Coventry, and
received from them a very handsome gold watch, as
a testimony of their gratitude for his reading, in aid
of the Coventry Institute, twelve months before.
The day previously he had presided at Manchester,
in aid of an Institute there.
Early in 1859 a dispute arose betwixt Mr. Dickens
and his publishers, originating mainly in the unfortu-
nate family disagreement to which we alluded on a
former page, — and in consequence of this the con-
ductor of Household Words resolved that the journal
should cease, and he would close business relations
with Messrs. Bradbury and Evans. Mr. Dickens
advertised that the discontinuance oi Household Words
would take place on March 28th. Messrs. Bradbury
and Evans filed a Bill in Chancery, and the matter
1859.] DISCONTINUANCE OF *' HOUSEHOLD WORDS." 255
was heard by the Master of the Rolls. Both parties
refusing to sell their Interest, the winding up of the
publication was directed. Dickens owned five-eighths,
and had command over another eighth. At the sale,
on 1 6th May, by Mr. Hodgson of Chancery Lane,
the property, after a spirited contest, was knocked
down to Dickens (represented by Mr. Arthur Smith),
for ^3,550. In the last number of Household Words,
introducing the forthcoming periodical, he wrote : —
*' He knew perfecdy well, knowing his own rights, and his
means of attaining them, that // cou/J not be but that this work
must stop, if he chose to stop it. He therefore announced,
many weeks ago, that it would be discontinued on the day on
which this final number bears date. The public have read a
great deal to the contrary, and will observe that it has not in
the least affected the result."
Messrs. Bradbury and Evans, to justify their pro-
ceedings, published a statement, affirming —
" That Household Words stopped against their will, and men-
tioned the appearance of Once a Week, — remarking, at the same
time, that their business relations with Dickens had commenced
in 1836; that, in 1844, they acquired an interest in all works
he might write, or in any periodical he might originate, during
a term of seven years, and that under this agreement they became
possessed of a joint though unequal share of Household Words,
which started in 1850; that on the publication of his mani-
festo as to his conjugal differences, they understood from a friend
that he had resolved to break off his connections with them, by
reason of its non-insertion in Punchy in which they had not
thought fit to do so, Punch being entirely a comic publication ;
that in the November he summoned a meeting of the proprie-
256 LIFE OF CHARLES DICKENS. [1859.
tors, and in consequence of the advertisement announcing the
cessation of the work, they had no alternative but to apply to
the Master of the Rolls for protection."
It was a most unfortunate affair, as Mr. C. Dickens,
junr., had married Mr. Evans's daughter, and thus
a family, as well as a business, disagreement came
about. Mr. Dickens's next step was to return to his
original publishers, Messrs. Chapman and Hall, who
now issue all his works.
All the Year Round was the title of Mr. Dickens's
new venture, taking its motto, like Household Words,
from Shakspeare, —
** The story of our lives from year to year."
In its first number was contained the commence-
ment of ''A Tale of Two Cities," subsequently pub-
lished by Messrs. Chapman and Hall, illustrated
by Mr. Hablot K. Browne (better known as " Phiz "),
and dedicated to Earl Russell.
In the preface, the author mentions that he first
thought of the story while acting with his children
and friends in Mr. Wilkie Collins's drama of " The
Frozen Deep." " As the idea became familiar to me,
it gradually shaped itself into its present form.
Throughout its execution, it has had complete pos-
session of me ; I have so far verified what is done and
suffered in these pages, as that I have certainly done
and suffered it all myself. .... It has been
one of my hopes to add something to the popular
and picturesque means of understanding that terrible
I859-] "ALL THE YEAR ROUND." 257
time, though no one can hope to add anything to
the philosophy of Mr. Carlyle'S wonderful book."
Dickens had the greatest respect for the works of
that eminent writer, and it would be difficult to say
which of the two distinguished authors, Tennyson or
Carlyle, he was most fond of quoting. Only a few
weeks before his death, Mr. Arthur Locker was dis-
cussing some literary topics with him : — " On this
occasion," that gentleman writes, " Mr. Dickens con-
versed with me chiefly about Mr. Carlyle's writings,
for whose ' French Revolution ' he expressed the
strongest admiration, as he has practically shown
in his ' Tale of Two Cities.' "
The story holds the reader perfectly spell-bound.
The power and awful grandeur exhibited in the
descriptive scenes of bloodshed and carnage, enacted
in the dreadful reign of Terror, are almost beyond
conception. It has, however, occasional passages
of humour — as, for instance, where Mr. Jeremiah
Cruncher determines not to let his wife say her
prayers, being of opinion that such a course of pro-
cedure, described by him as ''flopping," is injurious
to his business !
Tom Taylor dramatized the story for the Lyceum,
where it was produced the January following, but it
met with an indifferent reception, although the prin-
cipal character was undertaken by Madame Celeste.
During October, Dickens gave readings at the
Town Hall, Oxford, and attracted large audiences.
On one occasion the Prince of Wales, then entering
R
258 IJFE OF CHARLES DICKENS. (1859.
on his career as an Oxonian, was present, and ex-
pressed considerable satisfaction at the pleasure he
had experienced in hearing him read.
The reader may remember that, on an earlier page,
we gave an account of the handsome present which
Mr. Dickens once received from his many Birming-
ham friends — more especially his artist friends there.
On that occasion an address was presented to him,
expressing the great admiration all Birmingham
people felt for his genius. Mr. W. P. Frith, in his
portrait of Dickens, exhibited at the Royal Academy
in 1858, made the address form a portion of the
picture ; but a Mr. Walker, an artist of Birmingham,
could scarcely believe that the great novelist had
troubled himself to remember the address, so he
wrote to know the truth of the matter, when Mr.
Dickens immediately replied : — " I have great plea-
sure in assuring you that the framed address in Mr.
Frith's portrait is the address presented to me by my
Birmingham friends, and to which you refer. It has
stood at my elbow, in that one place, ever since I
received it, and, please God, it will remain at my side
as long as I live and work." *
It was the Christmas number for this year, " The
Haunted House," which at the time provoked so much
discussion on the subject of ghosts and supernatural
visitors. The idea of the number may have been
suggested by the appearance of a work, published a
* Tuesday, July 20th, 1859.
1859] *'ALL THE YEAR ROUND." 259
few months previously, entitled " A Night in a
Haunted House : a Tale of Facts. By the Author
of ' Kazan/ and dedicated to Charles Dickens."
Howitt took the matter up warmly, and Dickens, in
a letter to Howitt, said that he had always taken
great interest in these matters, but required evidence
such as he had not yet met with ; and that when he
thinks of the amount of misery and injustice that con-
stantly obtains in this world, which a word from the
departed dead person in question could set right,* he
would not believe — could not believe — in the War
Office ghost without overwhelming evidence.
Howitt sent a letter to one of the weekly papers,
stating that " Mr. Dickens wrote me some time ago,
to request that I would point out to him some house
said to be haunted. I named to him two — that at
Cheshunt, formerly inhabited by the Chapmans, and
one at Wellington, near Newcastle. Never SQQrx
former, but had the latter." Dickens went to Ches-
hunt, and visited the house, and communicated to
Howitt that the house in which the Chapmans lived
has been greatly enlarged, and commands a high
rent, and is no more disturbed than this house of
mine."
If any one of a nervous and superstitious tem-
perament will read all the seven ghost stories con-
tained in "The Haunted House," at a late hour,
* ** Oh, that it were possible, for one short hour, to see
The souls we loved, that they might tell us
What and where they be!" — Tcf^nyson,
R 2
26o LIFE OF CHARLES DICKENS. [i860.
alone, and In a dull and gloomy room, a very quiet and
comfortable night's rest may be safely calculated on !
About this time the Americans tried very hard
to persuade Dickens to visit them and give his
readings, and many of their newspapers were
jubilant at the idea, and reported that his services
had been secured. To dissipate all doubts, he wrote
to Lieutenant-Colonel Foster, of Boston, U.S.A. : —
" I beg to assure you, in reply to your obliging
letter, that you are misinformed, and that I have no
intention of visiting America in the ensuing autumn."*
In the numbers for the 4th and i ith August, i860,
oi All the Year Roimd, the two portions of "Hunted
Down " appeared. It was supposed to be a reminis-
cence supplied by a Mr. Sampson, chief manager of
a life assurance office, relating the history of an
assurance effected on the life of Mr. Alfred Beckwith
by Mr. Julius Slinkton, whom he (Slinkton) attempts
to poison to get the money ; but, foiled in his object,
destroys himself. The story was of a most melo-
dramatic and sensational character. Before it
appeared In this country, it had a six months' run in
the New York Ledger^ and the American publisher
paid ;^i,ooo for the privilege. Dickens was loth to
undertake Its composition, but finally his objections
were overcome. " I thought," he wrote to the Ameri-
can publisher, " that I could not be tempted at this
time to engage in any undertaking, however short,
■* Wednesday night, ytli September, 1859.
i86o.] '*ALL THE YEAR ROUND." 261
but the literary project which will come into active
existence next month. But your proposal is so hand-
some that it changes my resolution, and I cannot
refuse it I will endeavour to be at work
upon the tale while this note is on its way to you
across the water." The " project " referred to here
as coming into active existence next month was " A
Tale of Two Cities."
CHAPTER XXV.
*'THE UNCOMMERCIAL TRAVELLER."
T was at the end of this year that a series
of quaint and descriptive papers, which had
appeared in All the Year Roimdy was pub-
lished by Messrs. Chapman and Hall, under the
title of " The Uncommercial Traveller." They were
originally seventeen in number, but in a subsequent
edition they were increased to twenty-eight papers,
bearing such titles as " City Churches," " Sly Neigh-
bourhoods," " Night Walks," " Chambers," " Birth-
days," " Funerals," " Tramps." We need scarcely
remark that they are all admirably written, and
abound in delicate touches. In "Nurse's Stories,"
Mr. Dickens says, — " Brobingnag (which has the
curious fate of being usually mis-spelt when writ-
ten)." Here the illustrious author actually falls into
the very error he is speaking of. The proper
spelling of the word is BrobY^bignag.
It was in the autumn of this year that Mr. Dickens
finally removed from Tavistock House to Gad's Hill,
a place which he had purchased four years before.
Some arrangement, we believe, in connection with
the lease of the London house prevented his remov-
THE HOME OF CHARLES DICKENS,
i860— 1870.
GAD'S HILL PLACE, near Rochester.
Mr. Dickens's last residence. Here "Great E.xpectations," "Our Mutual Friend,"
"The Uncommercial Traveller," and portions of " Edwin Drood," were written. As
is well known, he died here, 9th June, 1870.
THE SWISS CHALET
Presented to Dickens by his English friends in Switzerland. It forms a summer-
house in the grounds at Gad's Hill.
i860.] ''THE UNCOMMERCIAL TRAVELLER." 263
ing earlier. Tavistock House thenceforward became
the residence of Mr. Phineas Davis, a gentleman well
known in aristocratic circles. The house next to
Tavistock House was occupied by the late Mr. Frank
Stone, the eminent artist, and for a long time Mr.
Dickens's neighbour.
The Christmas number for i860 was "A Message
from the Sea." It was here that we became
acquainted with Captain Jorgan, the American
captain, and his faithful steward, Tom Pettifer. The
Captain's task satisfactorily terminated, he shakes
hands with the entire population of the fishing
village, inviting the whole, without exception, to
come and stay with him for several months at Salem,
U.S.
" The Seafaring Man," narrating the shipwreck,
and the island on fire, in intensity and vividness of
description, are wonderful pieces of writing.
The manager of the Britannia Theatre, Hoxton,
having announced for representation a dramatic
adaptation of the tale, Dickens, in a letter to the
Times, gave his reasons for interfering with its pro-
duction. Subsequently, Mr. Charles Reade tried the
question in his action against Mr. Conquest for repre-
senting " Never too Late to Mend," and was unsuc-
cessful.
It was towards the close of this year that " Great
Expectations," which had been published in All the
Year Round, came out in the (for Mr. Dickens) some-
what unusual form — the old lending-library form — of
264 LIFE OF CHARLES DICKENS. [i860.
three volumes, and was published by Messrs. Chap-
man and Hall, illustrated by Marcus Stone, and
inscribed to Mr. C. H. Townshend. It is a novel of
the most peculiar and fantastic construction, the plot
of an extraordinary description, and the characters
often grotesque, and sometimes impossible. Here
we meet with Abel Magwitch, the convict, a power-
fully drawn character ; with Pip, a selfish, and often-
times a pitiful fellow, but good in the end, when his
expectations have entirely faded ; with Joe Gargery,
the blacksmith, the finest character of all — kind,
patient, and true to Pip, from his infancy to man-
hood, shielding him in all his shortcomings when a
child, and liberally spooning gravy into his plate when
he gets talked at by Pumblechook at dinner ; with
Miss Havisham, the broken-hearted woman, existing
with the one idea of training her adopted child ; with
Estella, a beautiful conception (Pip's love for her, and
his grief when he finds her married to Bentley
Drummle, the man without a heart to break, are
masterpieces of description) ; with Pumblechook, that
frightful impostor. Perhaps the most entertaining
portions are those connected v/ith Wemmick, the
lawyer's clerk, his " Castle " at Walworth, and his
peculiar ideas of portable property, his post-office
mouth, and Mr. Jaggers, the criminal lawyer of Little
Britain, his employer.
We may here mention that " Satis House," the
residence of Miss Havisham, lies a little to the west
of Boley Hill, near Rochester, and derived its pecu-
i860.] " THE UNCOMMERCIAL 7RA VELLER." 265
liar name from the fact of Richard Watts (founder
of the Poor Travellers' House previously referred
to) entertaining Queen Elizabeth in it — when on her
journey round the coasts of Sussex and Kent — in
1573. Here she stayed some days, and on her
leaving, Watts apologized for the smallness of the
house for so great a Queen ; she merely replied
" Satis,'' signifying she was well content with her
accommodation.
^'^Wfi
CHAPTER XXVI.
MR. DICKENS AND THE ELECTORS OF FINSBURY. —
" TOM tiddler's GROUND." — " SOMEBODY'S
LUGGAGE." — " MRS. LIRRIPER'S LODGINGS."
|N November of this year, some admirers in
Finsbury formed the idea that Mr. Dickens
would have no objections to represent that
borough in Parliament, and his name was brought
prominently forward as a candidate. He was then
at Newcastle-upon-Tyne, and on the 2 1st of No-
vember he wrote to the Daily News : — " Being
here for a day or two, I have observed, in your
paper of yesterday, an account of a meeting of
Finsbury electors, in which it was discussed whether
I should be invited to become a candidate for the
borough.* It may save some trouble if you will
kindly confirm a sensible gentleman, who doubted
at that meeting whether I was quite the sort of
man for Finsbuiy. I am not at all the sort of
man, for I believe nothing would induce me to offer
myself as a Parliamentary representative of that
place, or any other under the sun."
* Consequent on the death of Mr. Thomas S. Duncombe — the
"Tom Duncombe " o^ Finsbury — the late representative.
I
i86i.] " TOM TIDDLER'S GROUND." 267
In the early part of this winter he resumed his
readings in the provinces, and met with considerable
success, especially in Lancashire, where there was
great enthusiasm shown to see and hear the author
of " Pickwick," and latterly of " Hard Times," which
had found thousands of readers in the cotton districts.
The Christmas number for this year, " Tom
Tiddler's Ground," excited considerable curiosity,
and one of the stories became a subject of general
discussion — that of " Mr. Mopes," the hermit. " Pick-
ing up Soot and Cinders " gives the history and
description of the hermit, a dirty, lazy, slothful fellow,
dressed up in a blanket fastened by a skewer, and
revelling in soot and grease. There is one story in
the number, called " Picking up Terrible Company,"
of the most intense sensational character. It is told
by Frangois Thierry, a French convict, under the
head of " Picking up a Pocket-book."
The " hermit " was a living reality — a person of
property and education, who, to mortify his friends,
we believe, withdrew from the world, and lived in
rags and filth. Soon after a letter, signed " A
County Down Lady," was inserted in the Down-
Patrick Recorder, in which the writer related the
particulars of a visit she had paid to " Mr. IMopes,"
the hermit, and concluded by saying : " Charles
Dickens offended him terribly. He pretended he
was a Highlander, and Mr. Lucas at once began to
question him about the country, and then spoke to
him in Gaelic, which he couldn't reply to. Mr. Lucas
268 LIFE OF CHARLES DICKENS [1862.
said to him, ' Sir, you are an impostor ; you are no
gentleman.' "
A copy of the newspaper was at once for-
warded to Mr. Dickens by a friend, who asked if
there was any truth in the statement. The reply
was : — " As you sent me the paper with that very
cool account of myself in it, perhaps you want to
know whether or not it is true. There is not a
syllable of truth in it. I have never seen the person
in question but once in my life, and then I was
accompanied by Lord Orford, Mr. Arthur Helps,
the clerk of the privy council, my eldest daughter,
and my sister-in-law, all of whom know perfectly
well that nothing of the sort passed. It is a sheer
invention of the wildest kind."* Lucas, the papers
reported, was terribly cut up by the inclement winter
of 1^66-^, and was hardly expected to get over it.
In March, 1862, Dickens commenced a new series
of readings at St. James's Hall, which proved a
very advantageous speculation. He officiated as
Chairman at the Annual Festival of the Dramatic
Equestrian and Musical Association, on the 5th of
the same month, at Willis's Rooms, and delivered an
eloquent address ; he fulfilled the same duty at the
annual dinner of the Artists' General Benevolent
Fund, at the Freemasons' Tavern, on the 29th of
this month, and the result was a large accession
to its treasury. Acting in the same capacity
* London, 27th March, 1862.
i862,] " TOM TIDDLERS GROUND." 269
at the Annual Festival of the Newsvendors' and
Provident Institution, at the last-named tavern, on
the 20th May following, in proposing the toast
of the evening, " Prosperity to the Newsvendors'
Benevolent Institution," * he delivered a very amusing
speech on " The Newsman's Calling." In the course
of his remarks he " started off with the newsman on
a fine May morning, to take a view of the wonder-
ful broad-sheets which every day he scatters broad-
cast over the country. Well, the first thing that
occurs to me, following the newsman, is, that every
day we are born, that every day we are married —
some of us — and that every day we are dead ; con-
sequently, the first thing the newsvendor's column
informs me is, that Atkins has been born, that
Catkins has been married, and that Datkins is dead.
But the most remarkable thing I immediately dis-
cover in the next column is, that Atkins has grown
to be seventeen years old, and that he has run away,
for at last my eye lights on the fact that William A.,
who is seventeen years old, is adjured immediately to
return to his disconsolate parents, and everything will
be arranged to the satisfaction of every one. I am
afraid he will never return, simply because, if he had
meant to come back, he would never have gone away.
Immediately below, I find a mysterious character in
such a mysterious difficulty, that it is only to be
expressed by several disjointed letters, by several
* He was elected President of the Institution in May, 1854.
270 LIFE OF CHARLES DICKENS. [1862
figures, and several stars ; and then I find the expla-
nation in the intimation that the writer has given
his property over to his uncle, and that the elephant
is on the wing I learn, to my intense
gratification, that I need never grow old, that I may
always preserve the juvenile bloom of my complexion ;
that if ever I turn ill it is entirely my own fault ;
that if I have any complaint, and want brown
cod-liver oil or Turkish baths, I am told where to get
them ; and that if I want an income oi £J z. week, I
may have it by sending half-a-crown in postage-
stamps. Then I look to the police intelligence, and
I can discover that I may bite off a human living nose
cheaply ; but if I take off the dead nose of a pig
or a calf from a shop-window, it will cost me ex-
ceedingly dear. I also find that if I allow myself to
be betrayed into the folly of killing an inoffensive
tradesman on his own doorstep, that little incident
will not affect the testimonials to my character, but
that I shall be described as a most amiable young
man, and, as above all things, remarkable for the
singular inoffensiveness of my character and dis-
position."
But the entire speech is much too long for our space.
We have now reached another winter — that of
1862 — and this time our novelist devoted his Christ-
mas number, " Somebody's Luggage," to that pecu-
liar class of individuals known as ''Waiters." Mr.
Arthur Locker truly says of it : — " We rise from the
little story with kindlier feelings towards the whole
1S63.J '* SOMEBODY S LUGGAGE." 871
race of waiters ; we know more of their struggles and
trials, and so we sympathise with them more." Most
of our readers will remember the description of
Christopher, the head waiter, with his amusing
revelations of his profession — the mysterious luggage
left in Room 24 B, with a lien on it for £2 12s. 6d.y his
purchasing the whole of it, and finding all the articles
crammed full of MSS. — his subsequently selling them,
and, on the arrival of the proofs, his horror at the
appearance of the owner — his placing them before
him, and the joy of the unknown at finding his
stories in print, and sitting down, with several new
pens and all the inkstands well filled, to correct, in
a high state of excitement, and being discovered in
the morning, himself and the proofs, so smeared with
ink, that it would have been difficult to have said
which was him, and which was them, and which was
blots — is sufficient to keep the reader in one con-
tinual roar of laughter.
In the preceding year several imitation Christmas
numbers had appeared, but this season they swarmed.
The newspapers and the hoardings were filled with
advertisements of them, and Mr. Dickens expressed
great annoyance at the manner in which he was
being copied.
In the March following (1863), he presided at the
eighteenth anniversary of the Royal General Theatrical
Fund, and made a most excellent speech.
About this time Mr. Charles Reade's " Very Hard
Cash" was appearing in the pages of All the Year
272 LIFE OF CHARLES DICKENS. [1863.
Round, and that gentleman having attacked with
virulence the Commissioners in Lunacy, Dickens, in a
foot-note to Chapter xlvi, wrote, —
" The Conductor of this Journal desires to take this
opportunity of expressing his personal belief that no
public servants do their duty with greater ability,
humanity, and independence, than the Commissioners
in Lunacy."
When the story was concluded, to further show
that the sentiments expressed in it were not those of
Mr. Dickens — or that at least he had not controlled
them — he wrote,
"The statements and opinions of this Journal
generally are, of course, to be received as the
statements and opinions of its Conductor. But this
is not so in the case of a work of fiction first pub-
lished in these pages as a serial story, with the name
of an eminent writer attached to it. When one of
my literary brothers does me the honour to under-
take such a task, I hold that he executes it on his
own personal responsibility, and for the sustainment
of his own reputation ; and I do not consider myself
at liberty to exercise that control over his text which
I claim as to other contributions.
''Charles Dickens."
He was justified in making this statement, as Mr.
Forster, an old and true friend — and who has since
been appointed by Mr. Dickens his principal executor
— is one of the Commissioners.
1863.] "^1/^5. LIRRIPER'S LODGINGS." 273
Another Christmas has come round — the Christmas
of 1863. " Mrs. Lirriper's Lodgings" was the title
of the number for this season, and it created an
immense furore. The quaint manners and ideas
of Mrs. Lirriper, lodging-house keeper, of 8r,
Norfolk Street, Strand — her troubles with the
domestics, willing Sophy, Mary Anne — the fiery
Carolina fighting with the lodgers, and being sent
off to prison — the odious Miss Wozenham an opposi-
tion lodging-house keeper — the adoption of poor little
Jemmy, under the joint guardianship of her eccen-
tric but good-hearted lodger. Major Jackman, his
education at home, and then his being sent ofif to a
boarding-school, are inimitably sketched.
Thackeray died on Christmas Eve, 1863. I^ the
February number of the CGrnhill Magazine, for the
ensuing year, Dickens wrote a most beautiful and
touching ^'In Memoriam ;" which shows in what
estimation he was held by his surviving friend, —
" We had our differences of opinion. I thought that
he too much feigned a want of earnestness, and that he
made a pretence of undervaluing his art, which was
not good for the art that he held in trust. But, when
we fell upon these topics, it was never very gravely,
and I have a lively image of him in my mind, twist-
ing both his hands in his hair, and stamping about,
laughing, to make an end of the discussion When
we were associated in remembrance of the late Mr.
Douglas Jerrold, he delivered a public lecture in
London, in the course of which he read his very best
S
274 LIFE OF CHARLES DICKENS. [1863.
contribution to P?mch, describing the grown-up cares
of a poor family of young children. No one hearing
him could have doubted his natural gentleness, or his
thoroughly unaffected manly sympathy with the weak
and lowly. He read the paper most pathetically,
and Avith a simplicity of tenderness that certainly
moved one of his audience to tears. This was
presently after his standing for Oxford, from Avhich
place he had dispatched his agent to me, with a
droll note (to which he afterwards added a verbal
postscript), urging me to " come down and make a
speech, and tell them who he was, for he doubted
whether more than two of the electors had ever
heard of him,* and he thought there might be as
many as six or eight who had heard of me." He
introduced the lecture just mentioned with a reference
* This anecdote from " Thackeray ; the Humourist and the
Man of Letters," by Theodore Taylor, may be fittingly
appended : —
" Pray, what can I do to serve you, sir ?" inquired the vice-
chancellor. — *^ My name is Thackeray." — " So I see by this
card." — " I seek permission to lecture within the precincts." —
"Ah! you are a lecturer; what subjects do you undertake,
religious or political?'' — "Neither; I am a literary man." —
" Have you v/ritten anything?" — "Yes; lam the author of
* Vanity Fair.' " — " I presume a Dissenter; has that anything
to do with John Bunyan's book?" — "Not exactly; I have also
written * Pendennis.'" — "Never heard of these works: but no
doubt they are proper books." — "I have also contributed to
Punchr — " Punch ! I have heard of that ; is it not a ribald
publication ? "
1863.] "PINCHER." 275
to his late electioneering failure, which was full of
good sense, good spirits, and good humour. He had
a particular delight in boys, and an excellent way
with them. I remember his once asking me, with a
fantastic gravity, when he had been to Eton, where
my eldest son then was, whether I felt as he did in
regard of never seeing a boy without wanting
instantly to give him a sovereign "i I thought of
this when I looked dovv'n into his grave, after he was
laid there, for I looked down into it over the shoulder
of a boy to whom he had been kind."
Frequently, in the numbers oi Household Words j and
in All the Year Round, has Mr. Dickens given us an
anecdote, a biographical scrap concerning himself, or
an article which could only be considered as "per-
sonal ;" and no future biographer of the great man
can tell the complete story of his life without having
recourse to the pages of these magazines.
The anecdotes Ave have already given of Dickens's
ravens show his fondness for animals. Mr. Collam,
Secretary of the Society for the Prevention of Cruelty
to Animals, now kindly directs our attention to the
great novelist's admirable paper in All the Year
Roitnd,^ entitled " Pincher Astray : an account of
the Home for Lost and Starving Dogs," at Holloway.
The paper records the adventures of a favourite dog,
I'incher : —
" He was not handsome — at least, in the common
• January 30, 1864.
S 2
276 LIFE OF CHARLES DICKENS. [1863.
acceptation of the term He was a morose
beast, and of most uncertain temper He
was the terror of the tradespeople : he loathed the
butcher ; he had a deadly hatred for the fishmonger's
boy ; and, when I complained to the post-office of
the non-receipt in due course of a letter from my
aunt's legal adviser, advising m^e to repair at once to
the old lady's death-bed (owing to which non-receipt
I was cut out of my aunt's will), I was answered that
* the savage character of my dog — a circumstance
Avith which the department could not interfere —
prevented the letter-carrier from the due performance
of his functions after nightfall' Still I loved Pincher
— still I love him ! What though my trousers-ends
were frayed into hanging strips by his teeth ; what
though my slippers are a mass of chewed pulp ;
what though he has tov/zled all the corners of the
manuscript of my work on Logarithms — shall I
reproach him now that he is lost to me ? Never !"
Pincher strayed away — was lost. Application w^as
made at the " Home," which afforded Mr. Dickens an
opportunity to describe that institution, but he was
not there. After some days he returned "with a
ruffled coat, a torn ear, a fierceness of eye which
bespoke recent trouble. I afterwards learned that he
had been a principal In a combat held in the adjoining
parish, where he acquitted himself with a certain
amount of honour, and was pinning his adversary,
when a rustic person from a farm broke in upon the
ring, and kicked both the combatants out of it. This
1864.] "PINCHERr 277
ignominy was more than Pincher could bear ; he
flung himself upon the rustic's leg, and brought him
to the ground : then fled, and remained hidden in a
wood until hunger compelled him to come home.
We have interchanged no communication since, but
regard each other with sulky dignity. I perceive
that he intends to remain obdurate until I make the
first advances."
Early in the new year Mr. Dickens received intelli-
gence of the death of his son, Walter Landor Dickens,
in the Officers' Hospital at Calcutta. He was a lieu-
tenant of the 26th Native Infantry Regiment, and
had been doing duty with the 42nd Highlanders.
His decease occurred on the last day of the old
year.
During this spring he was requested by the Work-
ing Men's Shakspeare Memorial Committee to take
the chief direction in planting the " Shakspeare Oak "
on Primrose Hill. Mr. F. G. Tomlins, a well-known
litterateur, and at one time editor of the Leader
newspaper, wrote to him, stating the working men's
wishes, and Mr. Dickens at once replied : — " I am
truly honoured by the feeling of the working men
towards me, as expressed in your note, and would
far rather take part in their interesting proceedings
than in any other ceremonial held on that day.
"But I am not free. The request, unfortunately,
comes too late. I have declined several public in-
* Wednesday, 12th April, 1864.
278 LIFE OF CHARLES DICKENS. [1864.
vitations on the pround that I had resolved to take
part in none, and had bound myself to a few personal
friends for a quiet, private remembrance of the
occasion. From this conclusion I cannot now de-
part. Do me the kindness to assure the delegates,
with whom you are in communication, of my cordial
sympathy and respect."
^^^^^^I^^
"tKiii^O^
CHAPTER XXVII.
"OUR MUTUAL FRIEND." — "DOCTOR MARIGOLD'S
PRESCRIPTIONS." — " MUGBY JUNCTION."
I C KENS was a guest at the Anniversary-
Banquet at the Royal Academy, on ist
May, 1864; and Mr. John Forster, respond-
ing to the toast, "The Interests of Literature," grace-
fully remarked : — " In fiction, I see not only the
great master of character and humour (Mr. Dickens)
who has held sway over both now for more than a
quarter of a century, and this very day starts after
new laurels with as much vigour and freshness as
when he first began the race."
"Our Mutual Friend " was the work alluded to by
Mr. Forster, and Number I. was published on the ist
of May, by Messrs. Chapman and Hall, with illustra-
tions by Mr. Marcus Stone.
The plot is most ingeniously constructed, and
each character an elaborate and highly executed
portrait, although, perhaps, occasionally verging on
caricature.
Miss Jenny Wren, the entertaining Doll's dress-
maker ; her drunken father, " Fascination " Fledgeby ;
Riah, the patient and kind-hearted Jew ; Silas Wegg,
28o LIFE OF CHARLES DICKENS. [1864.
the wooden-legged individual, a parasite and selfish
impostor, " literary man " to Boffin, employed at the
rate of twopence-halfpenny an hour to read and
expound the " Decline and Fall of the Rooshlan Em-
pire," otherwise " Roman Empire ; " John Harman ;
Lizzie Hexam ; Venus, the anatomical artist ; Bradley
Headstone ; Mr. and Mrs. Boffin ; and Bella Wilfer,
daughter of the Cherub ; are the best-remembered
characters in the book. The story is somewhat im-
probable, and contains many scenes of horror and
crime. Taken as a specimen of literary workman-
ship, it is his best production since " David Copper-
field," but it is not popular with readers.
Mr. Crabb Robinson has preserved in his Diary
some playful lines by Southey ; but his editor has
omitted to add a circumstance which would have
increased their interest. They were written in the
album of Mrs. S. C. Hall, and the opposite page
contained the autographs of Joseph Bonaparte and
Daniel O'Connell, a circumstance which suggested
what the Laureate wrote : —
" Birds of a feather flock together.
But vide the opposite page ;
Ana thence you may gather I'm not of a feather
With some of the birds in this cage."
Robert Southey, zmd October, 1836.
Some years afterwards, Charles Dickens, good-
humouredly referring to Southey's change of opinion,
wrote in the album, immediately under Southey's
lines, the following : —
1S64.] " OUR MUTUAL FRIEND.' 281
** Now, if I don't make
The completcst mistake
That ever put man in a rage.
This bird of two weathers
Has moulted his feathers.
And left them in some other cage." — Boz.
When these last hnes first appeared in the Art Joiir-
iml, a friend of Southey's, resenting Boz's remark,
retaliated by " good-humouredly referring " to the
change of style between " Pickwick " and *' Our
Mutual Friend," and wrote in the margin of the
periodical —
"Put his Jint work and last work together.
And learn from the groans of all men.
That if he 's not alter'd his feather.
He 's certainly alter'd his pen."
** Our Mutual Friend " was dramatized as " The
Golden Dustman," and was acted on June 1 6th, 1866,
with great ability, at the Sadler's Wells, and after-
wards at Astley's and the Britannia Theatres.
Dickens, on the nth of May, 1864, presided at the
Adelphi Theatre, at a public meeting for the purpose
of founding the Shakspeare Foundation Schools, in
connection with the Royal Dramatic College. On
this occasion he made — as usual — an admirable
speech, and a large sum of money was collected.
During the summer of this year, and whilst on a
trip to Paris, Mr. Dickens met with a sunstroke,
which greatly alarmed his friends. For many hours
283 LIFE OF CHARLES DICKENS. [1364-65.
he was in a state of complete insensibility, but at
length recovered, and in due course returned home.
The interest taken in "Mrs. Lirriper and her
Lodgings," the preceding Christmas, induced Dickens
to give a sequel to the old lady's experiences.
Accordingly, in the Christmas of 1 864, v/e had '' Mrs.
Lirriper's Legacy." This narrated the death, in France,
of Mr. Edson, the father of Jemmy ; the journey of
Mrs. Lirriper, the Major, and Master Jem, to the
deathbed of the repentant man ; their adventures
going and returning ; the revelations of the extra-
ordinary conduct of her brother-in-law, Doctor
Joshua Lirriper ; the vagaries of Mr. Buffle, the
collector of the assessed taxes ; her meritorious
conduct towards him and his family on the night
of the fire, and also, when Miss Wozenham was in
danger of being sold up, lending her money to pay
the execution out, and becoming intimate friends ;
— are all very charmingly and amusingly described.
A little matter occurred in the following March,
to which we may just allude in passing. Mr.
Dickens had nominated, and Mr. Wilkie Collins
seconded, a very intimate friend as a member of
the Garrick Club, to which they both belonged. The
committee, for some unaccountable reason, black-
balled the gentleman ; Dickens and Collins, disgusted
at this treatment, resigned their membership, and the
affair for the moment created some considerable stir
in the literary world.
On the 9th May he presided at the annual festival
1865.] THE STAPLEHURST ACCIDENT. 233
of the Newsvendors' Benevolent and Provident Asso-
ciation, and delivered another admirable speech.
Ten days afterwards, on the 20th of the same
month, he fulfilled a similar post at the second anni-
versary of the Newspaper Press Fund (being a vice-
president of that useful association). His speech was
that well known one in which he gave us his early
reporting experiences. In defending the profession
he said : — '' I would venture to remind you, if I
delicately may, in the august presence of members
of Parliament, how much we, the public, ovv^e to the
reporters, if it were only for their skill in the two
great sciences of condensation and rejection. Con-
ceive what our sufferings under an Imperial Parlia-
ment, however popularly constituted, under however
glorious a constitution, would be, if the reporters
could not skip ! " And it was on this occasion that
he exclaimed, in the midst of the warmest applause,
" I am not here advocating the case of a mere
ordinary client of whom I have little or no know-
ledge. I hold a brief to-night for my brothers ! "
Since his death this passage has been often quoted in
proof of the love he bore to the literary profession
and all connected with it.
We come now to a very sad occurrence, from
the effects of which Mr. Dickens never entirely
recovered. On the 9th of June he was unfortunate
enough to be a passenger in the train that met with
the lamentable accident at Staplehurst, in conse-
quence of the plate-layer's negligence. The carriage
284 LIFE OF CHARLES DICKENS. [1865.
in which he was sitting toppled over the edge of the
precipice, and hung suspended sufficiently long to
allow him to escape by scrambling out of the
window, uninjured in body, and without even a
bruise, but his nerves receiving a shock from which
he often afterwards complained. The Newsvendors*
Benevolent and Provident Institution, at a special
meeting, a few days after, passed a resolution con-
gratulating him on his miraculous and providential
escape, and concluded by expressing "their sincere
hope that a life so publicly and privately valuable
may be spared for many, many years, further to
adorn English literature with imperishable works,
and to grace with apt eloquence, and promote by
strenuous practical example and advocacy, efforts
made to ameliorate distress and provide for the sad
contingencies of sickness and old age."
Dickens always considered the regular contributors
to HoiiseJwld Words and to All the Year Round as
connected with him in a manner much more closely
than as ordinary professional or purely business
connections. " My brothers " was his favourite
phrase ; and when Miss Adelaide Anne Procter died
he wrote for the beautiful " Legends and Lyrics,"*
which her family published as an Li Memoriam
volume, a most touching preface. This passage
explains how he came to know the daughter of
" Barry Cornwall :" —
* It was published by Messrs. Bell and Daldy as a Christmas
gift-book.
1 865-] "MISS BERWICK." 285
"In the spring of the year 1853, I observed, as
Conductor of the weekly journal Household Words,
a short poem among the proffered contributions, very
different, as I thought, from the shoal of verses
perpetually passing through the office of such a
periodical, and possessing much more merit. Its
authoress was quite unknown to me. She was one
Miss Mary Berwick, whom I had never heard of ;
and she was to be addressed by letter, if addressed
at all, at a circulating library in the western district
of London. Through this channel. Miss Berwick
was informed that her poem was accepted, and was
invited to send another. She complied, and became
a regular and frequent contributor. Many letters
passed between the journal and Miss Berwick, but
Miss Berwick herself was never seen. How we came
gradually to establish, at the office of Household
Words, that we knew all about Miss Berwick, I have
never discovered. But we settled, somehow, to our
complete satisfaction, that she was governess In a
family; that she went to Italy in that capacity, and
returned ; and that she had long been In the same
family. We really knew nothing whatever of her,
except that she was remarkably business-like,
punctual, self-reliant, and reliable : so I suppose we
insensibly invented the rest. For myself, my mother
was not a more real personage to me than Miss
Berwick the governess became. This went on until
December, 1854, when the Christmas Number, en-
2S6 LIFE OF CHARLES DICKENS. [1865.
titled ' The Seven Poor Travellers/ was sent to press.
Happening to be going to dine that day with an old
and dear friend, distinguished in literature as Barry
Cornwall, I took with me an early proof of that
number, and remarked, as I laid it on the drawing-
room table, that it contained a very pretty poem,
written by a certain Miss Berwick. Next day brought
me the disclosure that I had so spoken of the poem to
the mother of its ^vriter, in its writer's presence ; that
I had no such correspondent in existence as Miss
Berwick ; that the name had been assumed by Barry
Cornwall's eldest daughter, Miss Adelaide Anne
Procter."
And, after describing her cheerfulness, her modesty,
her conviction that life " must not be dreamed away,"
her unceasing efforts to do good, he thus describes
the final ending. She had then lain an invalid upon
her bed through fifteen months: — "In all that time,
her old cheerfulness never quitted her. In all that
time, not an impatient or querulous minute can be
remembered. At length, at midnight on the 2nd of
February, 1864, she turned down a leaf of a little
book she was reading, and shut it up. The minister-
ing hand that had copied the verses into the tiny
album, was soon around her neck, and she quietly
asked, as the clock was on the stroke of One : ' Do
you think I am dying, mamma ? ' — ' I think you are
very, very ill to-night, my dear.' — ' Send for my
sister. My feet are so cold. Lift me up ! ' Her
i86s.] ''DR. MARIGOLD'S PRESCRIPTIONS." 287
sister entering as they raised her, she said : ' It has
come at last ! ' And with a bright and happy smile,
looked upward, and departed."
We are now approaching the last of those Christ-
mas numbers which for so many years have formed a
friendly tie between author and reader at the festive
season. " Doctor Marigold's Prescriptions " was the
number for Christmas, 1865. It gave the history of
an itinerant " Cheap Jack," named " Doctor," in re-
membrance of a kind-hearted medical man who
officiated at his birth, and who would only accept a
tea-tray in payment for his services. The "Doctor's"
peculiar talents in his line of business, and the happy
contrast to the political Cheap Jack, making rash
promises never intended to be kept ; the giant
Pickleson, otherwise Rinaldo di Velasco, with his
small head, weak eyes, and weak knees ; his m.aster,
Mr. Mim, the proprietor of the caravan ; the death
of little Sophy in her father's arms, while he con-
vulses his rustic audience with his witticisms and
funny speeches ; the suicide of his wife ; the pecu-
liarities of his old horse ; and the intelligent dog,
who " taught himself out of his own head to growl
at any person in the crowd that bid as low as six-
pence ; " the purchase of the poor little deaf and
dumb girl for a pair of braces ; his kindness to her,
then sending her to an institution to be educated ;
her subsequent marriage with one similarly afflicted
as herself ; their coming home, after a long absence,
with their little girl ; and Marigold's intense excite-
283 LIFE OF CHARLES DICKENS. [i865.
ment in finding the child can speak, is all a delightful
reality, and thoroughly true to nature.
Dickens was a guest at the Mansion House, on
January i6th following, on the occasion of a magnl-
ficent banquet. He proposed the ''Health of the
Lady Mayoress." The next month we find him
taking the chair (for the second time) at the annual
dinner of the Dramatic, Equestrian, and Musical
Fund, at Willis's Rooms.*
The following month Dickens took a prominent
part in another public meeting— the annual festival
of the Royal General Theatrical Fund. It came off
on March 28th, and Sir Benjamin Phillips, the Lord
Mayor, in replying to his " health" — which our author
had proposed — told this interesting anecdote : — '' My
acquaintance with Mr. Dickens dates from my boy-
hood. I recollect being in Hamburgh, some thirty
years ago, upon a commercial errand, when my mind
and time were engaged in those pursuits, and meeting
with a gentleman with whom I had some very large
transactions, he invited me to breakfast with him the
following morning. I went to him, we passed a
pleasant hour, and after he rose from his table he
looked at his watch and said, ' Let us take a walk.
'Well,' I said, ' I have no objection to that,' and we
walked together. He seemed very restless indeed.
We went to a cafe and read a newspaper, and I could
get him to do anything but attend to business. At
last out he took his watch and said, —
* February 14, 1866.
iS66.] DICKEXS AT THE MANSION HOUSE. 289
" ' My dear friend, you must excuse me, this is the
day on which the fifth number of a work written by
one of your countrymen, and called * Boz,' comes to
Hamburgh, and until I get that number and read it
I can neither talk of business nor anything else.'
" I take shame to myself," continued the Lord
Mayor on this occasion, '' that I at that moment
should have been in utter ignorance of the brilliant
talent of my illustrious friend, of whom I can say, as
was said by another distinguished poet, that the price
of his literary labours is immortality, and that posterity
will generously and proudly pay it. ... I never
contemplated in my philosophy that I should have
the honour of what Mr. Dickens has been pleased to
call a personal friendship with the man who, I do not
hesitate to say, any crov/ned head in Europe would
be proud to shake by the hand and call by the name —
the man who has added, in this generation, honour
and dignity to his profession — who has penetrated and
dug from the hearts of men their virtues and their
qualities, and to v/hom the whole world owes a deep and
a lasting debt of gratitude ; and I unhesitatingly say,
and say most proudly, that it is to me, representing,
as I do, the largest commercial city in the world — that
I consider it to be a great honour to be permitted, in
the name of humanity, to offer my grateful and grace-
ful tribute to Mr. Charles Dickens."
The members of the Metropolitan Rowing Clubs,
dining together at the London Tavern, on the 7th
May following, Dickens, as President of the Nautilus
T
290 LIFE OF CHARLES DICKENS. [iS66.
Rowing Club (of which his eldest son v/as captain),
occupied the chair : his speech on this occasion was
full of humour.
The last number but one of the old familiar
Christmas Numbers v/as now at hand. " Mugby
Junction " was the title of that issued in December,
1866, and it contained a larger amount of writing by
Dickens than usual. "Barbox Brothers and Co.,"
" The Boy at Mugby," and " The Signalman," were
his contributions.
The description of the Mugby Junction Station
at three in the morning, in tempestuous weather ;
the arrival of the express train, the guard "glistening
v/ith drops of wet, and looking at the tearful face of
his watch by the light of his lantern ;" the alighting
of Barbox Brothers; the appearance of "Lamps,"
the velveteen individual ; his daughter Phoebe, who
kept a school ; the episode of Polly going astray,
and being found by Barbox Brothers ; and the
relating of Barbox Brothers' past life and adven-
tures, are told in a manner the reader will not
easily forget.
" The Boy at Mugby " was intended to show the
abominable system of our railway refreshment rooms,
with their stale pastry, saw-dust sandwiches, scalding
tea and coffee, and unpalatable butter-scotch, in
comparison with the excellent arrangements for the
comfort and accommodation of railway travellers in
France.
As some indication of the sale of these " Christmas
1867.] CLARKSON STANFIELD. 291
Numbers/' we may state that the sale of "Mugby
Junction " exceeded a quarter of a million copies.
During the first three months of the year 1867
he gave readings at St. James's Hall to crowded
audiences, having in the previous April, May, and
June (1866) appeared at Manchester, Greenwich,
the Crystal Palace, St. James's Hall, and other places,
delighting and amusing many thousands of people.
On the 5th of June we find him presiding at
the ninth anniversary festival of the Railway
Benevolent Society, at Willis's Rooms, and it was in
his speech, on this occasion, that he gave the amusing
story of " The Ten Suitors."
In May his old and dear friend, Clarkson Stanfield,
the Royal Academician, died, and the reader may
remember the beautiful and touching obituary notice
which Dickens penned on the occasion — the affec-
tionate appreciation of the delicate shades of the
great maritime artist's character which that notice
evinced, and the noble peroration with which it
closed. A friend of the late illustrious author, to
whom we are already indebted for some interesting
facts, remarks : — " The recent earnest wish displayed
by the Queen to confer upon Dickens some title of
honour, and the womanly refinement shown by Her
Majesty in seeking to make that honour one which
he could accept without derogating from his social
principles, gives his parting words on Stanfield a not
unkindly significance. It was after enumerating the
artist's many claims to public distinction, after spcci-
T 2
292
LIFE OF CHARLES DICKENS. [1867.
fying several of his works by name, and after point-
ing- to the recog-nition he would have received had he
belonged to a foreign State, that Dickens said : ' It
is superfluous to add, that he died Mr. Stanfield — he
was an Englishman.' "
On the 17th September following, he took the chair
at a public meeting of the Printers' Readers. A cor-
rector of the press, and at that time a member of
the " Association," who was present with the other
working men, has forwarded to us this account of the
meeting. Coming from one of the men themselves,
it is of interest, as showing their appreciation of that
respect and sympathy which Charles Dickens ever
expressed for honest and intelligent working men : —
" I well remember, on the evening when Dickens
so readily consented to preside at a meeting of the
London Association of Correctors of the Press, fol-
lowing the immortal novelist up the steps of the
Salisbury Hotel, Fleet Street, where the meeting was
to be held. The great master, on that occasion, met
the assemblage of literary drudges with the open-
hearted frankness of a brother. As he threw aside
his large light cloak, he shook hands with all who
sought that honour with the utmost warmth. Even
now I fancy I can feel the firm grip, and see his
cheery smile. He was dressed with the greatest care
and elegance, as if for an evening party or State ball.
His florid complexion, dark glittering eye, and griz-
zled beard, were very striking ; but, above all, the
loftiness of his massive brow — denoting ' the mighty
1867.] THE PRINTERS READERS. 293
brain within ' — inspired the beholder with reverence.
In his speech he expressed the warmest friendship
for the intelligent body of men before him, to whom,
he said, ' he was indebted for many kindly hints, and
judicious corrections and queries in his proofs, which
in the hurry of business had escaped his notice while
preparing "copy," or revising sheets for press.' He
said that he had other engagements for that evening,
but had at once put them aside when he had been
invited to spend an hour with i\iQ practical correctors
of the Press, for the advancement of their interests."
^m
IMSlW^MM^iffiM
CHAPTER XXVIIL
SECOND VISIT TO AMERICA. — PEDESTRIAN TASTES.
RES SING invitations from American friends,
and the desire to carry out a long-nursed
project, induced Mr. Dickens early in the
year to make preparations for a visit to the United
States in the autumn. The fact soon became
known to the American journalists, and from that
time until he landed, paragraphs, poems of welcome,
and scraps of so-called intelligence — scraps which
surprised even Mr. Dickens himself — were con-
tinually appearing in the papers there. The New
York Tribune said : — " Charles Dickens is coming
to the United States to give a series of readings
in the principal cities of the republic. The announce-
ment will be received with pleasure throughout the
country. Our people do, indeed, remember the
' American Notes,' and the satirical chapters in
* Martin Chuzzlewit,' and are, no doubt, of opinion
that, as a matter of taste, Mr. Dickens might well
have been more gracious. But, on the other hand,
our people like free speech and appreciate frankness
— not forgetting that truth should be the North Star
of authorship ; and there is a good deal of truth in
what Mr. Dickens said about us on returning from
1867.] SECOND VISIT TO AMERICA. 295
his first visit to this country." In England, the great
novelist's friends arranged for a Farewell Banquet, on
the most sumptuous scale. It took place on Saturday-
evening, November 2nd, at the Freemasons' Tavern.
The new hall was specially decorated for the occasion,
the panels being adorned with laurel leaves, and each
inscribed with the name of one of Dickens's w^orks in
splendid letters of gold. The company numbered
between 400 and 500 gentlemen, including nearly all
the eminent men in art, literature, science, law, and
medicine.
Lord Lytton presided, and in the course of a
magnificent eulogium upon the illustrious novelist,
said : — " We are about to entrust our honoured
countryman to the hospitality of those kindred shores
in which his writings are as much household words as
they are in the homes of England.
" If I may speak as a politician, I should say that
no time for his visit could be more happily chosen.
For our American kinsfolk have conceived, rightly or
Vv^rongly, that they have som^e recent cause of com-
plaint against ourselves, and out of all England we
could not have selected an envoy — speaking not on
behalf of our Government, but of our people — more
calculated to allay irritation and propitiate goodwill.
*****
" How many hours in which pain and sickness
have changed into cheerfulness and mirth beneath the
wand of that enchanter ! How many a hardy com-
batant, beaten down in the battle of life — and
296 LIFE OF CHARLES DICKENS. [1S67.
nowhere on this earth is the battle of life sharper
than in the commonwealth of America— has taken
new hope, and new courage, and new force from the
manly lessons of that unobtrusive teacher."
He concluded by proposing "A prosperous voyage,
health, and long life to our illustrious guest and
countryman, Charles Dickens ; " and, if we remem-
ber the reports given of the banquet rightly, the
company rose as one man to do honour to the toast,
and drank it with such expressions of enthusiasm
and goodwill as are rarely to be seen in any public
assembly. Again and again the cheers burst forth,
and it was some minutes before silence was restored.
Mr. Dickens replied in a speech such as no one
else could have delivered, and towards its conclusion
he said : — " The story of my going to America is very
easily and briefly told. Since I was there before, a
vast and entirely new generation has arisen in the
United States. Since that time, too, most of the
best known of my books have been written and
published. The new generation and the books have
come together and have kept together, until at length
numbers of those who have so widely and constantly
read me, naturally desiring a little variety in the
relations between us, have expressed a strong wish
that I should read myself. This wish, at first con-
veyed to me through public as well as through
business channels, has gradually become enforced by
an immense accumulation of letters from private
individuals and associations of individuals, all express-
1867.] SECOND VISIT TO AMERICA. 297
ing in the same hearty, homely, cordial, unaffected
way a kind of personal affection for me, which I am
sure you will agree with me that it would be down-
right insensibility on my part not to prize. Little by
little this pressure has become so great that, although,
as Charles Lamb says, * My household gods strike
a terribly deep root,' I have driven them from their
places, and this day w^eek, at this hour, shall be
upon the sea. You will readily conceive that I am
inspired besides by a natural desire to see for myself
the astonishing progress of a quarter of a century over
there — to grasp the hands of many faithful friends
whom I left there — to see the faces of a multitude of
new friends upon whom I have never looked — and,
though last, not least, to use my best endeavours to
lay down a third cable of intercommunication and
alliance between the Old World and the New.
" Twelve years ago, when, Heaven knows, I little
thought I should ever be bound upon the voyage
which now lies before me, I wrote in that form of my
writings which obtains by far the most extensive
circulation, these words about the American nation : —
' I know full well that whatever little motes my
beamy eyes may have described in theirs, that they
are a kind, large-hearted, generous, and great people.'
In that faith I am going to see them again. In that
faith I shall, please God, return from them in the
spring, in that same faith to live and to die. I\Iy lords,
ladies, and gentlemen, I told you in the beginning
that I could not thank you enough, and Heaven
298 LIFE OF CHARLES DICKENS, [1867.
knows I have most thoroughly kept my word. If I
may quote one other short sentence from myself, let
it imply all that I have left unsaid and yet deeply
feel ; let it, putting a girdle round the earth, com-
prehend both sides of the Atlantic at once in this
moment. As Tiny Tim observed, * God bless us,
every one.*"
The crreat novelist left London on the followinp-
Friday for Liverpool, being accompanied to the
station by a host of friends desirous of bidding him
" God speed " and mt 7'evoir. The directors of the
London and North-Western Company paid Mr.
Dickens and party the compliment of placing at their
disposal one of the Royal saloon carriages, the appear-
ance of which excited great interest at the various
stations at which the train stopped. On Saturday
morning Mr. Dickens was on board the Cunard mail-
steamer Cuba, commanded by Capt. Stone. A second
officer's cabin was set aside for his exclusive use, and
everything done that could ensure his personal com-
fort. He vv^as accompanied by his machinist, Mr.
Kelly, and a man-servant ; and — like a true show-
man— carried with him. the arrangements of his own
platform, with the gas apparatus required for his
readings.
On Friday, the 23rd of the same month, a telegram,
" Safe and w^ell," was received in London, announcing
his arrival at Boston. He arrived there on the 19th,
and was received with acclamations. Mr. Dolby,
his agent, who preceded him, had disposed of
IS67-68.] SECOND VISIT TO AMERICA. 299
an immense number of tickets. The first reading
took place on December 2nd, at Tremont Temple.
After a few readings in Boston, he proceeded to
New York, Washington, and Philadelphia, and read
to immense audiences, being everywhere received
with the greatest enthusiasm.
One of the papers * there said : — " No literary man
except Thackeray ever had such a welcome from
Philadelphia as Charles Dickens received last night
at Concert Hall. The selling of the tickets two
weeks ago almost amounted to a disturbance of the
peace. Five hundred people in line, standing from
midnight till noon, poorly represented the general
desire to hear the great novelist on his first night.
Everywhere that I looked in the crovv'ded hall I saw
some one not unknown to fame — some one repre-
senting either the intelligence or the beauty, the
wealth or the fashion of Philadelphia. It was an
audience which, in the words of Serjeant Buzfuz, I
might declare an enlightened, a high-minded, a right
feeling, a dispassionate, a conscientious, a sympa-
thizing, a contemplative, and a poetical jury, to judge
Charles Dickens without fear or favour. The
novelist stepped upon the stage. His book in his
hand, his bouquet in his coat but I will not describe
to readers the face and form many of them know
so well. Mr. Dickens was received coldly. Here
was an Englishman who had pulled us to pieces and
tweaked the national nose by writing ' Martin.
* New York Tribune, 14th Jan. 1868.
3CO LIFE OF CHARLES DICKENS. [1868.
Chuzzlewit ' and * American Notes.* Philadelphia
held out as long as she could. The first smile came
in when Bob Cratchit warmed himself Avith a candle,
but before Scrooge had got through with the first
ghost the laughter was universal and uproarious.
The Christmas dinner of the Cratchits was a tre-
mendous success, as was Scrooge's Niece by marriage.
There was a young lady in white fur and blue ribbons,
name unknown to the writer, upon whose sympathies
Mr. Dickens played as if she had been a piano. A
deaf man could have followed his story by looking
at her face. The goose convulsed her. The pudding
threw her into hysterics ; and when the story came
to the sad death of Tiny Tim, * my little, little child,'
tears were streaming down her cheeks. This young
lady was as good as Mr. Dickens, and all the more
attractive because she couldn't help it. Then, as a
joke began to be dimly foreseen, it was great to see
the faint smile dawning on long lines of faces, grow-
ing brighter and brighter till it passed from sight
to sound, and thundered to the roof in vast and
inextinguishable laughter."
During his visit to America, the great men of the
land travelled from far and near to be present at the
readings ; the poet Longfellow went three nights in
succession, and he afterwards declared to a friend that
they were " the most delightful evenings of his life."
On Saturday, the i8th April, he was entertained at
a farewell dinner at Delmonico's Hotel, New York.
Two hundred gentlemen sat down to it, and Mr.
1868.] SECOND VISIT TO AMERICA. 301
Horace Greeley presided. Dickens was somewhat
indisposed, but in reply to the toast of his health, he
gave this interesting experience of his second visit to
America : — " It has been said in your newspapers,
that for months past I have been collecting materials
for and hammering away at a new book on America.
This has much astonished me, seeing that all that
time it has been perfectly well known to my pub-
lishers, on both sides of the Atlantic, that I positively
declared that no consideration on earth should induce
me to write one. But what I have intended, what I
have resolved upon (and this is the confidence I seek
to place in you), is, on my return to England, in my
own person, to bear, for the behoof of my country-
men, such testimony to the gigantic changes in this
country as I have hinted at to-night. Also, to record
that, wherever I have been, in the smallest places
equally with the largest, I have been received with
unsurpassable politeness, delicacy, sweet temper,
hospitality, consideration, and with unsurpassable
respect for the privacy daily enforced upon me by
the nature of my avocation here, and the state of
my health. This testimony, so long as I live, and
so long as my descendants have any legal right in
my books, I shall cause to be republished, as an
appendix to every copy of those two books of mine
in which I have referred to America. And this I
will do and cause to be done, not in mere love and
thankfulness, but because I regard it as an act of
plain justice and honour."
302 LIFE OF CHARLES DICKENS. [i36S.
The time for Mr. Dickens's departure was now close
at hand. His last reading was given at the Stein-
way Hall, on the ensuing Monday evening. The
task finished, he was about to retire, but a tremen-
dous burst of applause stopped him. He knew what
his audience wanted — a few words — a parting greet-
ing before saying good-bye. Their illustrious visitor
did not disappoint them : — " The shadow of one word
has impended over me this evening," said Mr. Dickens,
" and the time has come at length when the shadow
must fall. It is but a very short one, but the weight
of such things is not measured by their length, and
two much shorter words express the round of our
human existence. When I was reading * David
Copperfield,' a few evenings since, I felt there was
more than usual significance in the words of Peg-
gotty, * My future life lies over the sea.'
The relations which have been set up between us
must now be broken for ever. Be assured, however,
that you will not pass from my mind. I shall often
realize you as I see you now, equally by my winter
fire, and in the green English summer weather. I
shall never recall you as a mere public audience, but
rather as a host of personal friends, and ever with the
greatest gratitude, tenderness, and consideration.
Ladies and gentlemen, I beg to bid you farewell.
God bless you, and God bless the land in which I
leave you !"
He left America on the 22nd of April, and the
following extract from the New York Tribune, of the
i863.] SECOND VISIT TO AMERICA. 303
day after, will convey the best impression of the great
respect paid to him, and the general regret expressed
at his departure : —
*' The Russia left her wharf early yesterday morning, and
steamed down the bay. V/hen near Statcn Island, she rounded
to and waited for mails and passengers to arrive by the tugboat
from Jersey city. When the boat came alongside, bearing,
among others, M. Paul du Chailhi and Mr. George "W. Childs,
the passengers crowded to the side to catch a glimpse of Mr.
Dickens, who, leaning over the rail on the quarter-deck of the
Russia, smiled and nodded to his friends below. Two hours
before he had left the Westminster Hotel, amid the cheers of
those who had gathered to bid him farewell, and as he entered
his carriage, bouquets tossed by fair hands from windows fell at
his feet. In order to avoid a crowd of spectators, he left the
city from the foot of Spring Street, in the private tugboat of
his friend Mr. Morgan. On board the tug were Mr. James T.
Fields, of Boston, Mr. Anthony and Mr. Eytinge, artists, Mr.
William Winter, Mr. Osgood, of Ticknor and Fields' (this
gentleman has accompanied Mr. Dickens throughout his Ameri-
can campaign), Mr. H. D. Palmer and his associate, Mr. H. C.
Jarrett, of Niblo's, and Mr. Marshall B. Wild, of Boston. The
last-named gentleman was Mr. Dickens's ticket agent. Before
he bade his farewell, Mr. Dickens acknowledged the value of
his agent's services by making him a present of a cheque for
150 dollars. They steamed down the bay, followed by the
police-boat, having on board Mr. Thurlow Weed, the superin-
tendent of police, and a number of ladies bearing beautiful
bouquets for Mr. Dickens. They reached the Russia, and v/ere
soon on board. The state-room prepared for Mr. Dickens was
laden with flowers.
" A basket.^ elegantly arranged, was presented to him by Mr,
304 LIFE OF CHARLES DICKENS. [iS6S.
Childs. In the centre. In white carnations, upon a ground of
red roses, was the word 'Farewell,' and below, the initials
' C. D/
" It was a lovely day — a clear blue sky overhead. As he
stood resting on the rail, chatting with this friend and writing
an autograph for that one, the genial face all aglow with delight,
it was seemingly hard to say the word ' Farewell,' yet the tug-
boat screamed the note of warning, and those who must return
to the city went down the side.
" All had left save Mr. Fields. ' Boz ' held the hand of the
publisher within his own. There was an unmistakable look on
both faces. The lame foot came down from the rail, and the
friends were locked in each other's arms.
" Mr. Fields then hastened down the side, not daring to look
behind. The lines were * cast off.'
" A cheer was given for Mr. Dolby, when Mr. Dickens
patted him approvingly upon the shoulder, saying, 'Good
boy.'
" Another cheer for Mr. Dickens, and the tug steamed away.
"'Good-bye, 'Boz.'
" ' Good-bye,' from Mr. Fields, who stood the central figure
of a group of three, Messrs. Du Chaillu and Childs upon each
side.
" Then 'Boz' put his hat upon his cane and waved it, and the
answer came ' Good-bye,' and ' God bless you, every one !' "
After a pleasant homeward voyage, he arrived at
Liverpool, on ist May, 1868.
During his stay, he was besieged to such an extent
with applications for his autograph, that he was
obliged to have a printed form in reply : —
" To comply zvith your modest request would not he
reasonably possible^
r868.] SECOXD VISIT TO AMERICA. 305
To envelope, direct, and post these replies, the ser-
vices of three secretaries were required.
Applications of another kind, however, were
personally attended to. Thus It was told there,
that a lady of Charleston, a great admirer of Mr.
Dickens's writings, but unfortunately paralyzed m
her limbs from an accident, so that she could not
walk, wrote to ask If the doors of the '' Temple "
could be opened to her earlier than the usual hour, that
she ml^rht be lifted into the hall unobserved. Mr.
Dickens immediately acknowledged the note, gave
the requisite order for the lady's accommodation, and
claimed the honour of presenting her, besides, with
complimentary tickets of admission.
It is a curious fact, that the smallest house which
welcomed Mr. Dickens anywhere in America was
Rochester, New York State, where the reading
"netted" only 2,500 dollars. The largest receipts,
on several occasions, exceeded 6,000 dollars.
Mr. Dickens's capabilities as a pedestrian had been
discussed in America long before he arrived there,
and our Transatlantic friends were not satisfied until
a " match " had been brought about. This was ar-
ranged at Boston, betwixt Mr. Dolby (Mr. Dickens's
English agent) and Mr. Osgood (the American pub-
lisher). The distance was to be twelve miles, and
the contest was to take place on the Mill-dam Road,
towards Newton. Mr. Dickens and Mr. Fields (the
publisher) were to be umpires, and had to walk the
whole twelve miles with their respective men. Im-
U
3o6 LIFE OF CHARLES DICKENS. [1868,
mediately the match was made known, the papers
teemed with particulars concerning it. " Dickens,"
one journal said, "was a superb pedestrian, good for
thirty miles ' on end ' any day." The articles were
drawn up by the great author, and subscribed to by
all four gentlemen. The public were, however, not
made acquainted with the place or the time until
after the contest was over. The affair came off on
the following Saturday, at twelve o'clock. The
pedestrians were all, it is said, " appropriately cos-
tumed, and they went at a tremendous pace. The
first six miles were accomplished in one hour and
twenty-three minutes, and the return six miles were
finished by Mr. Osgood (the American) in one hour
and twenty-five minutes, he winning the match by
exactly seven minutes. An elegant dinner was given
by Mr. Dickens at the Parker House, the same even-
ing, to signalize the occasion." This anecdote shows
the heartiness v/ith which he entered into any healthy
out-door sport he cared to join in, and his gameness
and youthful vigour in keeping up with men not
more than half his age.
Whilst v/e are upon the subject of our author's
pedestrian tastes, we may mention that, like Dr.
Johnson, Dickens was singularly fond of the old
city streets and alleys when emptied of the busy
throng that filled them in the day-time. Lord Jeffrey,
writing to him once, remarked : — " How funny, that
besoin of yours for midnight rambling in city streets ;
and how curious that Macaulay should have the same
i868.] SECOND VISIT TO AMERICA. 307
taste or fancy ! If I thought there was any such
inspiration as yours to be caught by the practice, I
should expose my poor irritable trachea, I think, to
a nocturnal pilgrimage, without scruple. But, I fear,
I should have my venture for my pains."
The reader may remember our extract from his
letter to the Countess of Blessington, where he says —
in allusion to his habit of walking at nights whilst
planning out a nev/ novel — " I go wandering about
at night into the strangest places, according to my
usual propensity at such times, seeking rest and find-
ing none."
A story is told that on one pedestrian occasion he
was taken for a "smasher." He had retired to rest
at Gad's Hill, but found he could not sleep, when he
determined to turn out, dress, and walk up to London
— some thirty miles. He reached the suburbs in the
gray morning, and applied at an "early" coffee-
house for some refreshment, tendering for the same
a sovereign, the smallest coin he happened to have
about him.
" It 's a bad 'un," said the man, biting at it, and
trying to twist it in all directions, " and I shall give
you in charge." Sure enough the coin did have a
suspicious look. Mr. Dickens had carried some sub-
stance in his pocket which had oxydized it. Seeing
that matters looked awkward, he at once said, " But I
am Charles Dickens ! "
" Come, that won't do ; any man could say he was
* Charles Dickens.' How do I know ?" The man
U 2
3o8 LIFE OF CHARLES DICKENS. [i868.
had been victimized only the week previously, and
at length, at Mr. Dickens's suggestion, it was arranged
that they should go to a chemist, to have the coin
tested with aquafortis. In due course, when the
shops opened, a chemist was found, who' immediately
recognized the great novelist — notwithstanding his
dusty appearance — and the coffee-house keeper was
satisfactorily convinced that he had not been enter-
taining a "smasher."
It is pleasant to know, that upon the great novel-
ist's return to England, the farmers and neighbours
around Gad's Hill draped their houses with flags to
receive him. " He was extremely popular in the
place where he lived," says our informant ; " he was
a man of practical charity at home and abroad, and
gave away large sums judiciously every year. Indeed
he would get up in the night and go ten miles to aid
any one who was suffering."
"No Thoroughfare" was the title of the Christmas
liumber of All the Year Round, which appeared
during Dickens's absence in the Christmas of 1867.
It consisted of a sensational story, the joint produc-
tion of Dickens and Wilkie Collins.
It was dramatized by the authors, and had a most
successful run at the Adelphi Theatre for 151 nights,
and was then produced at the Royal Standard by
the same company, which consisted of the following
distinguished actors and actresses : Messrs. Benjamin
Webster, Fechter, Belmore, and Neville ; Mesdames
Mellon and Billington, and Miss Carlotta Leclercq.
1868.J SECOND VISIT TO AMERICA. 309
" Holiday Romance " and " George Silverman's
Explanation," both by Dickens, and published in All
the Year Roiindy in the months of January to March,
1868, attracted some slight attention, but did not add
very much to his fame as an author.
— «»-
CHAPTER XXIX.
THE FAREWELL READINGS. — FAILING HEALTH.
HE "Farewell Readings," which commenced
towards the close of 1868, will be too
familiar to most readers to require other
than a passing mention of them. The Messrs. Chap-
pell, the well-known music-publishers of Bond
Street, had contracted with Mr. Dickens for a given
number of final readings, to take place in the prin-
cipal towns of England, Ireland, and Scotland ;
and the enormous crowds who thronged to hear them
showed the unabated interest all classes took in the
great novelist and his books.
In the month of November, 1868, a new series of
All the Year Round appeared, the first series having
reached twenty volumes. It was marked by the disap-
pearance of his popular Christmas number, by reason
— Mr. Dickens said — that it had been so extensively
and regularly and often imitated, that it was in very
great danger of becoming tiresome, — a statement
which was not at all well received by the press,
which said, very truly, that, to the great body of
readers, the absence of the Christmas number would
be a national disappointment.
1869.] THE FAREWELL READINGS. 3ti
Continuing the readings in London and the pro-
vinces, Dickens at last reached Liverpool, where it
was forthwith resolved to entertain him at a grand
banquet. This took place on Saturday evening, the
loth April, 1869, at the St. George's Hall, the Mayor
presiding. At the time, it v/as spoken of as being
one of the most sumptuous gatherings of the kind
ever seen in this country. The number of ladies
and gentlemen who sat down to dinner was about
700. The invited guests, in addition to the guests
of the evening, were Lord Dufferin, M. Alphonse
Esquiros, Lord Houghton, A. TroUope, Palgrave
Simpson, W. Hepworth Dixon, Andrew Halliday,
Joseph Mayer, F.S.A., G. A. Sala, A. TroUope, jun.,
and Charles Dickens, jun. Next to Mr. Dickens,
Lord Dufterin made the best speech, and some of
his allusions to the good effects which the writings
of their guest were destined to exercise over all
English-speaking peoples were admirable. Concern-
ing the friendly hint which Lord Houghton gave our
author, that, had he sought Parliamentary honours,
he might have done his country good service, and have
been rewarded by titles of honour, this extract from
his speech has a biographical significance : — " When
I first took literature as my profession in England,
I calmly resolved within myself that, whether I suc-
ceeded or whether I failed, literature should be my
■sole profession. It appeared to me at that time that
it was not so vv^ell understood in England as it was
in other countries that literature was a dignified pro-
312 LIFE OF CHARLES DICKENS. [1869
fession, by which any man might stand or fall. I
made a compact with myself that in my person
literature should stand, and by itself, of itself, and
for itself; and there is no consideration on earth
"^ which would induce me to break that bars^ain."
Continuing the ''Farewell Readings" with un-
varied success, he reached Preston a fortnight after,
but became so ill there that he was forbidden by his
medical advisers to read again until the following
year. A personal friend, who was with him on this
journey, thus describes his indisposition. The friend
had gone down to Leeds at Mr. Dickens's request : —
*' After the business of the eveninc^ was over we
supped together at the Queen's Hotel, and I noticed
that he (Dickens) looked jaded and worn, and had to
a certain extent lost that marvellous elasticity of
spirits which was his great characteristic. He was
suffering, too, from an inflammation of the ball of
the foot, which had previously occasioned him some
annoyance, and the origin and cause of which could
never be rightly settled by his medical attendants,
although amongst those whom he had consulted
about it were Sir Henry Thompson and Professor
Syme.
" He relieved himself of his boot immediately on
gaining the room, and while he remained sat with
his foot swathed in lotioned bandages ; but he was
evidently fatigued and depressed, and retired early.
The next morning at breakfast his ordinary cheer-
fulness had returned, and he rallied the writer, who
1869.] THE FAREWELL READINGS. 313
was about to visit Sheffield in the rain which was
then pouring down, about his probable chances of
pleasure, remarking that *it was just the kind of day
in which the loveliness of the locality would be seen
to the highest advantage.' On the Thursday in the
next week Mr. Dickens was to read at Preston, but
still feeling ill had summoned his friend and usual
medical attendant, Mr. Frank Beard, of Welbeck-
street, to meet him there. On Mr. Beard's arrival he
at once saw the gravity of the case, and instantly
ordered Mr. Dickens then and there to give up all
bodily and mental exertion for the time. In vain it
was urged that an enormous number of tickets had
been sold for that evening's reading. Mr. Beard
would hear of no excuse, but carried off Mr. Dickens
with him to London by the five o'clock train.
*' The precaution thus seasonably taken seemed to
have due effect. Mr. Dickens retired to his residence
at Gad's Hill, and, implicitly obeying the orders of his
physicians, appeared soon to regain his normal state
of physical health and strength. Indeed, a very few
weeks afterwards, replying to an inquiry made by a
friend as to his condition, he wrote, * After all that
has been said, I feel almost like an impostor ; I am
so unconscionably well.'" *
This illness served to bring him under the notice of
several bigots and fanatics, who pestered, him with
tracts, and preached at him. But soon after, in his
* Oi^jfr err, June 12th, 1870.
314 LIFE OF CHARLES DICKENS. [1869.
own periodical and in his own earnest manner, he
showed them how distasteful these pertinaceous at-
tentions were to him, and how very unnecessary he
considered them. It is believed now that these were
the first symptoms of the malady which finally
carried him off.
The great International University Boat Race
between Oxford and Harvard having taken place on
the 27th August, the London Rowing Club invited
the crews to dinner at the Crystal Palace on the
following Monday. Desirous of showing his
American friends the love he bore their country,
and of expressing his sympathy with a healthy and
manly exercise, he at once accepted the invitation
to be present, and on the occasion delivered one of
his very best speeches, — notwithstanding that he
was in the doctor's hands at the time. t
His health continuing to improve, he was, on the
27th of September, enabled to deliver the annual
address at the commencement of the winter session
of the Birmingham and Midland Institute, of which
Mr. Dickens was president. This was his longest
effort in public speaking, and although somewhat
seviere and didactic when comxpared with former
speeches, it is an admirable example of his inimit-
able style. It was delivered — one who was present
during the delivery informs us — without note of any
kind, except the quotation from Sydney Smith, and
without a single pause. Respecting Mr. Dickens's
concluding words, when acknowledging the vote of
1870.1 THE FAREWELL READINGS. 315
thanks : — " My faith in the people governing is, on
the whole, infinitesimal ; my faith in the People
governed is, on the whole, illimitable," considerable
discussion arose in the public prints as to the precise
meaning the speaker desired to convey. But in the
following January (1870), when he attended at the
Institute to distribute the prizes and certificates to the
most successful students, he gave this explanation : —
'^ When I was here last autumn I made, in reference
to some remarks of your respected member, Mr.
Dixon, a short confession of my political faith — or
perhaps I should better say, want of faith. It
imported that I have very little confidence in the
people who govern us — please to observe ^ people *
there will be with a small ' p,' — but that I have great
confidence in the People whom they govern — please
to observe * People ' there with a large * P.' This
was shortly and elliptically stated, and was with no
evil intention, I am absolutely sure, in some quarters
inversely explained. Perhaps, as the inventor of a
certain extravagant fiction, but one which I do see
rather frequently quoted as if there were grains of
truth at the bottom of it — a fiction called the * Circum-
locution Office,' — and perhaps also as the writer of
an idle book or two, whose public opinions are not
obscurely stated — perhaps in these respects I do not
sufficiently bear in mind Hamlet's caution to speak
by the card, lest equivocation should undo me.
" Now I complain of nobody ; but simply in order
that there may be no mistake as to what I did mean,
3i5 LIFE OF CHARLES DICKENS. [1870.
and as to what I do mean, I will re-state my mean-
ing, and I will do so in the words of a great thinker,
a great writer, and a great scholar,* whose death,
unfortunately for mankind, cut short his * History of
Civilization in England : ' — ' They may talk as they
will about reforms which Government has introduced
and improvements to be expected from legislation,
but whoever will take a wider and more commanding-
view of human affairs, will soon discover that such
hopes are chimerical. They will learn that lawgivers
are nearly always the obstructors of society instead
of its helpers, and that in the extremely few cases
v/here their measures have turned out well, their
success has been owing to the fact that, contrary to
their usual custom, they have impHcitly obeyed the
spirit of their time, and have been — as they always
should be — the mere servants of the people, to
whose wishes they are bound to give a public and
legal sanction.' "
During the past winter Dickens resumed his read-
ings at St. James's Hall, and to avoid the necessity of
frequent journeyings to and from Gad's Hill, he rented
for six months the town house of his old friend, Mr.
Milner Gibson, in Hyde Park-place, which he con-
tinued to occupy up to the end of May last. This
house in future will have a special interest, from the
fact that here, in his bedroom on the first floor,
with the roar of Oxford-street beneath him — his
* Henry Thomas Buckle.
THE HOME OF CHARLES DICKENS
Nov. 1869 — ALw. 1870.
No. 5 HYDE PARK PLACE.
Mr. Mihier Gib.son'.s house, which Dickens rented during the winter months. It wa.i
the temporary home where much of hi.s last unfinished work, " Edwin Drood," was
written. He only lived a few weeks after his return to Gad's Hill.
iSyo.] THE FAREWELL READINGS. 317
studies suffered no interruption from street noises — a
large part of his unfinished work, " Edwin Drood,"
was Avritten.
We may mention that Mr. Dickens's father-in-law,
Mr. George Hogarth, died on the 12th February, in
his 87th year. In his earher days he was Sir Waher
Scott's law agent, and was personally acquainted
with most of the literary characters of the day.
Christopher North, in "Noctes Ambrosianae," makes
mention of him. He was musical critic on the staff
of the Daily Nezvs, from the time of its starting until
1866, when failing health compelled him to resign his
post.
On the 15th of March Dickens gave his "Farewell
Reading," at St. James's Hall, It was his favourite
selection — the " Christmas Carol," and " The Trial
from Pickwick." Long before the hour appointed,
the thoroughfare leading to the hall was blocked up,
and when the doors were open every seat was instantly
taken, and many thousands of people were unable
to obtain admittance. As if to assure his auditors
that his powers were undiminished, he read with more
than usual spirit and energy, and his voice was clear
to the last. At the conclusion, and after the " Trial
from Pickwick," in which the speeches of the oppos-
ing counsel, and the owlish gravity of the judge,
seemed to be delivered and depicted with greater
dramatic power than ever, the applause of the audi-
ence rang for several minutes through the hall, and
when it had subsided, Mr. Dickens, with evidently
3X8 LIFE OF CHARLES DICKENS. [1870.
strong emotion, but in his usual distinct and impres-
sive manner, spoke as follows : —
" Ladies and gentlemen, — It would be worse than
idle — for it would be hypocritical and unfeeling —
if I were to disguise that I close this episode in my
life with feelings of very considerable pain. For
some fifteen years, in this hall and in many kindred
places, I have had the honour of presenting my own
cherished ideas before you for your recognition, and,
in closely observing your reception of them, have
enjoyed an amount of artistic delight and instruction
which, perhaps, is given to few men to know. In
this task, and in every other I have ever undertaken,
as a faithful servant of the public, always imbued
with a sense of duty to them, and always striving to
do his best, I have been uniformly cheered by the
readiest response, the most generous sympathy, and
the most stimulating support. Nevertheless, I have
thought it well, at the full flood-tide of your favour,
to retire upon those older associations between us,
which date from much further back than these, and
henceforth to devote myself exclusively to the art
that first brought us together. Ladies and gentlemen,
in but two short weeks from this time I hope that
you may enter, in your own homes, on a new series
of readings, at which my assistance will be indis-
pensable ;* but from these garish lights I vanish now
for evermore, with a heartfelt, grateful, respectful, and
affectionate farewell."
* Alluding to the forthcoming serial story of " Edwin Drood.'*
iSjo.] FAILING HEALTH. 319
The Speaker then retired, amidst acclamations of
the most enthusiastic description, hats and handker-
chiefs being waved in every part of the hall.
Since the illustrious author's decease, this address
has acquired a peculiar significance by reason of that
almost prophetic line : ''From these garish lights I
vanish now for evermore."
Shortly after, on April 5, he was with his friends
the Newsvendors, presiding at the annual dinner of
their Benevolent and Provident Institution, He was
in excellent spirits, and his speech upon the occasion
was a most humorous one. Those who were present
will remember with what inimitable gravity he told
this story : —
" I was once present at a social discussion, which
originated by chance. The subject was, ' What was
the most absorbing and longest-lived passion in the
human breast .'' What was the passion so powerful
that it would almost induce the generous to be mean,
the careless to be cautious, the guileless to be deeply
designing, and the dove to emulate the serpent ? *
A daily editor of vast experience and great acuteness,
who was one of the company, considerably surprised
us by saying with the greatest confidence that the
passion in question was the passion of getting orders
for the play.
*' There had recently been a terrible shipwreck, and
very few of the surviving sailors had escaped in an
open boat. One of these on making land came
straight to London, and straight to the newspaper
320' LIFE OF CHARLES DICKENS. [1870.
office, with his story of how he had seen the ship go
down before his eyes. That young man had witnessed
the most terrible contention between the powers of
fire and water for the destruction of that ship and of
every one on board. He had rowed away among the
floating, dying, and the sinking dead. He had floated
by day, and he had frozen by night, with no shelter
and no food, and, as he told this dismal tale, he rolled
his haggard eyes about the room. When he had
finished, and the tale had been noted down from his
lips, he was cheered, and refreshed, and soothed, and
asked if anything could be done for him. Even
within him that master passion was so strong that he
immediately replied he should like an order for the
play."
" One of his latest acts in the way of business,"
Mr. Hingston writes to us, "was in relation to Miss
Glyn, and her then approaching reading at St. James's
Hall, with her departure for Australia. I persuaded
Miss Glyn, some five weeks since, to take a trip to
Australia, and I drew out a form of agreement.
Dickens took great interest in her welfare ; the
agreement had to be submitted to him. It was sent
back with his annotations and suggestions, all of
which were eminently practical, and very illustrative
of his keen business abilities. He acted as a lawyer
would for a client."
Towards the end of the month he again became
indisposed. A promise that he had made to dine
at the annual dinner of the General Theatrical Fund
1870.] FAILING HEALTH. 321
he found himself unable to keep, and at the last
moment he telegraphed that he was too unwell to
attend. Two days later he sent a short note to one
of his intimates, postponing a little expedition which
had been arranged, and stating that the old enemy in
his foot was again causing him annoyance.
On 2nd May he was better — sufficiently well,
indeed, to accept the invitation of his artist friends,
and to dine with them at the opening of the Royal
Academy.
Mr. Arthur Locker writes : — '' The last time I saw
him was a few weeks since, when I had the pleasure
of meeting him at dinner. To all outward appear-
ance he then looked like a man who would live and
work until he was fourscore. I was especially struck
by the brilliancy and vivacity of his eyes. There
seemed as much life and animation in them as in
twenty ordinary pairs of eyes."
It was at the Academy dinner that he made his
last public speech, and his concluding words upon
this occasion were a tribute to the memory of his
dear friend, Daniel Maclise, then recently deceased : —
" Since," he said, " I first entered the public lists, a
very young man indeed, it has been my constant
fortune to number amongst my nearest and dearest
friends members of the Royal Academy who have
been its grace and pride. They have so dropped
from my side, one by one, that I already begin to
feel like the Spanish monk, of whom Wilkie tells,
who had grown to believe that the only realities
X
322 LIFE OF CHARLES DICKENS. [1S70.
around lilm were the pictures which he loved, and
that all the moving life he saw, or ever had seen, was
a shadow and a dream.
'' For many years I was one of the two most in-
timate friends and most constant companions of the
late Mr. Maclise. Of his genius in his chosen art I
will venture to say nothing here, but of his prodigious
fertility of mind, and wonderful Avealth of intellect, I
may confidently assert that they would have made
him, if he had been so minded, at least as great a
writer as he was a painter. The gentlest and most
modest of men, the freshest as to his generous ap-
preciation of young aspirants, and the frankest and
largest-hearted as to his peers, incapable of a sordid
or ignoble thought, gallantly sustaining the true
dignity of his vocation, without one grain of self-
ambition, wholesomely natural at the last as at the
first, ' in wit a man, simplicity a child,' no artist, of
whatever denomination, I make bold to say, ever
went to his rest leaving a golden memory more pure
from dross, or having devoted himself with a truer
chivalry to the art goddess whom he worshipped."
CHAPTER XXX.
INTERVIEW WITH THE QUEEN. — LAST ILLNESS.—
DEATH. — BURIAL IN WESTMINSTER ABBEY.
NLY since the death of Mr. Dickens Is It that
the high respect in which Her Majesty has
ahvays held the great noveHst and his writ-
ings has become generally known, but for many years
past our Queen has taken the liveliest interest in his
literary labours, and has frequently expressed a desire
for an interview with him. And here it may not be
tmlnteresting to mention a circumstance in illustration
of Her Majesty's regard for her late distinguished
subject which came under the writer's personal notice.
Six years ago, just before the library of Mr. Thackeray
was sold off at Palace Green, Kensington, a catalogue
of the books was sent to Her Majesty — In all proba-
bility by her request. She desired some memorial of
the great man, and preferred to make her own
selection by purchase rather than ask the family for
any memento by way of gift. There Avere books
with odd drawings from Thackeray's pen and pencil;
X 2
324 LIFE OF CHARLES DICKENS. [1870.
there were others crammed with MS. notes, but there
was one lot thus described in the catalogue : —
Dickens (C.) A Christmas Carol, in prose, 1843 ;
Presentation Copy,
INSCRIBED
" W. M. Thackeray, front diaries Dickens (ivhoni he
made very happy once a long way from home)!'
Her Majesty expressed the strongest desire to
possess this, and sent an unlimited commission to buy
it. The original published price of the book was 5 s.
It became Her Majesty's property for £2^ los., and
was at once taken to the palace.
The personal interview Her Majesty had long
expressed a desire to have with Mr. Dickens took
place on the 9th April, 1870, when he received her
commands to attend her at Buckingham Palace, and
accordingly did so, being introduced by his friend,
Mr. Arthur Helps, the Clerk of the Privy Council.
The interview was a lengthened one, and most
satisfactory to both. In the course of it Her Majesty
expressed to him her warm interest in and admiration
of his works, and on parting presented him with a
copy of her own book, " Our Life in the Highlands,"
with an autograph inscription, '' Victoria R. to Charles
Dickens," on the flyleaf; at the same time making a
charmingly modest and graceful remark as to the
relative positions occupied in the world of letters by
the donor and the recipient of the book.
Soon after his return home, he sent to Her Majesty
1870.] INTERVIEW WITH THE QUEEN. 325
an edition of his collected works ; and when the
Clerk of the Council recently went to Balmoral
the Queen, knowing the friendship that existed
between Mr. Dickens and Mr. Helps, showed the
latter where she had placed the gift of the great
novelist. This was in her own private library, in
order that she might always see the books ; and Her
Majesty expressed her desire that Mr. Helps should
inform the great novelist of this arrangement.*
Since our author's decease, the journal with which
he was formerly connected has said : —
" We were not at liberty at that time to make
known that the QuEEN was then personally occupied
with the consideration of some means by which she
might, in her public capacity, express her sense of
the value of Mr. DiCKENS'S services to his country
and to literature. It may now be stated that the
Queen was ready to confer any distinction which
Mr. Dickens's known views and tastes would permit
him to accept, and that after more than one title of
honour had been declined, Her Majesty desired
that he would, at least, accept a place in her Privy
Council."
Three days before this he had attended the levee,
and been presented to her son H. R. H. The Prince
* Immediately on his return from Balmoral, Mr. Helps
wrote to Mr. Dickens, in pursuance of Her Majesty's desire ; but
the letter that contained so remarkable a tribute to the great
novelist could only have reached Gad's Hill while he lay uncon-
scious and dying.
326 LIFE OF CHARLES DICKENS. [1870-
of Wales, introduced by the Earl De Grey and
Ripon.
His daughter, Miss Dickens, was presented at
Court to Her Majesty on the loth of the following
month, introduced by the Countess Russell.
As recently as the 17th of May last, among tlie
names appearing in the Court Ciradar as having
attended the State Ball at Buckingham Palace on
that day, were those of Mr. and Miss Dickens.
The fact of Mr. Dickens going more into society
than usual during the past spring, and entertaining
his friends — always with the utmost hospitality —
rather more frequently than was his custom, had
been observed by those who knew him. But he con-
tinued to complain that he was not well, and when he
felt a little of his old robust health returning to him
he seemed to desire the recreation of society, the
company of friends. Literary composition was a
task — not a pleasure, as formerly.
As showing his great fondness for the stage, it
may be mentioned, that almost the last — if not
the very last — occasion on which he appeared in
London society, was in connection with an ex-
hibition of amateur theatricals given at the house of
Mr. Freake, at South Kensington, only a very few
days before his death.
" The Mystery of Edwin Drood," we are told, gave
its author more trouble than any of his former works.
He complained of this, perhaps with a sad presage of
the truth. He had, he thought, told too much of the
1870.] LAST ILLNESS. 327
story In the early numbers, and his thoughts did not
flow so freely as of yore.
The personal friend, who has before assisted us
with his reminiscences, shall tell the rest : —
" Unquestionably he had very much aged in
appearance during the two previous years ; the
thought-graven lines in his face were deeper, the
beard and hair v/ere more grizzled, the complexion
ruddier, but not so healthy in hue. He walked, too,
less and less actively — latterly, indeed, dragging one
leg rather wearily behind him. But he maintained
the bluff, frank, hearty presence, and the deep cheery
voice ; his hand, given to his friend, had all its affec-
tionate grip, and the splendid beauty of the dark
eyes remained undimmed to the last.
" Hov/ that last came about is now well known.
He returned homiC to Gad's Hill, v/here, during his
absence, some ornamental alterations, which he had
previously planned, had been carried out, on Tuesday,
the 31st of May. He vv^as not then in good health,
and complained that his work fatigued and worried
him. On Wednesday, while sitting at dinner
with his sister-in-law. Miss Hogarth, a change came
over the expression of his face, which alarmed his
companion. She proposed to send for medical assis-
tance, but he refused, putting his hand to his face,
complaining of toothache, and desiring that the
window might be shut. It was shut at once, and he
rose to leave the room, but after taking a few steps,
he fell heavily on his left side, and remained uncon-
323 LIFE OF CHARLES DICKENS, [1870.
scious until his death, which took place at ten minutes
past six, on Thursday, June 9, 1870, just twenty-
four hours after the attack. Medical assistance had
been summoned ; Mr. Frank Beard, Mr. Steele, of
Strood, and Dr. Russell Reynolds all saw him, but
he was beyond the reach of science.
*' He died of apoplexy — an effusion of blood on
the brain — and an attack of this kind must have
been apprehended by Mr. Frank Beard, when he
caused such prompt and decisive measures to be
taken last year at Preston."
That he died from overwork is now too clear. The
day preceding his death had been passed at the desk
in literary composition and correspondence, and
already three letters written by him on that day
have been published.
Only a few weeks before he wrote to a friend : — ** I
have ' placed ' your touching poem, ' The God's Acre,'
which will appear in the next number." The poem
describes a very old man, and a very young child, in
a churchyard, on a sunny Sunday ; the old man
reflecting, the child gathering flowers ; and predicts
that, as the " old, old fruit has ripened, death will not
tarry long." Contrary to probability, it is the little
child that dies within a few days, and not the octo-
genarian. The verses conclude with a reflection that,
in the after-light shed upon it by Dickens's early
death, possesses a mournful interest : —
1870.] DEA TH. 329
** Whom the gods love die early :
Our Father knoweth best.
And it is wrong to murmur
At the high behest.
Sleep gently, blighted blossom ;
Sleep, and take thy rest."
When Mr. Helps received the news of Dickens's
death he immediately telegraphed the fact to Her
Majesty, at Balmoral, and received the subjoined
sympathetic response, *' From Colonel Ponsonby to
Mr. Helps, Council Office — The Queen commands
me to express her deepest regret at the sad news of
Charles Dickens's death."
He died on the anniversary of the dreadful Staple-
hurst railway accident, and the shock his nerves
received on that occasion it is believed he never en-
tirely got over.
" The friends in the habit of meeting Mr. Dickens
privately, recall now the energy with which he depicted
that dreadful scene, and how, as the climax of his
story came, and its dread interest grew, he would rise
from the table, and literally act the parts of the
various sufferers to whom he lent a helping hand.
One of the first surgeons of the day, who was present
soon after the Staplehurst occurrence, remarked that
' the worst of these railway accidents was the diffi-
culty of determining the period at which the system
could be said to have survived the shock, and that
instances were on record of two or three years having
330 LIFE OF CHARLES DICKENS. [1870.
gone by before the sufferer knew that he was seriously
hurt.' "
As if with a presentiment of what was coming, he
completed his will just seven days before he was
struck down. After his wishes had been put into
legal form by his solicitors, he copied out the entire
document in his own handwriting. By a codicil to this
document he bequeathed the whole of his interest in
All the Year Round \.o his acting editor and eldest
son, coupling the bequest with such private instruc-
tions as would, he believed, ensure the character and
merit of the periodical remaining unchanged after he
had gone. Mr. John Forster, who had been on Inti-
mate terms with Dickens for more than thirty years,
and Miss Hogarth, his sister-in-law, and "the best
friend I ever had," to use his own words, were his
appointed executors.
His affairs have been left in perfect order — in that
order which, to the great man throughout life, was
law. Concerning the disposition of his remains clear
instructions were also left behind. He desired no
publicity about his funeral, none of the well-meant
assembling of friends when his remains should be
committed to the earth. It Is understood that he
had expressed a wish to lie in his own favourite
Rochester, as near as possible to the ruins of the
old castle there, and In a spot which he had
already pointed out. The burial-ground referred to
is adjacent to the walls of the castle, and belongs to
the parish of St. Nicholas, Rochester. It has been
1870.J DEA TIL 331
closed for some time, and for it to be re-opened per-
mission of the Secretary of State would have to be
obtained.
But immediately following the sad intelligence of
his death came the universally expressed desire that
his remains should rest in Westminster Abbey — in
that Poet's Corner which has been consecrated to the
greatest, the wisest, the best of our countrymen.
Dean Stanley at once communicated with the
family, and in an interview with Mr. Charles Dickens,
jun., begged that the national wish might be complied
with. This was on the Friday. From that time
until Monday evening the matter was under earnest
consideration. Mr. Dickens's family took counsel
with their father's dearest and oldest friends, and
after due deliberation and consultation on the
terms of the written instructions they held, asked
the Dean of Westminster whether it would be
possible to have certain conditions complied with
if they consented that the interment should be at
Westminster }
The answer was satisfactory, and arrangements
were at once made for the funeral to take place in
the most private manner possible, on the following
day, Tuesday, the 14th June, 1870. A special train,
bearing his remains, left Rochester early in the
morning. At the Charing Cross station a waiting
room had been set apart for the mourners, and on the
arrival of the body, three plain mourning coaches,
having none of the feathers or dismal frippery of the
332 LIFE OF CHARLES DICKENS. [1870.
undertaker, drew up to receive those personal friends
and relatives who were to witness the burial of the
great man. In coming to the Abbey, in the first
coach were the late Mr. Dickens's children, Mr.
Charles Dickens, jun., Mr. Harry Dickens, Miss
Dickens, Mrs. Charles Collins. In the second coach
were Mrs. Austin, his sister ; Mrs. Charles Dickens,
jun. ; Miss Hogarth, his sister-in-law ; Mr. John
Forster. In the third coach, Mr. Frank Beard, his
medical attendant ; Mr. Charles Collins, his son-in-
law ; Mr. Ouvry, his solicitor ; Mr. Wilkie Collins ;
Mr. Edmund Dickens, his nephew.
Upon reaching the Abbey, the doors were imme-
diately closed and the coaches dismissed. The cere-
mony was at once proceeded with. The Dean read
our solemn burial service in a manner which showed
how strong were his own emotions ; and the great
organ chimed subdued and low. The solemnity of
the scene was indeed striking — the vast place empty,
save for the little group of heart-stricken people by
an open grave. A plain oak coffin, with a brass plate
bearing the inscription —
CHARLES DICKENS,
Born February ^th, 1812,
Died June 9TH, 1870,
a coffin strewed with wreaths and flowers by the
female mourners, and then — dust to dust and ashes
to ashes ! — such was the funeral of the great man who
iSjo.] BURIAL IN WESTMINSTER ABBEY. 333
has gone. There were no cloaks, no crapes, no bands
or scarves — none of that mocking paraphernalia of
the professional undertaker which Dickens so strongly
objected to. When the subject of his funeral was
being discussed, Mr. Oilier told us how strongly the
great man had objected to take part in the ceremony
which was performed over the grave of Leigh Hunt,
in Kensal Green, during the past summer.
"In August last," writes Mr. Oilier, one of the
honorary secretaries of the Leigh Hunt Memorial
Fund, "I requested Mr. Dickens to inaugurate the
monument in Kensal Green Cemetery, and to deliver
a short address on the spot — a task which was after-
wards excellently performed by Lord Houghton."
To this the great novelist replied : — " My dear Mr.
Oilier, — I am very sensible of the feeling of the com-
mittee towards me, and I receive their invitation
(conveyed through you) as a most acceptable mark
of their consideration. But I have a very strong
objection to speech-making beside graves. I do not
expect or wish my feeling in this wise to guide other
men ; still, it is so serious with me, and the idea of
ever being the subject of such a ceremony myself
is so repugnant to my soul, that I must decline
to officiate. — Faithfully yours always, Charles
Dickens. Edmund Oilier, Esq."
But the most energetic prot'est against the hideous
fineries of the undertaker is to be found in an article
entitled "Trading in Death," which appeared in
Household Words, about- November, 1852. It is
334 LIFE OF CHARLES DICKENS. [1870.
not generally known that this article — which pro-
duced much comment at the time — came from his
pen.
On Sunday, the 19th June, Dean Stanley preached
the funeral sermon in Westminster Abbey. An
announcement to this effect had been made in the
daily journals, and long before the hour appointed for
the service a vast body of people had assembled at
the doors. Immediately these were opened every
available seat was taken, and many thousands
of persons remained in distant parts of the building
until the conclusion of the sermon. Amonp-st the
many distinguished individuals present, the two
who attracted most notice were the Poet Laureate
and Mr. Thomas Carlyle. Mr. Dickens ever
respected the great genius of Tennyson, and the
poet has always expressed the highest admiration for
the writings of Charles Dickens. It was fitting,
therefore, that the surviving author should be present
at this last ceremony over the great novelist's remains.
The poet was accommodated with a seat inside the
sacrarium ; Mr. Carlyle sat in the body of the
building. The family and relations of Mr. Dickens
were in the gallery to the north of Poet's Corner.
Dean Stanley was not well ; indeed, he had for some
days been complaining of severe indisposition, but, in
spite of physical weakness, he determined to carry out
the duty of the day. He took as his text the verses
in the 15th and i6th chapters of St. Luke, which
embody the parable of the rich man and Lazarus : —
1870.] BURIAL IN WESTMINSTER ABBEY. 335
" He spoke this parable. There was a certain rich man
which was clothed in purple and fine linen and fared
sumptuously every day. And there was a certain
beggar named Lazarus, which was laid at his gate
full of sores, and desiring to be fed with the crumbs
that fell from the rich man's table. And moreover
dogs came and licked his sores."
The eloquent and impressive sermon which followed
was listened to with breathless attention, and many
a cheek was moist with tears during its progress.
There was in the whole scene something unusually
impressive — the enormous congregation covering
every inch of ground in choir, and sacrarium, and
transepts ; the unbroken silence, or broken only by
sobs ; the careworn, delicate face and attenuated
form of the preacher, struggling against overwhelm-
ing bodily weakness to reach the congregation that
hunsc on his li'os.
O J.
After commenting at some length upon the parable
of the New Testament, and especially upon the one
selected for their consideration that morning, the
preacher thus applied the text : —
" It is said to have been the distinguishing glory
of a famous Spanish saint that she was the advocate
of the absent. That is precisely the advocacy of this
divine parable, and of those modern parables which
most represent its spirit — the advocacy, namely, of
the poor, the absent, the neglected, of the weaker
side, whom, not seeing, we are tempted to forget. It
was the part of him whom we have lost to make the
33^ LIFE OF CHARLES DICKENS. [1870.
rich man, faring sumptuously every day, not fail to
see the presence of the poor man at his gate. The
suffering inmates of our workhouses — the neglected
children in the dens and caves of this great city — the
starved ill-used boys in remote schools, far from the
observation of men — these all felt a new ray of sun-
shine poured into their dark prisons, and a new
interest awakened in their forlorn and desolate lot,
because an unknown friend had pleaded their cause
with a voice that rang through the palaces of the
great as well as through the cottages of the poor.
In his pages, with gaunt figures and hollow voices,
they were made to stand and speak before those who
had before hardly dreamed of their existence. But
was it mere compassion which this created } The
same master hand which drew the sorrows of the
English poor drew also the picture of the unselfish-
ness, the kindness, the courageous patience, and the
tender thoughtfulness that lie concealed under many
a coarse exterior, and are to be found in many a
degraded home. When the little workhouse boy
wins his way, pure and undefiled, through the mass
of v/ickedness around him. — when the little orphan
girl, who brings thoughts of Heaven into the hearts
of all around her, is as the very gift of God to the
old man who sheltered her life — these are scenes
which no human being can read without being the
better for it. He laboured to teach us that there is
even in the worst of mankind a soul of goodness
— a soul worth revealing, worth reclaiming, worth
1870.] FUNERAL SERMON. 337
regenerating. He laboured to teach the rich and
educated how this better side was to be found, even
in the most neglected Lazarus, and to tell the poor
no less to respect this better part of themselves — to
remember that they also have a calling to be good
and great, if they will but hear it.
*****
" There is one more thought that arises on this occa-
sion. As, in the parable, we are forcibly impressed
with the awful solemnity of the other world, so on
this day a feeling rises in us, before which the most
brilliant powers of genius and the most lively sallies
of wit wax faint. When, on Tuesday last, we stood
beside that open grave, in the still deep silence of the
summer morning, in the midst of this vast solitary
space, broken only by that small band of fourteen
mourners, it was impossible not to feel that there is
something more sacred than any worldly glory, how-
ever bright — or than any mausoleum, however mighty
— and that is the return of the human soul into the
hands of its Maker. Many, many are the feet that
have trodden, and will tread, the consecrated ground
around his grave. Many, many are the hearts which,
both in the old world and the new, are drawn towards
it as towards the resting place of a dear personal
friend. Many are the flowers that have been strewn
— many the tears that have been shed — by the grateful
affection of the poor that have cried — of the father-
less— and of those that have none to help them.
May I speak to them a few sacred words, that will
Y
338 LIFE OF CHARLES DICKENS. [1870.
come perhaps with a new meaning and a deeper
force, because they come from the lips of their lost
friend — because they are the most solemn utterances
of lips now closed for ever in the grave ? They are
extracted from the will of Charles Dickens, dated
May 12, 1869, and will now be heard by many for
the first time. After the most emphatic injunctions re-
specting the inexpensive, unostentatious, and strictly
private manner of his funeral — injunctions which
have been carried out to the very letter — he thus
continues : —
" 'I direct that my name be inscribed in plain E^iglish
letters on my tomb. I coiijure my friends on no
aceoimt to make me the subject of any monnmenty
^memorial, or testimonial whatever. I rest my claim
to the remembrance of my country on my published
works J and to the remembrance of my friends in their
expericjtce of me in addition thereto. I commit my sold
to the mercy of God, through our Lord and Saviour
Jesus Christ ; and I exhort my dear cJiildrcn humbly
to try to guide themselves by the teacJiing of the New
Testament, in its broad spirit, and to put no faith in
any mans narroiv construction of its letter here or
there!
" In that simple but sufficient faith he lived and
died. In that simple and sufficient faith he bids you
live and die. If any of you have learnt from his
works the value — the eternal value — of generosity, of
purity, of kindness, of unselfishness, and have learnt
to show these in your own hearts and lives, then
1870.] HIS LAST RESTING PLACE. 339
remember that these are the best monuments,
memorials, and testimonials of the friend whom you
have loved, and who loved with a marvellous and
exceeding love his children, his country, and his
fellow-men. These are monuments which he would
not refuse, and which the humblest and poorest
and youngest here have it in their power to raise to
his memory."
The beautiful anthem, " When the ear heard him,"
was then sung, and the remainder of the service was
gone through. The dispersion of the congregation
was a work of time, for, although three doors were
open, nearly every person present passed out by
Poet's Corner, in order to take a last look at Charles
Dickens's grave.
He lies, without one of his injunctions respecting
his funeral having been violated, surrounded by poets
and men of genius. Shakspeare's marble Q^gy looks
upon his grave ; at his feet are Dr. Johnson and
David Garrick ; his head is by Addison and Handel ;
while Oliver Goldsmith, Rowe, Southey, Campbell,
Thomson, Sheridan, Macaulay, and Thackeray, or
their memorials, encircle him. Thus "Poet's Corner,"
the most familiar spot in the whole Abbey, has
received an illustrious addition to its peculiar glory.
Separated from Dickens's grave, by the statues of
Shakspeare, Southey, and Thomson, and close by
the door to " Poet's Corner," are the memorials of
Ben Jonson, Dr. Samuel Butler, Milton, Spenser,
and Gray ; while Chaucer, Dryden, Cowley, Mason,
Y 2
34°
LIFE OF CHARLES DICKENS.
[1S70.
Shadwell, and Prior are hard by, and tell the by-
stander, with their wealth of great names, how —
These poets near our princes sleep.
And in one grave their mansion keep."
A STUDY OF DICKENS'S C H A R A C T E R S
^•
?»\
DRAWN BY "PHIZ"— HABLOT K. BROWNE,
The original delineator of Charles Dickens's principal characters.
APPENDIX.
' N D E R this heading a few detached
anecdotes, and some additional particulars^
are sriven : —
THE FIRST HINT OF ''PICKWICK" :—
A great deal has been said as to the origin
of " Pickwick," and in the chapter devoted to a
consideration of this favourite work, the present
writer has stated from whence the name at least was
taken. He did not, however, for the moment re-
member a conversation upon the subject which he
had with a friend not long since, which conversation
was shortly followed by a letter from him upon this
same topic. The letter runs thus, and the com-
piler of this little book trusts he may be pardoned
for quoting it : —
"When I stated to you that Dickens took his
ideal of novel-writing from the works of Mr. Pierce
Egan, I had nothing but internal evidence to go upon.
342 LIFE OF CHARLES DICA'ENS.
When he began to write, the most popular fictions
were the descriptions of * Life in London ' connected
with the names of ' Tom ' and ' Jerry. ' The grand
object of Dickens, as a noveHst, has been to depict
not so much human hfe as human hfe in London,
and this he has done after a fashion which he learnt
from the ' Life in London ' of Mr. Pierce Egan. If
you remember that once famous book, you will call
to mind how he takes his heroes — the everlasting
Tom and Jerry — now to a fencing-saloon, now to a
dancing-house, now to a chop-house, now to a
spunging-house. The object is not to evolve the
characters of Tom and Jerry, but to introduce them
in new scene after new scene. And so you will find
with Dickens. He invents new characters, but he
never invents them v/ithout at the same time invent-
ing new situations and surroundings of London life.
Other novelists would not object to invent new
characters appearing in the same position of life as
the characters in some preceding novel, and trusting
for novelty to the newness of the surroundings and
the situation. Dickens insists upon putting the new
characters into a new and unexpected trade — doll-
making perhaps, or newsvending — and he has
always in view some new phase of London life
which he is far more anxious to exhibit than the
characters without which it is impossible to bring
the phase into prominence. If you look to his
writings, or if you talk to him, you will find that his
first thought is to find out something new about
ANECDOTES AND REMINISCENCES. 343
London life — some new custom or trade or mode of
living — and his second thought is to imagine the
people engaged in that custom or trade or mode of
living. Now this is Pierce Egan's style — and Dickens,
with rare genius, and with large sympathies, has
followed in grooves which the once celebrated Pierce
laid down. Pierce Egan had no wit, and his con-
versations are not worth mentioning. Dickens riots
in wit, and what Pierce would have shown in a
description, Dickens makes out in a conversation.
But the objects of the two men to magnify London
life, and to show it in all its phases, were the same."
Upon examining Pierce Egan's *' Finish " — a sequel
to his " Life in London " — we certainly find the
characters are somewhat similar to those in " Pick-
wick." In other matters, too, a parallel may be
drawn — thus, the Bench instead of the Fleet, and
the archery match instead of the shooting party.
But the most curious coincidence is that the " Fat
Knight" — the counterpart of Mr. Pickwick — is first
met by Corinthian Tom at the village of Pickwick .'*
* The writer thinks it scarcely necessary to say that these
remarks upon the origin — the first hint — of" Pickwick " are not
to be understood as intended in any way to detract from the
great novelist's fair fame for originality. On the contrary, it
is believed that the time has now come when it will be a
delight with students to trace his reading, and, if possible, catch
some glimpse of the origin of those inimitable cJiaracters which
will live for ever in English fiction.
344 LIFE OF CHARLES DICKENS.
DICKENS AND THE ''MORNING
CHRONICLED — Various and conflicting accounts
of Dickens's earliest " Sketches " have been given,
and of the circumstances under which he first con-
tributed to the evening edition of the Morning
Chronicle ; but the following extract, which we have
been permitted to make from a long unpublished
letter, will set the question at rest. The letter was
addressed to the late Mr. George Hogarth, then
connected with the Morning Chronicle, and was the
beginning of a friendship between the two which
ended in Mr. Dickens marrying Mr. Hogarth's
daughter : —
" . . . . As you begged me to write an original
sketch for the first number of the new evening paper,
and as I trust to your kindness to refer my applica-
tion to the proper quarter, should I be unreasonably
or improperly trespassing upon you, I beg to ask
whether it is probable that if I commenced a series
of articles, under some attractive title, for the Evening
Chronicle, its conductors would think I had any claim
to some additional remuneration — of course, of no
great amount — for doing so.
" Let me beg you not to misunderstand my mean-
ing. Whatever the reply may be, I promised you an
article, and shall supply it with the utmost readiness,
and with an anxious desire to do my best ; which I
honestly assure you would be the feeling with which
I should always receive any request coming personally
from yourself. .... 1 merely wish to put it to the
ANECDOTES AND REMINISCENCES. 345
proprietors — first, whether a continuation of Hght
papers, in the style of my * Street Sketches,' would be
considered of use to the new paper ; and secondly,
if so, whether they do not think it fair and reasonable
that — taking my share of the ordinary reporting busi-
ness of the Chronicle besides — I should receive some-
thing for the papers beyond my ordinary salary as a
reporter ? " *
The offer was accepted, the then sub-editor informs
us, and ]\Ir. Dickens received an increase in his salary
of from five guineas per week to seven guineas.
PORTRAITS OF DICKENS.— B^sidts those
enumerated in the body of this book, there are others
which should be mentioned. A very remarkable one
was etched about 1837, with the name " Phiz" at the
foot. It represents Dickens seated on a chair, and
holding a portfolio. In the background a Punch-
and-Judy performance is going on. The face has
none of that delicacy and softness about it which
are observable in the Maclise portrait. It looks,
however, more like the real young face of the older
man, as revealed in the photograph now publishing.
This portrait is very rare, and it is understood that
it was withdrawn from publication soon after it ap-
peared. Mr. Hablot K. Browne — the genuine " Phiz "
— denies all knowledge of it.
♦ Dated "13, Furnival's Inn, Tuesday Evening, Jan. 20,
[>835-]"
34^ LIFE OF CHARLES DICKENS.
There exists a portrait by S. Lawrence, which was
lithographed by W. Taylor.
In 1856, Ary Scheffer's portrait of the great
novelist was exhibited in the Royal Academy. It
was hard and cold, and gave general dissatisfaction.
Mr. Frith painted a portrait of his friend, repre-
senting him writing his celebrated compositions at
his plain, but workmanlike, desk. This portrait is
now the property of the great novelist's friend and
executor, Mr. John Forster ; and, in due time, will be
hung on the walls of the National Portrait Gallery.
In the Exhibition of the Royal Academy for 1857,
Mr. Frith exhibited a picture (No. 125), "Kate
Nickleby at Madame Mantalini's." Kate is holding
a mantle, while Miss Knagg (reflected in the cheval
glass) is trying on another.
THE NAMES OF DICKENS'S CHA-
RACTERS.— It is well known that the quaint
surnames of his characters, concerning which essays
have been written, were the result of much pains-
taking. Dickens, with a genius which might have
justified his trusting it implicitly and solely, placed
his chief reliance on his own hard labour. It is said
that when he saw a strange or odd name on a shop-
board, or in walking through a village or country
town, he entered it in his pocket-book, and added it
to his reserve list. Then, runs the story, when he
wanted a striking surname for a new character, he
ANECDOTES AND REMINISCENCES. 347
had but to take the first half of one real name, and
to add it to the second half of another, to produce
the exact effect upon the eye and ear of the reader
he desired.^'
\* In Notes and Qncj'ics for August 28, 1858 (this
periodical takes its motto from one of Mr. Dickens's
characters), it was suggested that the name of
*' Carker " was framed from the Greek, as so much is
said of Mr. Carker's teeth. Mr. Dickens, however,
replied to this, that the coincidence was undesigned.
It has been further suggested that the name was
made up from "canker" and "carking" (as in
" carking care "), which are very expressive of the
blighting influence possessed by Carker.
It has been stated that the Pickwickian names
of Wardle, Lowten, and Dowler occur in the Aimual
Register's account of the Duke of York's trial, 1809.
Some inquiry is made as to the names of Mr.
Dickens's characters in an article on the novelist, in
Blaekzvood's Magazine^ April, 1855.
DESCRIPTION OF '' BOZ'' IN 1844.— Mr.
R. H. Home, in his " New Spirit of the Age," gives
this graphic description of him as he appeared when a
young man : — " Mr. Dickens is, in private, very much
what might be expected from his works — by no
means an invariable coincidence. He talks much or
* Dail^ AV^'j-, June 11, 1870.
348 LIFE OF CHARLES DICKENS.
little according to his sympathies. His conversation
is genial. He hates argument ; in fact, he is unable
to argue — a common case with impulsive characters
who see the whole, and feel it crowding and struggling
at once for immediate utterance. He never talks for
effect, but for the truth or for the fun of the thing.
He tells a story admirably, and generally with
humorous exaggerations. His sympathies are of the
broadest, and his literary tastes appreciate all ex-
cellence. He is a great admirer of the poetry of
Tennyson. Mr. Dickens has singular personal activity,
and is fond of games of practical skill. He is also a
great walker,* and very much given to dancing Sir
Roger de Coverley. In private, the general im-
pression of him is that of a first-rate practical intellect,
with 'no nonsense ' about him. Seldom, if ever, has
any man been more beloved by contemporary authors,
and by the public of his time."
DESCRIPTION OF DICKENS IN 1852.—
Miss Clarke, an American lady, who visited England
in 1852 with Miss Cushman and a friend, in her
* " So much of my travelling is done on foot, that if I
cherished betting propensities, I should probably be found
registered in sporting newspapers under some such title as the
Elastic Novice, challenging all eleven-stone mankind to com-
petition in walking. My last special feat was turning out of
bed at two, after a hard day, pedestrian and otherwise, and
walking thirty miles into the country to breakfast." — (" Sly
Neighbourhoods," Vncotnmcrcial Traveller^
ANECDOTES AND REMINISCENCES. 345
"Haps and Mishaps of a Tour in Europe" (written
under the assumed name of Grace Greenwood),
says : —
"■ He is rather slight, with a symmetrical head,
spiritedly borne, and eyes beaming alike with genius
and humour. Yet, for all the power and beauty of
these eyes, their changes seemed to me to be from
light to light. I saw them in no profound, pathetic
depths, and there was around them no tragic
shadowing. But I was foolish to look for these
on such an occasion, when they were very properly
left in the author's study, with pens, ink, and blotting
paper, and the last written pages of 'Bleak House.'"
BOZ'S TABLE HABITS.— Som^ of the
American newspaper paragraphs about his personal
tastes gave him considerable amusement. Said a
Temperance Joitrnal —
" The prevailing idea, that Mr. Dickens is accus-
tomed to a very generous diet, which has mainly
arisen from the jovial tone of his writings, is quite in-
correct, for we are credibly informed that he is very
careful in such matters 1 "
THE MS. OF " OLIVER TWIST!'— h. portion
of the MS. of " Oliver Twist," which originally
appeared in Bcntleys Miscellany, is still in Mr.
Bentley's possession. It has been suggested that
3SO LIFE OF CHARLES DICKENS.
it might fittingly be placed in the British Museum
by the side of the MS. of Sterne's " Sentimental
Journey."
DICKENS'S BENE VOLENCE.—ThQ late Sheri-
dan Knowles, in a letter to a friend, gave an instance
of his generosity : — " Poor Haydn, the author of the
* Dictionary of Dates,' and the * Book of Dignities *
(I believe I am right in the titles), was working, to
my knowledge, under the pressure of extreme desti-
tution, aggravated by wretchedly bad health, and a
heart slowly breaking through efforts indefatigable, but
vain, to support in comfort a wife and a young family.
I could not afford him at the moment any material
relief, and I wrote to Charles Dickens, stating his
miserable case. My letter was no sooner received
than it was answered — and how .'* By a visit to his
suffering brother, and not of condolence only, but
of assistance — rescue ! Charles Dickens offered his
purse to poor Haydn, and subsequently brought the
case before the Literary Society, and so appealingly
as to produce an immediate supply of £60. I need
not say another word. I need not remark that such
benevolence is not likely to occur solitarily. The fact
I communicate I learned from poor Haydn himself.
Dickens never breathed a word to me about it."
HOOK AND DICKENS.-^*' A comparison
ANECDOTES AND REMINISCENCES. 351
seems almost to force itself upon our notice between
the writings of Hook and those of a still more
popular author, Mr. Charles Dickens. We shall not
be tempted to pursue it further than to remark, that
their subject-matter being in some measure the
same, the former seems to survey society from a level
more elevated and more distant than his competitor ;
his delineations are in consequence genial and
sketchy, those of the latter more technical and
minute. Hook gives you a landscape, while * Boz *
is tracing every leaf of a particular tree. The same
analogy holds good as regards their moral teaching.
Hook is pithy, pointed, and off-hand ; the reflections
of Mr. Dickens are elaborated with a care that
occasionally, perhaps, detracts from their effect.
Hook has undoubtedly the advantage of more ex-
perience of the world, but the palm of originality
must, we should think, be awarded to his rival." —
Barham's Life of TJicodore Hook,
METHODICAL HABITS AND PERSE-
VERANCE.— One who knew him well says : — " He
did not w^ork by fits and starts, but had regular
hours for labour, commencing about ten and ending
about two. It is an old saying, that easy writing is
very difficult reading ; Mr. Dickens's works, so easily
read, were by no means easily written. He laboured
at them prodigiously, both in their conception and
execution. During the whole time that he had a
352 LIFE OF CHARLES DICKENS.
book in hand, he was much more thoughtful and pre-
occupied than in his leisure moments."
*>* Another friend has written : — " His hours and
days were spent by rule. He rose at a certain time,
he retired at another, and, though no precisian, it
was not often that his arrangements varied. His
hours for writing were between breakfast and lun-
cheon, and when there was any work to be done, no
temptation was sufficiently strong to cause it to be
neglected. This order and regularity followed him
through the day. His mind was essentially metho-
dical, and in his long walks, in his recreations, in his
labour, he was governed by rules laid down for him-
self by himself, rules well studied beforehand, and
rarely departed from. The so-called men of busi-
ness, the people who own exclusive devotion to the
science of profit and loss makes them regard doubt-
fully all to whom that same science is not the main
object of life, would have been delighted and amazed
at this side of Dickens's character."
*^* *' No writer set before himself more labori-
ously the task of giving the public the very best.
A great artist, who once painted his portrait while he
was in the act of wTiting one of the most popular
of his stories, relates that he was astonished at the
trouble Dickens seemed to take over his work, at the
number of forms in which he would wTite down a
thoudit before he hit out the one which seemed
ANECDOTES AND REMINISCENCES. 353
to his fastidious fancy the best, and at the compara-
tive smallness of manuscript each day's sitting
seemed to have produced. Those, too, who have
seen the original MSS. of his works, many of which
he had bound and kept at his residence at Gad's Hill,
describe them as full of interlineations and altera-
tions."
MANNER OF LITERAR V COMPOSITION.
— A writer in a weekly journal says : — " I remember
well one evening, spent with him by appointment,
not wasted by intrusion, when I found him, accord-
ing to his own phrase, * picking up the threads ' of
* Martin Chuzzlewit ' from the printed sheets of the
half volume that lay before him. This accounts for
the seeming incompleteness of some of his plots ; in
others, the design was too strong and sure to be
influenced by any outer consideration. He was only
conflrmed and invigorated by the growing applau se,
and marched on, like a successful general, with each
victory made easier by the preceding one. It seemed
hardly to come within his nature to compose in
solitary fashion, and wait the event of a whole work.
No doubt, this resulted in part from his character as
a journalist ; and so did his utter disdain of the shams
which it is the express province of journalism to detect
and expose.
" His composition, easy as it seems in the reading —
indeed, so natural, that it would be difficult to substi-
z
354 LIFE OF CHARLES DICKENS.
tute any truer word in any place — was, we are told,
elaborate and slow. But, in his happier days, the
process was by no means wearisome. It was the love
of the idea, that could not let it go till he had nursed
it to its utmost growth. In this he resembled many
of the greatest humorists, whose enjoyment of their
own fancies is evidenced by the impossibility of
passing them into print while a single mirth-stirring
thought or word could be added to make the picture
perfect. The result was invaluable. With the excep-
tion only of Shakspeare, among English writers of
drama and fiction, no other author than Dickens
yields so many sentences on each page of sterling
value in themselves ; no other author can be read and
re-read with such certainty of finding fresh pleasure
on every perusal. Nowhere, with the one exception,
does so much thought go to finish the production.
It is jeweller's work, inlaying and enriching every
part."*
"■ THE CHIEFS — In his own immediate literary
circle, and amongst those who were on the most
familiar terms with him, the name " Mr. Dickens,"
or " Mr. Charles Dickens," or even " Charles," with
his most intimate friends, was never heard. The
respect felt for his genius — his superiority — took a
more striking, although more familiar form. He was
* Weekly Dispatch, ]unt i8, 1870.
ANECDOTES AND REMINISCENCES. 355
invariably spoken of as ^^ the Chief" ! At All the
Year Round office, the question was never, " Is Mr.
Dickens in ?" but " Has the Cldef arrived ?" " Is the
Chief mr
BL UE INK. — The present habit amongst literary-
men — especially amongst those formerly connected
with Household Words, and more recently with All
the Year Roimd — of using blue in preference to black
ink, arose with Mr. Dickens. "The Chief" disliked
the necessity of blotting his MS. in the progress of
composition, and on finding that a certain make of
blue ink dried almost immediately it left the pen,
he invariably used that kind ever after ; and thus
began the fashion for blue ink among London jour-
nalists.
DICKENS IN PRIVATE LIFE.— One who
was intimately acquainted with him says : — " To
those who never saw Dickens, and who ask whether
he was like his works, we answer emphatically.
Yes. When in congenial society, his humour was
so abundant and overflowing, that the impression
it gave the listener was that it would have been
painful to check it ; while, in nobility and tenderness,
in generous sympathy for all that is elevating and
pure, in lofty scorn of the base, in hatred of the
wrong, Dickens the author and Dickens the man was
z 2
356 LIFE OF CHARLES DICKENS.
one. The stones of his goodness and generosity are
endless. His was the common fate of having to bear
the burdens of others as well as his own, and those
who knew him under circumstances of trial unite in
testifying to the open-handed justice of the man."
*****
** Never was human being more * thorough.' His
friendship was a fervent reality, and he spared no
pains, and withheld no exertion, to save those whom
he thought worthy, and to whom his countenance
was valuable. The whole energy of his nature — and
the passage in ' David Copperfield,' in which the hero
Littrlbutes whatever success he has acquired in this
life to his faculty of devoting his whole strength and
thoughts to the subject in hand, whatever it might
be, precisely describes Charles Dickens himself — was
given to the friend as readily and fully as to the
day's work ; and It would be impossible to say more.
Again, this kindly helpfulness was more valuable in
Dickens than In most men, from his shrewd common
sense, his worldly wisdom, his business habits, his
intense regard for accuracy in detail. Whatever he
said should be done, those who knew him regarded
as accomplished. There was no forgetfulness, no
procrastination, no excuse, when the time for granting
a promised favour came."*
* Dailj TVr:://, June ii, 1870.
ANECDOTES AND REMINISCENCES. 357
SYMPATHY WITH WORKING MEN.--
A friend, writing in the Observer, says : —
" He took a certain honest pride in receiving and
returning the salutations of working people per-
sonally unknown to him as he walked along the
City's streets or the country roads, and he was
greatly pleased by the reception at Christmas time
of numberless small presents, generally of provisions,
sent to him, " in honour of the season," by humble
and anonymous admirers."
A BEGGAR'S ESTIMATE OF HIS
GENEROSITY.— D\c\^(ins has, like others in this
world, been made to suffer every now and then
for his good nature. High up on a list, taken
from the pocket of a begging-letter writer, of
persons easily induced to give money to those who
pleaded distress, was found the name of " diaries
Dickens!' in company with that of an equally kindly,
but more wealthy, charitable person, Miss Burdett
Coutts. His own account of how he has been
victimized by the clever tales of systematic impos-
tors has been told in his own inimitable way in
Household Words,
PARAGRAPH DISEASE.— \Nnimgto a friend
in Boston, Dickens said : — " I notice that about once
in every seven years I become the victim of a para-
358 LIFE OF CHARLES DICKENS.
graph disease. It breaks out in England, travels to
India by the Overland route, gets to America per
Cunard line, strikes the base of the Rocky Mountains,
and, rebounding back to Europe, mostly perishes on
the steppes of Russia from inanition and extreme
cold."
DICKENS AND TH ACKER A F.~Mr. Hodder
tells us that " Thackeray did not keep copies of his
own books. I was at his house when he had com-
pleted the ' Newcomes,* and on looking at the book-
shelves in his studio, I saw a newly-bound copy
of that work, but neither * Vanity Fair,' 'Pendennis,'
nor ' Esmond.' I spoke of this strange want in his
library ; for (said I) Charles Dickens has all his own
works neatly bound in the order of publication."
" Yes," answered Thackeray, " I know he has, and so
ought I ; but fellows borrow them or steal them, and
I try to keep them, and can't."
*^* " In the mere matter of literary style there
is a very obvious' difference. Mr. Thackeray, accord-
ing to the general opinion, is the more terse and idio-
matic, and Mr. Dickens the more diffuse and luxuriant
writer. There is an Horatian strictness and strength
in Thackeray which satisfies the more cultivated taste,
and wins the respect of the severest critic ; but
Dickens, if he is the more rapid and careless on the
ANECDOTES AND REMINISCENCES. 359
whole, seems more susceptible to passion, and rises
to a keener and wilder song. Referring the diffe-
rence of style to its origin in difference of intellectual
constitution, critics are accustomed to say that
Thackeray's is the mind of closer and harder, and
Dickens's the mind of looser and richer, texture —
that the intellect of the one is the more penetrating
and reflective, and that of the other the more
excursive and intuitive." — Masson's British Novelists
and their Styles.
%* An anonymous writer says : — " The first time
I heard Mr. Thackeray read in public, he paid a
tribute to * Boz.' It was the night after the Oxford
election, in which Mr. Thackeray was an unsuccessful
candidate, and the kind-hearted author hastened up
to town to fulfil a promise to give some readings on
behalf of Mr. Angus Reach.* I well remember the
burst of laughter and applause which greeted the
opening words of his reading. * Walking yesterday
down the streets of an ancient and well-known city,
I , but here the allusion to Oxford was recog-
nized, and he had to wait until the merriment it
created had ceased. In alluding to Charles Dickens,
Mr. Thackeray, after speaking with abhorrence of the
impurity of the writings of Sterne, went on to say : —
* The writer is here in error. The Lecture was not de-
livered on behalf of Mr. Reach, but for the fund then being
raised to the memory of the late Douglas Jcrrold.
3f3o LIFE OF CHARLES DICKENS.
' The foul satyr's eyes leer out of the leaves con-
stantly ; the last words the famous author wrote
were bad and wicked — the last lines the poor stricken
wretch penned were for pity and pardon. I think of
these past writers, and of one who lives amongst us
now, and am grateful ior the innocent laughter, and
the sweet and unsullied pages, which the author of
"David Copperfield" gives to my children.' The
author of ^ David Copperfield ' was taken by surprise,
and looked immensely hard at the celling, as if trying
to persuade himself that he was unknown to the
audience. On the same night I heard Thackeray
read Hood's celebrated lines, * One more unfortunate,'
&c."
ANECDOTE OF ABRAHAM LINCOLN,—
Mr. Arthur Locker says that the following sad story
was related to Mr. Dickens by the late Mr. Edwin
Stanton, the famous Secretary of War in the United
States Cabinet. On Good Friday, 1865, there was a
Cabinet Council at Washington, and Mr Stanton
chanced to enter the council chamber some time after
the other members had assembled. As he entered he
heard the President say, " Well, gentlemen, this Is
only amusement. I think we had better now turn to
business." During the meeting he noticed that Mr.
Lincoln was remarkably grave and sedate ; and that,
instead of strolling about the room, as was his usual
wont, dealing out droll remarks, he sat bolt upright
ANECDOTES AND REMINISCENCES. 361
in his chair. On leaving the Council Mr. Stanton
asked one of the other Ministers why the President's
manner was so peculiar, and received the following
explanation : — " When we assembled to-day, Mr.
Lincoln said, * Gentlemen, I dreamt a strange dream
last night for the third time, and on each occasion
something remarkable has followed upon it. After
the first dream came the battle of Bull Run [Mr.
Dickens could not remember the second event], and
now the dream has come again. I dreamt that I was
in a boat on a lake, drifting along without either oars
or sails, when ' At this moment you," said the
Minister, addressing Mr. Stanton, " opened the door,
whereupon the President checked himself, and said,
* I think we had better turn to business.' So we have
lost the conclusion of the dream."
And it was lost for ever. The Council met at half-
past two, and on the same evening President Lincoln
lay dead, slain by the pistol-shot of Wilkes Booth.
THE CONTRIBUTORS TO HOUSEHOLD
WORDS. — The earliest contributor to Household
V/ords may be said to have been Mrs. Gaskell, for,
after the beautiful little introductory address by
Charles Dickens, the new periodical opened with a
fine story from her pen. Many of the small band of
writers who had rallied round Mr. Dickens, and who
formed what may be called the staff of the journal,
were comparatively unknown ; some were altogether
362 LIFE OF CHARLES DICKENS.
novices, whom Mr. Dickens's quick discernment of
talent had marked out as useful collaborateurs.
More than one young writer, Avhose name has since
become familiar to the public, made his debzU here.
One of the first contributors was Mr. W. H. Wills,
who had been editor of Chambers's Joui'naly and who,
for years, acted as Mr. Dickens's working editor, and
confidential secretary. Besides the contributors
enumerated on p. 196, there were Mr. R. H. Home,
the author of "Orion," Douglas Jerrold, and Mr.
James Hannay, who wrote most of the sea-sketches.
Mr. Sala's " Key of the Street," published here, was,
we believe, his first appearance as a magazine writer.
Among other regular contributors may be mentioned
Percy Fitzgerald, Wilkie and Charles Collins, Sidney
Blanchard, Mrs. Gaskell, Walter Thornbury, Mrs.
Linton, Robert Brough, Miss Amelia Edwards, Mr.
J. C. Parkinson, Blanchard Jerrold, W. Allingham.
The names of all the contributors to the journal,
however, would occupy more space than we have at
command.
" THE MYSTER Y OF ED WIN BROOD:*—
Concerning the completion of this, Messrs. Chapman
and Hall, the publishers, have addressed the following
letter to the Times : —
" Sir, — We find that erroneous reports are in circulation
respecting 'The Mystery of Edwin Drood,' the novel on which
ANECDOTES AND REMINISCENCES, 363
Mr. Dickens was at work when he died. It has been sug-
gested that the tale is to be finished by other hands. We hope
you will allow us to state in your columns that Mr. Dickens
has left three numbers complete, in addition to those already
published, this being one-half of the story as it was intended to
be written. These numbers will be published, and the fragment
will so remain. No other writer could be permitted by us to
complete the work which Mr. Dickens has left."
%* A letter had been sent to Mr. Dickens relative
to a figure of speech in Chapter X. of " Edwin
Drood/' which figure of speech, the writer stated, had
been taken from the description of the sufferings of
our Saviour, as given in the New Testament, and
applied in a way to wound the feelings of Christian
readers. The author of " Edwin Drood" wrote the
following reply the day preceding his death. It has
already been published as "his last words": —
*'Dear Sir, — It would be quite inconceivable to
me — but for your letter — that any reasonable reader
could possibly attach a scriptural reference to a pas-
sage in a book of mine, reproducing a much-abused
social figure of speech, impressed into all sorts of
service, on all sorts of inappropriate occasions, without
the faintest connection of it with its original source.
I am truly shocked to find that any reader can make
the mistake. I have always striven in my writings to
express veneration for the life and lessons of our
Saviour ; because I feel it ; and because I re-wrote
that history for my children — every one of wdiom
364 LIFE OF CHARLES DICKENS.
knew it from having It repeated to them, long before
they could read, and almost as soon as they could
speak. But I have never made proclamation of this
from the house-tops.
" Faithfully yours,
"Charles Dickens."
*i|4* It has been remarked that the concluding
words of the last number of " Edwin Drood,"*
'' Comes to an cud— for the time!'
have a mournful significance, when read in the light
of after events.
But, it may be mentioned, that ''Edwin Drood"
is also having an independent issue -\ in America ;
and it is somewhat remarkable that the last words
in the part issued there should likewise have an
almost prophetic meaning : —
*' There, there ! there ! Get to bed, poor man, and
cease to jabber ! With that he extinguished his
light, pulled up the bed-clothes around him, and with
another sigh shut ant the worlds
*** Relative to the sketch of opium-smoking
which occurs in " Edwin Drood," Sir John Bowring
has written to the Daily News : — " Connected with
the name and history of Charles Dickens, and
illustrative of his habits of observation, it may not
* June I, 1870.
t Every Saturday, jxinc 9, 1870.
ANECDOTES AND REMINISCENCES. 365
be amiss to record that on the pubHcatlon of
* Edwin Drood's Mystery,' I wrote to him ex-
plaining what appeared to me an inaccuracy in his
description and picture of opium-smoking, and sent
to him an original Chinese sketch of the form of the
pipe and the manner of its employment in China.
Expressing much gratification with my communica-
tion, he informed me that before he wrote the
chapter he had personally visited the eastern districts
of London, in the neighbourhood of the docks, and
had only recorded what he had himself seen in that
locality. No doubt that the Chinaman whom he
described had accommodated himself to English
usage, and that our great and faithful dramatist here
as elsewhere most correctly portrayed a piece of
actual life."
GAD'S HILL HOUSE.— It has been suggested
that Charles Dickens's favourite abiding place should
be purchased by a general subscription and kept as
a national memento of the author. It is further
suggested that the house should be retained by Mr.
Dickens's family for a term, to be named by them-
selves," at the expiration of which, with their consent,
the place should merge in trustees. Dickens passed
the morning and afternoon of his last day on earth
in the chalet presented to him by a few Swiss
admirers two years since, which is erected in the
shrubbery opposite his residence, and approached by
366 LIFE OF CHARLES DICKENS.
a tunnel underneath the turnpike road. This chalet,
embosomed in the foliage of some very fine trees,
stands upon an eminence commanding a magnificent
view of the mouth of the Thames, and the opposite
coast of Essex. It was a favourite retreat of
Dickens.
''ALL THE YEAR ROUNDr—ThQ following
gracefully written circular as to the future manage-
ment of All the Year Round has been issued by Mr.
Charles Dickens, jun. It gives readers good earnest
of the talent which will, in future, assist and direct
this favourite periodical : —
It was my father's wish, expressed in writing only a week
before his death, that I, his eldest son, and latterly his assistant
editor, should succeed him in the management of the journal so
long associated with his name. In accordance with this clearly-
expressed desire, and strong in the hope inspired by so encour-
aging a mark of his confidence, I address myself to the fulfilment
of the task which he appointed me to discharge. It is intended
that the management of All the Tear Round, in the future, shall
be based on precisely the same principles as those on which it
has, up to this time, been conducted. The same authors who
have contributed to its columns in time past, will contribute to
them still. The same spirit which has in the past pervaded its
pages will, so far as conscientious endeavour may render it pos-
sible, pervade them still. The same earnest desire to advocate
what is right and true, and to oppose what is false and unworthy,
which was the guiding principle of my father's career, and
which has always characterized his management of All the Tear
Round, will, I most earnestly hope, continue to be apparent in
ANECDOTES AND REMINISCENCES. 367
its every word. So much, then, being the same, it may not be
presumptuous in mc to hope that the same readers with whom
this journal, and that which preceded it, found favour for so
many years, may still care to see the familiar title-page on their
tables as of old. "With this brief explanation of the course
I propose to adopt, and omitting all reference whatever to my
own personal feelings in connection with the great sorrow which
has rendered this statement necessary, I leave the future journal
to speak for itself. *' It is better that every kind of work,
honestly undertaken and discharged, should speak for itself than
be spoken for." These were the words with which my father
inaugurated the New Series of All the Year Round, I cannot
surely do better than repeat them in this place.
Charles Dicken^s, Junr,
THE END.
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♦** Each series sold separately. These are the best volumes of Acrostics ever issued. They comprise
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The Genial Showman ; or, Adventures with Artenms
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Brunton, 2 is.
*** This is a most interestinj; work. Tt gives Sketches of Show-Life in the Far West, on the
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*+* An entirely new gathering of Transatlantie humour. Twelve thousand copies of the Firtt
series have been sold.
UNIFORM WITH DE. SYNTAX.
Iiife in London; or, the Day and Night Scenes of
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WHOLE OF CBUIKSHANK\S VERY DROLL ILLUSTRATIONS,
IN COLOURS, AFTER THE ORIGINALS. Cloth extra, 73. 6d
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realise from Jtl to £2.
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MR. JORROCK'S JAUNTS AND JOLLITIES.
LIFE AND ADVENTURES OF JACK MYTTON.
ANALYSIS OF THE HUNTING FIELD.
LIFE OF A SPORTSMAN. BY NIMROD.
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Pictorial description of Abyssinia.
Dedicated to HER MAJESTY THE QUEEN by Royal Command,
Views in Central Abyssinia. With Portraits Ox
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Jerusalem. 4to, price 12s.
*** A book of peculiar interest at the present moment, as it gives a marvellously faithful pano-
rama of the country, about which so much has recently been said. The soiled worn volume from
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person of the draughtsman, fearing the observation of the native chiefs, who do not allow drawings
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Mary Lamb's Poems and Letters; with Inedited
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illustrations of Lamb's favourite haunts in London and the suburbs.
Facsimiles on old 'paper of the title-pages of the rare first editions of
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by Mr. John Hill Burton.
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10
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History of Playing Cards. With Anecdotes, Ancient
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•■ ^
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NEW BOOK BY THE "ENGLISH GUSTAVB DORE."—
COMPANION TO THE " HATCHET-THROWERS."
Legends of Savage Life. By James Greenwood, the
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" Enghsh Gustavo Dore." 4to, coloured, 7s. 6d. ; plain, 5s.
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Scliool Life at Winchester College; or, the E>emi-
niscenees of a Winchester Junior. By the Author of "The Log of
the Water Tjily," and " The Water Lily on the Danube." Second
edition, revised, coloured plates, 73. 6d.
*»* This book does for Winchester wliat " Tom Brown's School Days " did for Rugby.
Log of the " Water Lily " (Thames Gig), during Two
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Moselle, Danube, and other Streams of Germany. By R. B. Mans-
field, B.A., of University College, Oxford, and illustrated by Alfred
Thompson, B.A., of Trinity CoUege, Cambridge. \_In preparation.
*j^* This was the earliest boat excursion of the kind ever made on the Continental rivers. Very
recently the subject has been revived again in tlie exploits of Mr. MacGregor in his " Kob Roy
Canoe." The volume will be found most interesting to those who propose taking a similar trip,
whether on the Continent or elsewhere.
The Hatchet-Throwers. With Thirty-siz Illustra-
tions, coloured after the Inimitably Grotesque Drawings of Ernest
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*^* Comprises the astonishing adventures of Three Ancient Manners, the Brothers Brass of
Bristol, Mr. Corker, and Mungo Midge.
Melchior Gorles. By Henry Aitchenhie. 3 vols.
8vo, £1 IIS. 6d.
*^* The New Novel, illustrative of " Mesmeric Influence," or whatever else vje may choose to
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AARON FENLEY'S Sketching in Water Colours, 21s.
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some binding, gilt edges, suitable for the drawing-room table, price 21s.
*♦* It has long been felt that the magnificent work of the great English master of painting in
■water-colours, published at £i 4s., was too dear for general circulation. The above embodies all
the instructions of the distinguisheJ author, with twenty-one beautiful specimens of water-colour
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A Clever and Brilliant Book {Companion to the " Bon Gaultier
Ballads"), PUCK ON PEGASUS. By H. Cholmondeley
Pennell.
©^ This most amusing work has already
passed through five editions, receiving
everywhere the highest praise as " a clever
and hrilliant hook." TO NO OTHER
^ WORK OF THE PRESENT DA Y HA VE
SO MANY DISTINGUISHED ARTISTS CONTRIBUTED ILLUS-
TRATIONS. To the designs of GEORGE CRUIKSHANK, JOHN
LEECH, JULIAN PORTCH, ''PHIZ," and other artists, SIR NOEL
PATON, MILLAIS, JOHN TENNIEL, RICHARD DOYLE, and M.
ELLEN EDWARDS have now contributed several exquisite pictures,
thus making the new edition — which is twice the size of the old one,
and contains irresistibly funny pieces— THE BEST BOOK FOR THE
DRAWING-ROOM TABLE NOW PUBLISHED.
In 4.to, printed within an india-paper tone, and elegantly hcu/nd, gilt,
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VERY IMPORTANT NEW BOOKS.
UNIFORM WITH MB. RUSKIN'S EDITION OF " GERMAtl
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New Book of Delightful Tales.—" Family Fairy Tales;"
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DELEY Pennell, Author of " Puck on Pegasus," &c., adorned with
beautiful pictures of "My Lord Lion," "King Uggermugger," and
other great folks. Handsomely printed on toned paper, in cloth, green
and gold, price 4s. 6d. plain, 5s. 6d. coloured.
*** This charming volume has been universally praised by the critical press.
The Rosicrucians ; their Rites and Mysteries. With
Chapters on the Ancient Fire- and Serpent- Worshippers, and Explana-
tions of the Mystic Symbols represented in the Monuments and
Talismans of the Primeval Philosophers. By Hargrave Jennings.
los. 6d.
*:j^* A volume of startling facts and opinions upon this very mysterious
subject, illustrated hy nearly 300 engravings.
" Curious as many of Mr. Hotten's works have been, the volume now under notice is, among
them all, perhaps the most remarkable. The work purports to describe the Rites and Mysteries of
the Rosicrucians. It dilates on the ancient Fire and Serpent Worshippers. The author has certainly
devoted an enormous amount of labour to these memorials of the ROSE-CROSS — otherwise the
Rosicrucians."— The Sun, 21st March, 1870.
Gustave Dore's Favourite Pencil Sketches.— His-
torical Cartoons; or, Rough Pencilluigs of the World's History from
the First to the Nineteenth Century. By Gustave Dore. With
admirable letterpress descriptions by Thomas Wright, F.S.A. Oblong
4to, handsome table book, ys. 6d.
— ^c0
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Captain Castagnette. His Surprising, almost Incre-
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*#* A Story of " The Vampires of London," as they were pithily termed in a recent notoriono
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Fair I&osaxuond, and other Poems. By B. Mont-
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lufelicia. Poems by Adah Isaacs Menken. Illus-
trated with NUMEROUS GRACEFULLY PENCILLED DESIGNS DRAWN ON
WOOD, BY Alfred Concanen. Dedicated, by permission, to Charles
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ness and passion." —
Globe.
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tiest pages of verse
that have been
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ye ars." — Lloyd's
News.
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could have guessed
the power and
beauty of the
thoughts that pos-
sessed her soul, and
found expression in
language at once
pure and melodious.
.... Who shaU
say Menken was not
" An amusing little book,
legacy to mankind and the a
a poet ? Through-
out her verse there
runs n golden thread
of rich and pure
poetry." — Prets.
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about many of the
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most startling." —
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and wayward
woman, the exist-
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nature will be sug-
gested for the first
time to many by the
posthumous disclo-
sure of this book?
We do not envy the
man who, reading
it, has only a sneer
for its writer ; nor
the woman who
finds it in her heart
to turn away with
averted face." —
New York Round
Table.
unhappily posthumous, which a distinguished womau has left as a
jes." — Saturday Review,
Anacreon in English. Attempted in the Metres of
the Original. By Thomas J. Arnold. A choice little volume, price 4s.
The Village on the Forth, and other Poems. Ey
Philip Latimer. Just published, elegantly printed, price 33. 6d.
Baudelaire. Translations from Ohas. Baudelaire,
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NEW AND CHEAPER EDITION OF SIR DAVID BREWSTER'S
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*** This is the Tenth Edition of this popular work.
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*** An entirely new work on Christian Philosophy, and one that is calculated to be very popular.
Darwinism Tested hy the Science of Language. By
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*** A very curious book, tracing all European Languages to an Asiatic source. The work has
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Malcne's (Ed.) Life. By Sir James Prior, with his
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12 John ilamden Hottdn, 74 and 75, Piccadilly, W.
This day, handsomely printed, pp. 580, price Ts. 6d. ; by post Ss.
HISTORY OF SIGNBOAiiDS,
With Anecdotes oe Famous Taverns and Remarkable
Characters.
By JACOB LARWOOD and JOHN CAMDEN HOTTEN.
Old Sign of the Good (or Silent) Womax.
This curious work upon a very interesting subject has been divided into the
following Sections: —
Dignities, Trades, and Professiona.
The House and the Table.
Dress, Plain and Ornamental.
Geography and Topography.
Humorous and Comic.
Puns and Rebuses.
Miscellaneous Signs.
Bonnell Thornton's Signboard Exhibi-
tion.
General History of Signboards.
Historic and Commemorative Signs.
Heraldic and Emblematic.
Animals and Monsters.
Birds and Fowls.
Fishes and Insects.
Flowers, Trees, and Herbs, &0.
Biblical and Religious.
Saints, Martyrs, &c.
Nearly 100 most carious illastrations on wood are given, showing the various
old signs which were formerly hcng from taverns and other houses. The frontispiece
represents the famous sign of " The Man loaded with Mischief," in the colours of
the original painting said to have been executed by Hogarth.
John Camden Rotten, 74 and 75, Ficcadilly, W,
A KEEPSAKE FOR SMOKERS.
This (lay, exquisitely printed from "silver-faced" type, cloth, verjneat^
gilt edges, 23. 6d., post free,
THE
SMOKER'S TEXT-BOOK.
By J. HAMER, F.R.S.L.
THIS BXQTIISITE LITTLE VOLUME COMPRISES THE MOST IMPORTANT PASSAGES
FROM THE WORKS OF EMINENT MEN WHO HAVE WRITTEN IN FAVOUE
OF THE MUCH ABUSED WEED.
18
THE TRUE CONSOLER.
TTE who doth not smoke hath either
known no ffreat griefs, or refuaeth
himself the softest conaobition, next to
that which comes from heaven •■ What,
Bol'ter than woman?" whispent the young
reader Young reader, woman t«azes bm
wt;U a« consoles. Woman makes half tha
aoiTowt which she boasts the privilege to
southe Woman consoles us, it is true,
while we are younz and handsome; when
we are old and uglr, woman snubs and
scolds us On the whole, then, woman in
this scale, the weed in that, Jupiter, hang
out thj balance, and weigh them both ;
and if thou give the preference to woman,
all I can say is, the next time Juno ruffle!
thee — O Jupiter 1 try the weed.
BULW£&'S "What will hedowitli it?"
\* The specimen page above gives but a very slight idea qf the small, yet beautiful
and very clear type, in which the volume has been printed, on the most delicate of
toned papers.
" A pipe is a great comforter, a pleasant soother. The man who smokes thinks
like a sage, and acts like a Samaritan."
"A tiny volume, dedicated to the votaries of the weed ; heautifully printed on toned
paper in, we believe, the smallest type ever made (cast especially lor show at the Great
Exhibition in Hyde Park), but very clear notwithstanding its minuteness. In the
emblematic design of the German artist, Eetbel, reproduced on the title-page, the
hand of Death holds the balance to show that the pleasures of the king's crown do not
outweigh those of the poor man's pipe. The pages that follow sing in various styles
the praises of tobacco. Amongst the writers laid under contribution are Bulwer,
Kingsley, Charles Lamb, Thackeray, Isaac Browne, Cowper, and Byron." — The Field,
J<An Camden Sotten, 71 and 76, Ficcadilly, W.
ADVEETISEM ENTS.
Hotten's ''Golden Library"
OF THE BEST AUTHORS.
*:5^* A charming collectioii of Standard and Fa voiirite Works^
elegantly printed in Handy Volumes, uniform with the Tauchnitz
Series, and published at exceedingly low prices.
DISRAELI SPEECHES on the conserva^
TIVE POLICY OF THE LAST 2>o YEARS.
IS. 4d. In cloth, is. lod.
GLADSTONE speeches on questions of
THE DA Y. IS. 4d. In cloth, is. lod.
Delivered during the last 20 years.
BRIGHT SPEECHES ON PUBLIC AFFAIRS.
IS. 4d. In cloth, is. lod.
Delivered during the last 20 years.
CARLYLE ON the choice of books, is.
In cloth, IS. 6d.
Should be read, and re-read by every young man in the three kingdoms.
HOLM ES PROFESSOR A T THE BREAKFAST
TABLE. IS. In cloth, is. 6d.
A companion volume to "The Autocrat of the Breakfast Table."
LEIGH HUNT tale for a chimney corner.
AND OTHER ESS A YS. is. 4d. Cloth, is. lod.
A volume of delightful papers, humorous and pathetic.
HOOD WHIMS AND ODDITIES. 40 Illus-
trations, IS. In cloth, IS. 6d.
"The best of all books of humour."— Professor Wilson.
LELAND HANS BREITMANNS BALLADS,
COMPLETE, IS. In cloth, IS. 6d.
Inimitable humour.
HAWTHORNE note books. Edited by Conway.
IS. In cloth, IS. 6d.
"Live ever, sweet, sweet book."— Longfellow.
gYRON TRUE STORY OF LORD AND LADY
B YRON. IS. In cloth, is. 6d.
By personal friends, and literary cotemporaries.
LONDON : JOHN CAMDEN HOTTEN, 74 & 75, PICCADILLY.
AND ALL BOOKSELLERS AND RAILWAY 'STATIONS.